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Der Richter und sein Henker

  • 1975
  • PG
  • 1 घं 46 मि
IMDb रेटिंग
5.9/10
1.2 हज़ार
आपकी रेटिंग
Jacqueline Bisset, Jon Voight, Robert Shaw, and Martin Ritt in Der Richter und sein Henker (1975)
Suspense MysteryWhodunnitCrimeDramaMysteryThriller

अपनी भाषा में प्लॉट जोड़ेंWhen a Swiss cop is murdered, a veteran homicide inspector and a rookie are assigned to solve the case but they are obstructed by interfering Swiss politicians.When a Swiss cop is murdered, a veteran homicide inspector and a rookie are assigned to solve the case but they are obstructed by interfering Swiss politicians.When a Swiss cop is murdered, a veteran homicide inspector and a rookie are assigned to solve the case but they are obstructed by interfering Swiss politicians.

  • निर्देशक
    • Maximilian Schell
  • लेखक
    • Friedrich Dürrenmatt
    • Maximilian Schell
    • Roberto De Leonardis
  • स्टार
    • Jon Voight
    • Jacqueline Bisset
    • Martin Ritt
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    5.9/10
    1.2 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Maximilian Schell
    • लेखक
      • Friedrich Dürrenmatt
      • Maximilian Schell
      • Roberto De Leonardis
    • स्टार
      • Jon Voight
      • Jacqueline Bisset
      • Martin Ritt
    • 26यूज़र समीक्षाएं
    • 11आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 3 जीत और कुल 2 नामांकन

    फ़ोटो25

    पोस्टर देखें
    पोस्टर देखें
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    पोस्टर देखें
    पोस्टर देखें
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    + 18
    पोस्टर देखें

    टॉप कलाकार21

    बदलाव करें
    Jon Voight
    Jon Voight
    • Walter Tschanz
    • (as John Voight)
    Jacqueline Bisset
    Jacqueline Bisset
    • Anna Crawley
    Martin Ritt
    Martin Ritt
    • Hans Bärlach
    Robert Shaw
    Robert Shaw
    • Richard Gastmann
    Helmut Qualtinger
    Helmut Qualtinger
    • Oskar von Schwendi
    Friedrich Dürrenmatt
    Friedrich Dürrenmatt
    • Lamont Friedrich
    Lil Dagover
    Lil Dagover
    • Gastmann's Mother
    Gabriele Ferzetti
    Gabriele Ferzetti
    • Dr. Lucius Lutz
    Rudolf Hubacher
    • Bodyguard 1
    Rudolf Hunsperger
    • Bodyguard 2
    Norbert Schiller
    Norbert Schiller
    • Dr. Samuel Hungertobel
    Rita Calderoni
    Rita Calderoni
    • Nadine
    Guido Cerniglia
    • Coroner
    Willy Hügli
    • Alphons Clenin
    Margarete Schell Noé
    • Frau Schönler
    Otto Ryser
    • Blatter
    Toni Roth
    • Old Lady
    Wieland Liebske
    • Taxi Driver
    • निर्देशक
      • Maximilian Schell
    • लेखक
      • Friedrich Dürrenmatt
      • Maximilian Schell
      • Roberto De Leonardis
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं26

    5.91.1K
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    10

    फ़ीचर्ड समीक्षाएं

    8t_atzmueller

    As close to the masterful novella as an adaptation gets

    A countryside cop discovers the corpse sitting behind the wheel of a car, having been killed with a shot to the head and decides to cart the body off to the next village. It turns out the corpse (Sutherland) was policeman, Lt. Schmied, assistant of commissioner Baerlach (Ritt), a grizzled veteran, suffering from a stomach disease that will likely kill him within a year. Baerlach investigates and demands a new assistant: young, ambitious policeman Tschanz (Voight). They discover that Schmied had worked undercover, seemingly on in own account, and had investigated a certain Gastmann (Shaw), an ominous "businessman" who was connections with high-ranking politicians and officials. What ensues is a cat and mouse game, which involves not only the current case but a murder that took place decades ago, a bet between two friends, a self-appointed judge and his chosen hangman.

    I have to admit that Friedrich Dürrenmatts novel "The Judge and his hangman" is among my personal favorites, which I have read countless times (and still enjoy occasionally in the form of an audio-book). As far as adaptations go, Maximilian Schell has it spot on – however, I can understand how people who are not familiar with the novel will find the film awkward, sometimes strangely timed or even sketchy.

    It is not that Schell is a bad director, but that he had decided to stay very close to the novel: Dürrenmatt (who had a small part as a quirky novelist) is an exceptional writer, who doesn't care much for genres or conventions. "The Judge and his hangman" is not just a mere crime-story but a crime-story that's also a moral play, a pitch-black comedy and a social commentary. In essence it's about the past (or fate, if you want) catching up on people, even if it may be at the end of their lives.

    Ritt as disillusioned policeman with a past, often reminding off a Swiss Columbo, Shaw as nihilistic, cynic master-criminal and Voight playing his role (very close to the novel) as a man-child with cherub face that a grandmother would probably like to pinch but, like the rest of the characters, seems to have his own secret agenda; the cast is altogether excellent. Bisset, though very pleasant to behold, seems a little out of place (at least in the context of the novel, where her character plays a minor role at best) but Schell does a good job incorporating her into the story. Not to forget: Donald Sutherland must have had a field-day playing the most animated corpse since "Weekend at Bernie's". Story and performances are topped off by an excellent soundtrack of Ennio Morricone. "Once you've heard this music, it will never leave you completely", comments one of the figure on a marching band. I can only agree: I've had the haunting score creep up in my head ever so often for the past 30 years.

    A final word of advice: I have only watched the original version once and find it rather irritating or unfitting to hear the characters talk in English. In the German synchronization the actors (with the exceptions of Shaw and Bisset) are given throaty Swiss accents, which are way more "authentic".

    If you expect a run-of-the-mill who's dunnit, you might end up disappointed but as far as adaptations go, few have gotten as close to the source material as "End of the Game" (a title which is true, but I still prefer to call the film "The Judge and his hangman").

    8/10
    9aromatic-2

    Breathtaking performance by Martin Ritt

    Martin Ritt is absolutely spellbinding. He embodies one of the most unforgettable men I have ever met on the screen. It is a neat little thriller, and Shaw is fine as the would-be super-villain, but it is Ritt that still haunts my thoughts and dreams years after my three viewings of this film; I would love to get it on tape.
    5SgtSchultz00

    Great Setup, Bad "Ending"

    Well as others have commented there is some great acting here. My favorite is Robert Shaw as the villain, but Martin Ritt as the inspector is also quite good.

    The problem is that the plot mostly makes absolutely no sense (I can't believe they didn't somehow change what was in the book), and the denouement is more or less unfathomable. It's almost like they had a great setup and didn't know how to explain things or end them.

    As others mentioned, the film is enveloped in fog and is quite grainy. Switzerland was never that foggy when I was there! And the music didn't really match the action on the film.

    All in all, from what I can tell, skip this and try the book.
    6gridoon

    Twisty.

    A very obscure thriller - both in the sense that it's very hard to find (I actually saw what seemed to be the imported British version, under the title "Deception"; the print was in terrible condition), and also in the sense that it has a very murky structure and characters with motivations that are pretty hard to understand, unless perhaps you've read the book. Some good twists and interesting performances (especially by Robert Shaw as the politically powerful villain)....but hold off watching it until you come across a decent print. (**1/2)
    Tails-5

    One hole in the head, two bullets...

    Two bullets. Twoooo bullets. Interesting? Two bullets. That just about describes the wonderful dialogue in the movie. This movie has something in common with "The Sicilian Clan" in the sense that both try to be tense thrillers, but inadvertently end up being awkward comedies. The movie's potential was severely hampered by Martin Ritt, who possesses the worst table manners in the world. He never hesitates to show the world what his food looks like after it's chewed up. Other than that, all the clumsy direction never fails to pull a chuckle or two out of you when it tries to be intelligent (e.g. when the car comes crashing off the highway. It twirls over in slow motion, then lands on the cab and makes a hilarious, synthetic crash sound.) All in all, for me the movie ranks lower than "The Sicilian Clan".

    इस तरह के और

    To the Devil a Daughter
    5.8
    To the Devil a Daughter
    Heaven with a Gun
    6.3
    Heaven with a Gun
    Harper
    6.8
    Harper
    Labor Day
    6.9
    Labor Day
    Dark Places
    5.8
    Dark Places
    And Soon the Darkness
    6.6
    And Soon the Darkness
    Bucktown
    6.2
    Bucktown
    The Collector
    7.5
    The Collector
    Educating Rita
    7.2
    Educating Rita
    Diamonds
    5.2
    Diamonds
    सीबिस्किट
    7.3
    सीबिस्किट
    Telling Lies in America
    6.2
    Telling Lies in America

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Robert Shaw claimed that he never received his fifty thousand dollar salary.
    • भाव

      Richard Gastmann: Another year, your doctor says. That is, if he can operate on Thursday.

      Hans Bärlach: Another year.

      Richard Gastmann: Your last year, Hans. Why waste it on me?

      Hans Bärlach: One day I'm going to convict you for your crimes.

      Richard Gastmann: You can't let go of it, can you? You let it chew up your guts until it has chewed up your guts.

      Hans Bärlach: The Barlach's always had poor stomachs.

      Richard Gastmann: Keep on churning, Old Man; keep on churning. Still hung up on right and wrong. One day you're going to realise, there is none.

      Hans Bärlach: Have you ever seen your victims? I could show you pictures. How many people died because of you? Fifty, Sixty...?

      Richard Gastmann: I could show you...

      Hans Bärlach: ...a hundred, thousand?

      Richard Gastmann: ...earthquakes, plagues, famine, victims more mutilated than any explosions could make. Has to be done, Old Man. It has to be done.

      Hans Bärlach: If you don't do it, somebody else will?

      Richard Gastmann: Quite right. Anyway, I sleep now much better than i used to.

      [looking out the window]

      Richard Gastmann: Take the mob down there; pull ten out put ten back - doesn't make any difference.

      Hans Bärlach: You think you're God.

      Richard Gastmann: Only his humble servant, Old Man, only his humble servant.

      Hans Bärlach: You don't believe in God?

      Richard Gastmann: Oh, yes. I think religion's very good for children; Jesus, suffering on the cross. I don't know anything better. Look, Hans, we made a bet together. I won. You lost.

      Hans Bärlach: The result of that bet was death.

    • क्रेज़ी क्रेडिट
      Corpse provided by Donald Sutherland
    • इसके अलावा अन्य वर्जन
      When the film was released internationally it was cut by 15 minutes. For unknown reasons, only the shorter international version has ever been released on home video. Both versions have a full soundtrack in English. The following sequences are missing in the shorter cut: 01 - After Baerlach visits Mrs. Schoenler there is a brief scene in which we see him feeding bears at a zoo. He then goes to the town hall and sees Gastmann from afar. This prompts a brief flashback of Nadine's corpse floating in the river. Baerlach talks to Lutz and asks him for a new partner. He wants Tschanz. Lutz says Tschanz is on holiday but Baerlach insists. Baerlach lights a cigar and is taken over by a coughing fit, Lutz asks for a glass of water but the secretary brings a flower. Lutz finally agrees to assign Tschanz to him and notes that they will make a great team. Baerlach thanks him and leaves. 02 - During the funeral scene there's an additional shot. After Tschanz notices the name on the wreath is wrong we see a woman's hat falling off and one of the mourners pick it up and throw it onto the coffin. The sound of the woman gasping can still be heard on the soundtrack when the trombonist empties water from his instrument in the short version instead of the correct sound of water pouring out. That shot is followed by another shot missing from the shorter cut in which a uniformed policeman congratulates Lutz on his speech. 03 - The first scene with Anna and Tschanz is a little different. They are first seen lying naked on the floor in silence. She gets up, lights a cigarette, and says "Don't think about it, it was good. I wanted that". She then walks over to the bathroom. In the shorter cut, the line is dubbed over the close-up of Anna and Tschanz and then cuts directly into Anna in the bathroom. 04 - There is another brief moment missing from the shorter cut in this sequence. After Anna says "Call me" Tschanz says "I hate telephones. I'd rather stand in front of your house and wait for you". There is a short discussion and she tells him to go. The scene then proceeds like in the shorter cut with Tschanz asking "Who are they". 05 - Right after the scene in which Baerlach returns home and takes off the arm protector Tschanz is seen in a phone box. He calls Anna but she isn't at home. 06 - After the "Dr. Lutz, the minister is expecting you" line, Tschanz is seen lying in bed looking sick and calling Anna's house again but no one answers. 07 - After Tschanz runs out of the baggage loading area there are two brief shots of Gastmann's henchmen watching him hidden behind crates. 08 - The sequence in which Tschanz and Anna are walking next to the river is longer. In the shorter version the scene ends after Tschanz asks Anna about Baerlach's suspicions but in the longer cut they continue talking. Anna tells Tschanz she wants him to be kind and talk to her. They talk about their families and she tells him he needs to grow up and be kind. Tschanz goes into the playground and starts playing football with the kids. Anna smiles at him. 09 - The entire sequence in which Baerlach leaves and is arguing with Tschanz and is then picked up by Gastmann as well as the entire sequence on the bridge in which they discuss their "game" and in which Gastmann disposes of the dead driver takes place at night. The sequence was originally shot day-for-night but the effect was removed in the shorter version. The scene is exactly the same bar one short insert. When Gastmann's henchman throws the driver's body in the water there is a short flashback of Nadine's corpse floating as seen in the Istanbul intro. 10 - After Gastmannshouts at Baerlach ("You fool") we see Tschanz lying in bed thinking. Then we see Anna emerging from the shower and getting dressed. Then we see Tschanz entering her house. Anna walks into her living room and sees him. He tells her he loves her and forces himself on her. She struggles but eventually says "Alright, if you want me you can have me. But you can't HAVE me. Understand?". She then tells him Robert has more power over her than ever before. They talk briefly and Tschanz concludes she never loved anyone. She is then seen leaving by car.
    • कनेक्शन
      Featured in Schach mit Dürrenmatt: Maximilian Schell über 'Der Richter und sein Henker' (2011)
    • साउंडट्रैक
      Violin Concerto in D: III. Rondo
      Written by Ludwig van Beethoven

      [played by violinist practicing under tree]

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल16

    • How long is End of the Game?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 5 मई 1978 (पश्चिम जर्मनी)
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    • इस रूप में भी जाना जाता है
      • El puente sobre Estambul
    • फ़िल्माने की जगहें
      • Bern, Kanton Bern, स्विट्ज़रलैंड
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      • MFG-Film
      • T.R.A.C.
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    बदलाव करें
    • चलने की अवधि
      1 घंटा 46 मिनट
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    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Jacqueline Bisset, Jon Voight, Robert Shaw, and Martin Ritt in Der Richter und sein Henker (1975)
    टॉप गैप
    By what name was Der Richter und sein Henker (1975) officially released in India in English?
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