Squirm

Fly Creek is a small southern town best known for it's "antiques" and the Grimes Worm Farm. During one particularly hot summer, while Mick (Don Scardino) is on his way on a bus to meet new girlfriend Geri Sanders (Patricia Pearcy), they're hit by a whopper of a thunderstorm. Fly Creek's roads are flooded and they've lost power due to a downed power line that is still sparking. And that leads to a big problem. Because when the film's worms are stimulated by electricity, they come out of the ground, ready to bite, and there are millions of them!

As is obvious from the premise, Squirm is a nature-gone-wild film, a subgenre of horror that was particularly active in the 70s. It's a pretty good example of the genre, and the film is successful more often than not, as long as you don't start to question the plot too much. Overall, it's a 7 out of 10 for me. I almost gave it an 8, but the ending is a bit too clichéd, so I knocked off a point. I've only seen one of director/writer Jeff Lieberman's other films so far--Blue Sunshine (1976)--and that also had points taken off for a less-than-satisfying ending.

Squirm is at its best when it's wallowing in small redneck town weirdness. The Sheriff (Peter MacLean) is frighteningly unresponsive, a bit pleasantly campy, and he's also a paranoid troublemaker. The Grimes family, Willie (Carl Dagenhart) and Roger (R.A. Dow), are demented and creepy. The Sanders family seems oddly dysfunctional, and Geri's sister, Alma (Fran Higgins), demonstrates that Juliette Lewis wasn't the first Juliette Lewis. When all of this stuff is combined with Squirm's initial slow-burning horror aspects--including a relatively subtle amount of worms and a well-placed (both literally and in terms of the script) skeleton--it is good, almost sublimely so.

But things begin to go slightly awry when we get to the big extravaganza near the end. The characters have either died off or Lieberman simply abandons them. Having a lot of characters die off by the end is understandable and even laudable in a film like this, but it's too bad we couldn't have seen them longer and had more emotional investment in them. Simply abandoning characters isn't as excusable. Of course the attacking worm quotient increases as the film continues, and this is handled well physically (I can't imagine having to be a worm wrangler), but plot points surrounding the worms become sketchier and almost contradictory at times. That saps too much tension out of the ending, and instead we're primarily engaged by physical effects for their own sake, plus a wonderfully campy change in personality from Roger.

Squirm is definitely worth seeing for anyone with a taste for lower-budget 1970s horror, and at times is quite a gem. Just don't set your expectations too high (but really, who would for a film like this?)

Against FOOD OF THE GODS, DOGS, KINGDOM OF THE SPIDERS, the irrepressible SLUGS and other nature-gone-berserk flicks, SQUIRM stands tall.

The worms are the thing here, but their existence does not short-change the film's acting, storyline and characterizations. Director Jeff Lieberman, a fellow of immense cinematic intelligence (BLUE SUNSHINE, JUST BEFORE DAWN), has crafted a smart, stylish little thriller that delivers on its promise.

Rick Baker's worms are very impressive and Lieberman knows when to reveal them and when to keep them -- literally -- in the dark.

The set-up is simple. Following a filthy, dirty storm, downed powerlines send bolts of electricity into the earth. Shocked worms turn rabid and begin to menace "us".

The film is exceptionally well photographed and acted, the rural setting works beautifully, and the climax packs a punch.

Solid filmmaking all 'round.

This film gave me vivid nightmares as a kid. It has a scene where worms burrow under a guy's face. It was just on MST3K. It has a creepy song that plays over the opening credits (as Tom Servo puts it, It's evil little kid music). And DON'T, I mean don't eat spaghetti while watching this movie or within a week of viewing this film.

"Squirm" is set in rural Fly Creek, Georgia in the aftermath of a violent storm. Power lines are knocked down by the storm and are feeding electricity into the wet ground. This drives the worms crazy, and for some reason, to crave flesh. The day after the storm, a young man from NYC, Mick, arrives by bus to visit his new girlfriend, Gerry, a resident of Fly Creek. As strange events begin to unfold, the young couple turn detective and try to solve the mystery. They find a corpse, lose a corpse, frustrate Gerry's jealous neighbor, and try the patience of the local sheriff more than once. Will they be able to crack the case in time to save the town?! Tune in to see.

Director Jeff Lieberman did not direct many films , but he does a great job with this one. The pacing is great, and the cinematography is some of the best work done on a horror film during the 1970's. He includes plenty of humor and suspense, the required ingredients in these films. The lead actors also do a great job. Don Scardino, as Mick, looks like a young Horatio Caine trying figure out what is going on in this small town. He comes off as likable and heroic in an amateurish fashion. Patricia Pearcy plays Gerry, the perfect young southern belle. She's well mannered, attractive and has a subtle sexuality that you don't usually see in horror films. Though not a great acting performance, she seems comfortable in the role. She and Scardino seem to have real chemistry, which is refreshing to see in a low budget creature feature. The rest of the cast is hit and miss. Gerry's family, her love lorn neighbor, and the local sheriff are perfect. The rest of the cast seems to have no acting experience whatsoever.

This is a fun movie to watch late at night. The low budget limits this film's potential, but the cast, as well as the excellent direction, make this a must see.

The song that plays over the opening and closing credits is perfect. It sets exactly the right tone for the film.

You wouldn't know it from the description, but SQUIRM manages to be scary, fun, gross, and engaging all at once. Scare shots are timed to a tee and both the conflict of the film and the characters involved in it are executed with as much style and excellent timing as could be expected for a film about killer worms. The scene where worms burrow into Roger's face, and the one where the bathtub is quickly filling up with worms are really effective. Your local video store probably sold off this one years ago along with other slow-renting titles to make room for hundreds of copies of "Sleepless in Seattle," though, so if you see a copy and are looking for a good scare, pick it up.