Max Havelaar of de koffieveilingen der Nederlandsche handelsmaatschappij

In my opinion, this is one of the most powerful, beautiful and magnificent movies ever made, on every possible level: the way the story has been adapted from the book, to its incredible cinematography, character depiction, and the sensitive awareness of the complexities in the situation it describes, i.e., the finally brutal Dutch colonizing of Indonesia.

The contrasts between the beauty of the islands and its people with the horror of the disastrous situations brought on by the Dutch, are enormously moving and emotionally wrenching. Be careful about seeing it: it may change your life, as the book it was based on started to change Holland's awareness of the price, to themselves and the people of the islands, of its exploitation of these defenseless peoples. Never seen anything better, really.

"Max Havelaar" is a 19th century novel about the Dutch colonial rule in Indonesia - specifically, about one man's fight against the oppressive, bureaucratic and inhuman nature of the Dutch/Indonesian rule in the poor province of Lebak. The novel is (rightfully) considered one of Holland's most enduring and powerful works of literature; Fons Rademaker's 1976 cinema adaptation, however, has been largely forgotten.

This is a shame. While the script is ponderous and the pacing definitely not for the impatient, it is a haunting movie thanks to its big star: beautiful Indonesia itself, one of the most lush, mysterious places on earth. Beautifully photographed by Jan "Speed" de Bont, you can practically feel the tropical heat emerge from your screen... And to see the fair-skinned Dutch try to make sense of this environment makes you wonder how they built this empire in the first place. The recreation of the 19th century is also very well done - you can tell the budget must have been unusually high for a Dutch film of this period.

In any case, my advice is to sit through it, maybe in 3 sessions. I'd recommend "Max Havelaar" in particular for anyone interested in Indonesian history and culture.

The problem of some peoples of South Asia and Africa was that of their intrinsic corruption, their poor culture and great ignorance which made these peoples non-productive and incapable of everything slaves.

Even today these countries are horrible in all existing statistics.

European colonialism has always improved and brought great techniques and great culture, but men with blinkers do not understand good things, and follow evil and horrible traditions. As it was in Indonesia, it is still one of the worst countries in Asia today.

The film is good, has great intentions of justice, and is also very realistic.

This film works. It gives a realistic, grim depiction of life in a European colony, namely Indonesia. The description of web of hypocrisy of church-going Dutch and the utmost repression the natives under their rule endure. People who derive benefits from others misery and use powerful denial mechanisms to evade from the truth. Max Havelaar was a man, the film makers and writers seem to love - a beacon of hope. One stand up guy who resists succumbing to the mire of human power struggles and utmost cruelty towards other people, in a situation where he has the position to wield unquestionable power. In this he reminds of Josef Schindler who also found some humanity in a dire, cruel situation. This film also matches John Sayles' "Men With Guns" in portraying human cruelty.

An idealistic Dutch colonial officer posted to Indonesia in the 19th century is convinced that he can make the kinds of changes that will actually help the local people he is in charge of, but soon runs into massive corruption on both sides.

MAX HAVELAAR, AN OLD DUTCH MASTERPIECE. VIewed at the Seattle Film Festival, June, 2007 .

Fons Rademaker's Dutch masterpiece "Max Havelaar" (The Netherlands, 1976, RT 170 minutes). Fons Rademaker was perhaps the greatest Dutch director and, based on this towering epic, clearly one of the greatest of all European directors. He died only a few month's ago (in 2007) and "Max Havelaar" is the Seattle film festival's fitting tribute to his memory. Rademakers "Havelaar" is a magnificent sweeping epic, based on a novel of the same name, telling a tale of Colonial oppression in the Dutch East Indies — today's Indonesia — in the mid 1850s. Max Havelaar was a Dutch colonial administrator with a sense of justice who struggled against a corrupt local Raja and his own corrupt racist fellow officials in favor of the ruthlessly exploited local farmers. Other than Rutger Hauer in a small role, there are no name actors known outside of Holland, although Peter Faber in the title role is superb and firmly believable as Max, and the large cast of Indonesian actors, male and female, young and old, are completely authentic, unlike Hollywood's phony depictions of such "natives". In short"Havelaar" is a classic of world cinema whose nearly three hours of screen time flit by timelessly. If one were to see only one Dutch film this one is it. Not to miss if it ever comes your Way.