Mannen på taket

This film is still, 25 years later, probably one of the best action films ever made in Sweden. The almost documentary style of shooting, the superb naturalistic performances, gives the movie its immediacy and urgency (The editing of the helicopter sequence is absolutely superb) - the sense that this is actually happening, as opposed to the dreadful American actionmovie stylization that dominates Swedish film-making nowadays (Nolltolerans, Hassle-förgörarna, Hamilton, the list goes on). Swedish directors should take a long, hard look at this movie, and hopefully get a clue as to what works and makes a movie believable, instead of trying to emulate an American-type of movie-making.

Uncharacteristicly excellent crafted action film that takes a frank look at the horrors of Police corruption. Well thought out story with terrific action set pieces. A fine example of Swedish filmmaking in the 1970s. Its about an investigation into the murder of a high ranking Policeman who is found out was corrupt and sadistic. The murder sequence at the beginning is brutal and gory. Done with good scenes of Police procedural by Bo Widerberg.

Mannen Pa Taket/The Man on the Roof(1976) has something which many high Hollywood films of today do not have and that is brains. Carl Gustaf Lindstedt gives a fine performance as DT. Martin Beck. The climax is nail biting and realistic. The last act of Mannen Pa Taket(1976) also has its share of humor. The scenes involving a sniper in the final act might have influenced a similar scene in the opening moments of God Told Me To(1977). The Man on the Roof(1976) is a neglected action classic that should find its way on DVD someday.

Intense and extremely good police-thriller. Bo Widerberg is earlier responsible for beautiful romantic movies as well as gritty social drama, and suddenly he hits us *slam* right in the face with this movie. "The Man on the Roof" can only be described as the *best* action-thriller ever to come out of Scandinavia. I fear Ingmar Bergman has met his match! The film starts out as a meticulous, detailed account into the investigation of a brutal murder. The search for the killer is lead by homicide detective Martin Beck (surprisingly effectively portrayed by veteran comic actor Lindstedt) and his team in the Stockholm police. Then suddenly barely halfway through, the picture changes pace as it turns into a gripping action movie -and a convincing one at that. Helicopters, machineguns, you name it - and all in the downtown area of Stockholm! I wouldn't believe it had I not seen it for myself. "The Man on the Roof" is definitely as good as expected, and then some.

This is director Widerberg's widely acclaimed first action film, based on a crime story by famous Swedish writers Sjowall/Wahloo. It's a complex story, involving both the frantic efforts to stop a man from shooting people from a roof top, and the bit by bit revelations of why he's doing it.

Widerberg could make movies, in this and other genres, and this time he was praised for accomplishing what many regarded as the first Swedish action film, which did not look like high school work, even in an international comparison.

A lot of effort was put into it, involving large parts of Stockholm city at the time, and countless citizens volunteering as extras. It got to be much larger than the movie team had anticipated, but Widerberg managed to be creative about that chaotic situation, giving the film a sense of documentary, of not being fiction at all. Of course that heightened the suspense, and made its social message more urgent.

Police lieutenant Nyman is murdered in his hospital bed and Martin Beck and his colleagues have another murder to solve. They discover that Nyman was a very tough policeman who received several complaints about his methods.

The film is based on the novel "The Abominable Man" (1971) by Maj Sjöwall and Per Wahlöö, though it was actually a book in the middle of a popular detective series rather than the first. Along with the book, director Bo Widerberg was inspired by William Friedkin's film "The French Connection" (1971).

Widerberg has interestingly contrasted himself with the godfather of Swedish cinema, Ingmar Bergman, noting, "Neither I nor my friends saw very much in him. We didn't find the issue of God's existence that damned important. But it's safe to say you'd be putting yourself in a bad position if you're trying to slit the throat of the father figure before your own debut." Around 750,000 people attended the film in Sweden, making it the most successful film produced by the Swedish Film Institute until Fanny and Alexander was released in 1982. The film was selected as the Swedish entry for the Best Foreign Language Film at the 50th Academy Awards, but was not accepted as a nominee. A shame, because this film is great and way ahead of its time. The movie looks as good as any movie today (2017).