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Schlesinger made a great action-suspense film and married it to the artistry of unique talents… Hoffman was, by then, a dynamic, young and incredibly versatile film actor with three Academy Award nominations already under his belt for "The Graduate," "Midnight Cowboy," and "Lenny."

But the key to "Marathon Man" was the chemistry between its stars… Perhaps one of the most gut-wrenching and most memorable scenes in the film comes when Hoffman is captured and tortured by Olivier who plays the role of a mean and vicious and sadistic Nazi war criminal, Christian Szell… Olivier's performance resulted in a 1976 Academy Award nomination as Best Supporting Actor…

In 1945, Szell ran the experimental camp at Auschwitz where they called him the White Angel… He was a dentist and could provide escape for any Jew who was willing to pay the price… He started out with gold, naturally, but very quickly worked his way up to diamonds…

As Szell saw the end early, he sneaked his brother into America with the diamonds… And they were right here, in New York, in a safe deposit-box until Szell's brother got killed in a head-on collision with an oil truck…

Uniquely built, and with a marvelous, rugged face, Roy Scheider, well known for his strong performances in "The French Connection," "Klute," and "Jaws," came on board as Hoffman's mysterious businessman brother, getting the rare chance to play a character that's both hero and villain… Doc is a fascinating guy because he chooses to work out his problems in a much different way than Dustin's character does… He was very touched and very moved by his father's death, but he abandoned all his hopes for whatever he intended to do and he became a spy, a killer, a very jaded personality…

In doing something truly suspenseful, Schlesinger accomplished a film that's largely about fear and it's about pain and the infliction of pain because of fear… The thrilling sensation of great expectations came on the 47th Street in the diamond district in New York, where Schlesinger gets the best of it

I think this is the best thriller I've ever seen. If you look at it today, it also proves that audiences were more intelligent in 1976 than they are now. MM was a fairly sizeable hit movie - despite making absolutely NO concessions to the lazy filmgoer who refuses to think. Nowadays you can read actual film critics who call something like "The Matrix" confusing and hard to follow, when in fact Laurence Fishburne just stands there and TELLS YOU what is happening. 25 years of lifeless, same old same old movies and TV have made most people into dimbulbs. If you're not one of them you'll love MM.

John Schlesinger's 1976 classic about a graduate student in New York City who becomes the center of a mean old ex-Nazi war criminal dentist and the government's objective to throw him over. Dustin Hoffman provides us with an excellent performance as the 'Marathon Man'. He was almost forty when he played the role and with his acting skills he makes us believe he is actually a graduate student. Roy Scheider is perfect as Hoffman's crafty and slick older brother who works for the C.I.A. Scheider really does a lot with his role making him perhaps even the coolest character in the movie. Veteran Shakespearan actor Laurence Olivier gives an incredible performance as the evil ex-Nazi that rightfully earned him a Academy Award Nomination for Best Supporting Actor. John Schlesinger provides incendiary direction, and the screenplay is consistently engrossing and full of twists. If you are looking for one hell of a suspense flick with a lot of action you should definitely check out 'Marathon Man' at your local videostore. 'Marathon Man' should have earned Oscar nominations for -- Best Picture, Best Director, Best Actor in a Leading Role - Dustin Hoffman, Best Actor in a Supporting Role - Laurence Olivier, Best Actor in a Supporting Role - Roy Scheider, Best Original Screenplay, Best Cinematography and Best Film Editing. Watch out for the creepy 'dentist' scene. Grade: B+

My alternate title for this one is "Nebbish vs. the Nazis". I've seen it 4 times and it's as scary each time. You can put aside all his 40's and 50's Shakespeare stuff--Laurence Olivier has never been better than in this movie. His portrayal of the monstrously cold-blooded Dr. Szell is truly blood curdling--in every scene he's in he's absolutely mesmerizing. (A welcome treat after his pitiful performance in "Bunny Lake is Missing.") Dustin Hoffman is the perfect foil as the naive and 'nebbishy' graduate student who inadvertantly gets embroiled in it all. He's as good in this as he's ever been. These two together in this film is acting at its very best. Solid supports from Roy Scheider and William Devane fill this out nicely. Notice that virtually no special effects were needed--They just don't make action thrilers like they used to.

1970s movies are so cynical, aren't they? Dark, depressing, and often grainy-looking and washed out. "Marathon Man" fits that description. It's good, of course - very good - but it's not exactly a good time. Know what I mean?

William Goldman, one of Hollywood's few celebrity screenwriters, wrote both the original novel and the script for this film version. I find him a bit overrated, but here he does a good job of elevating hack-level thriller material into a sort of art form. The beginning of the film is particularly well-written and intriguing, since it's full of creepy and cryptic events that are not immediately explained. But, alas, I find the ultimate explanation of these events to be rather prosaic and disappointing.

So, I think the movie's strengths lie in the acting and directing, more so than the story. Olivier and Scheider give particularly great performances, and Marthe Keller comes across as appropriately sweet and sexy (her big "secret," though, should be really easy for anyone to guess!) I'm a little less enamored of Dustin Hoffman, whose character is inexplicably nicknamed "Babe." He's just way too old to be a typical graduate student (almost forty years old, to be precise), and he simply doesn't have much charisma to me. Usually I like normal-looking, non-glamorous actors, but somehow Hoffman doesn't float my boat.

Still, it's hard not to sympathize with the poor guy while he's being pursued, beaten, tortured etc. The "dental horror" scene is still quite effective, though it's rather short; I was more impressed by the subsequent chase through the dark streets of NYC. (The city, by the way, looks like a hellish, crime-infested, debris-strewn pit in this movie - like it does in most 1970s productions!)

In the end, "Marathon Man" isn't quite another "French Connection," but it's got more than enough suspense to crush a lot of the dross that infests theaters today. It's worth watching just for the terrifying scene when the bad guys start tearing Hoffman's door off its hinges - it's good stuff.