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Get Mean

  • 1975
  • PG
  • 1 घं 30 मि
IMDb रेटिंग
4.4/10
537
आपकी रेटिंग
Tony Anthony in Get Mean (1975)
एक्शनएडवेंचरकॉमेडीपश्चिमीफ़ैंटेसीस्पेगेटी वेस्टर्न

अपनी भाषा में प्लॉट जोड़ेंUpon escorting a Spanish Princess back to her homeland, a wisecracking gunfighter contends with barbarians, Moors, evil spirits, a raging bull, and a maniacal Shakespeare-quoting hunchback.Upon escorting a Spanish Princess back to her homeland, a wisecracking gunfighter contends with barbarians, Moors, evil spirits, a raging bull, and a maniacal Shakespeare-quoting hunchback.Upon escorting a Spanish Princess back to her homeland, a wisecracking gunfighter contends with barbarians, Moors, evil spirits, a raging bull, and a maniacal Shakespeare-quoting hunchback.

  • निर्देशक
    • Ferdinando Baldi
  • लेखक
    • Wolfe Lowenthal
    • Lloyd Battista
    • Tony Anthony
  • स्टार
    • Tony Anthony
    • Lloyd Battista
    • Raf Baldassarre
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    4.4/10
    537
    आपकी रेटिंग
    • निर्देशक
      • Ferdinando Baldi
    • लेखक
      • Wolfe Lowenthal
      • Lloyd Battista
      • Tony Anthony
    • स्टार
      • Tony Anthony
      • Lloyd Battista
      • Raf Baldassarre
    • 16यूज़र समीक्षाएं
    • 31आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • फ़ोटो19

    पोस्टर देखें
    पोस्टर देखें
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    + 15
    पोस्टर देखें

    टॉप कलाकार11

    बदलाव करें
    Tony Anthony
    Tony Anthony
    • The Stranger
    Lloyd Battista
    Lloyd Battista
    • Sombra
    Raf Baldassarre
    Raf Baldassarre
    • Diego
    David Dreyer
    • Alfonso
    Diana Lorys
    Diana Lorys
    • Princess Elizabeth Maria de Burgos
    • (as Diana Loris)
    Mirta Miller
    Mirta Miller
    • Morelia
    Ferdinando Baldi
    • Gypsy in Tavern
    • (बिना क्रेडिट के)
    Sherman 'Big Train' Bergman
    Sherman 'Big Train' Bergman
    • Barbarian
    • (बिना क्रेडिट के)
    Raul Castro
    • Gypsy in Tavern
    • (बिना क्रेडिट के)
    Remo De Angelis
    Remo De Angelis
    • Barbarian in Tavern
    • (बिना क्रेडिट के)
    Jorge Rigaud
    Jorge Rigaud
    • Emir - Moorish General
    • (बिना क्रेडिट के)
    • निर्देशक
      • Ferdinando Baldi
    • लेखक
      • Wolfe Lowenthal
      • Lloyd Battista
      • Tony Anthony
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं16

    4.4537
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    फ़ीचर्ड समीक्षाएं

    9spider89119

    Not your average spaghetti western

    This movie is a lot of fun, and deserves more credit than it gets. It is quite unique among westerns, or even spaghetti westerns. It's so odd, in fact, that it really defies categorization.

    Though it is without question a gloriously over-the-top spaghetti western, it actually relates more closely to "Army of Darkness." In fact, I wouldn't be surprised at all if Sam Raimi was influenced by this film before he directed that great third installment in the "Evil Dead" series. In this film, Tony Anthony plays his usual role of "the stranger" (kind of a "man-with-no-name' type of character). We learn right away that there is something supernatural going on here as the movie opens with the stranger being dragged by his horse into a ghost town. On the way there, they pass a strange silver orb, then when they get there, the horse has a heart attack and dies as the town bell tolls unexplainedly. Anthony walks into a building where he meets a witch who has the same silver orb at the table where she sits. He finds out he's been summoned to escort a Spanish princess back to Spain and help her regain her throne from "barbarian" invaders who appear to be from another time. This all happens in the first five minutes! I don't want to give away too much of the story, so I'll just say that the stranger's tasks are to deal with the barbarians, rescue the princess, find a treasure that is guarded by ghosts, and collect money that was promised to him by the witch. The movie is quite comical and full of slapstick, and just like Ash in "Army of Darkness," the stranger unloads a huge can of whoop-ass on an army of foes. I would love to see the plot of this movie "borrowed" for a sequel to the Evil Dead series. Ash could once again be sent back in time, but this time to the old west where he would be the stranger. Change the treasure to the Necronomicon, have it guarded by Deadites, and bam you've got Evil Dead 5! They wouldn't even have to change much of the dialog as most of the stranger's lines would be perfect for Bruce Campbell as Ash.

    Tony Anthony is great, as usual, in this one. He's like the Rodney Dangerfield of spaghetti westerns in that he doesn't get the respect he deserves. Eastwood's "man-with-no-name" may be the king of "cool," but Tony Anthony's "stranger" is more of a character, and just as tough. The other actors and actresses in the film do an excellent job also. I especially liked the character of "Sambra," a crazy Hunchback who thinks he's the reincarnation of Richard III.

    This movie isn't for everyone. If you go into it thinking it is just a wacky late-era spaghetti western, and try to fit it into that mold, you will think it is trying too hard, and will probably find it to be just slightly amusing and nothing more. But if you can understand and appreciate the film for what it really is, and especially if you've enjoyed "Army of Darkness," you should definitely enjoy this one.
    Wizard-8

    A really strange spaghetti western!

    Once again, Tony Anthony (one of the least charismatic spaghetti western cowboys of the genre) rides the range.... though this time in Spain... and encountering Vikings (!) and Moors(!) It's played somewhat straight, though there are some broad attempts at humor (such as a embarrassingly unfunny gay character.) There are some impressive visuals, clearly showing this movie wasn't cheap - kind of surprising when you consider the spaghetti western was considered all but dead by European producers at the time. But despite the money spent, and the absolute goofiness of the premise, it's just as dull as Anthony's other spaghetti westerns. It's just another part of the mystery as to why Anthony managed to be so popular in Europe.
    7rust-7

    something different

    Watching this "western" is certainly a unique experience. The plot revolves around the return of a Spanish princess from America to her native country Spain. To help her she enlists the aid of a reluctant hero (Tony Anthony).

    It takes them only a minit of music and a dotted line on a map to reach their destination. Where they are just in time to witness a battle between the moors en the vikings. The vikings being the bad guys kidnap the princess immediately afterwards. The rest of the story involves a villainess hunchback who compares himself to Richard III, a treasure guarded by magic, an inbred member of the royal family and an aggressive vikingking.

    With a combination of all these elements one can only laugh. Tony Anthony fails as a Clint Eastwood impersonator but that makes the movie only funnier. And it is a funny movie although the fun is mostly unintentional. Also one must admire a movie that tries so hard to be special.
    5ofumalow

    Eccentric ideas, mediocre execution

    This curious very late spaghetti western really goes out on a conceptual limb, sending Tony Anthony's rascally Wild West "Stranger" across the Atlantic with a Spanish princess. In Europe he somehow gets mixed up with both Elizabethan-era Spaniards and Viking-style "barbarians," while another character seems to parody Shakespeare's Richard III.

    It's goofy stuff that has been compared to "Army of Darkness," and does bear a superficial resemblance in its goofy quasi-historical incongruities. But while the movie does have a sense of humor, it's pretty crude--rather than absurdist, which would much better suit this out-there concept. It's also particularly hard now to take the simpering old-school screaming-queen stereotype played by the star's brother.

    Anthony's sort of proto-Lebowski wiseacre carries things to an extent, and the film has an impressive scale at times, particularly since the Euro western genre was way past its commercial peak in 1975. But the direction by a mostly undistinguished toiler in Italian B movies (he did make a handful of decent giallos, straight-faced spaghettis and other genre entries) doesn't rise to the occasion, and beyond its premise nor does the script. This is one of those enterprises that sounds so deliciously nutty it can hardly go wrong...until you actually watch it, and realize it's not nearly as much fun as it sounded.

    I've seen contrary information on the film's commercial fate, some indicating it ran into distribution problems, others indicating it made $10 million (which would have been a lot then, and seems highly improbable). I suspect the truth is that it didn't do well, because apparently Anthony had hoped to kick off a whole new series of "Stranger" films. Instead, he never made another--which suggests financiers didn't want to take the risk.
    8moran-78845

    Not sure what it was all about, but I enjoyed it!

    This is an extremely bizarre movie that is still a great deal of fun. A cowboy delivers a beautiful princess to Spain for $1,000 and the promise of more. However, it is a strange Spain full of medieval Vandals and Moors fighting with swords, muskets and cannons. There are magical elements to the story that makes things even more outlandish. At one point the cowboy starts howling like a wolf. Later on, he turns black. It is still great fun to watch. Tony Anthony, once again, takes on incredible odds, and still wins!

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Tony Anthony's then-girlfriend, Diane Dobronte, filmed some behind the scenes footage of the making of the film. Interest in the obscure production was revived when Dobronte made her footage available on the internet in 2007.
    • गूफ़
      When the elderly gypsy woman in the tavern is confronted by the Barbarian's men, she screams and speaks without moving her mouth.
    • भाव

      The Stranger: [preparing his weapons] Now, when things are even up... a man really should fight fair. But, oh, when they just keep puttin' it to ya, buddy, and they're stompin' on your ass... there's only one way to fight. GET MEAN!

    • कनेक्शन
      Edited from Il mio nome è Nessuno (1973)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल15

    • How long is Get Mean?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • मई 1976 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • इटली
      • यूनाइटेड स्टेट्स
    • भाषाएं
      • अंग्रेज़ी
      • स्पेनिश
    • इस रूप में भी जाना जाता है
      • Beat a Dead Horse
    • फ़िल्माने की जगहें
      • Desierto de Tabernas, Almería, Andalucía, स्पेन
    • IMDbPro पर और कंपनी क्रेडिट देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 1 घं 30 मि(90 min)
    • ध्वनि मिश्रण
      • Mono
    • पक्ष अनुपात
      • 2.35 : 1

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