IMDb रेटिंग
6.5/10
3.4 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंAfter spending 3 unforgettable hours with an outlaw, a beautiful young widow turns her story into a worldwide famous book.After spending 3 unforgettable hours with an outlaw, a beautiful young widow turns her story into a worldwide famous book.After spending 3 unforgettable hours with an outlaw, a beautiful young widow turns her story into a worldwide famous book.
- पुरस्कार
- कुल 1 नामांकन
Douglas Fowley
- Buck Bowers
- (as Douglas V. Fowley)
Michael LeClair
- Cody Taylor
- (as Michael Le Clair)
Billy Beck
- Mental Patient
- (बिना क्रेडिट के)
Alan Bergman
- Songwriter
- (बिना क्रेडिट के)
Elmer Bernstein
- Songwriter
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
From Noon Till Three (1976)
*** (out of 4)
Extremely delighting romantic comedy with Charles Bronson playing a bank robber who can't go on the latest heist and instead stays back at a house with a beautiful woman (Jill Ireland). The two spend three romantic hours together but after she thinks he's been killed, she decides to write a story about those three hours, which turns him into a legend but when he returns there's going to be trouble as he wants to be himself and not the legend. When you mention Charles Bronson you can have a great number of films to discuss. I have discussed the films of Bronson with many people but when I mention this film here everyone goes quiet as not many have heard of it and even fewer have actually seen it, which is a real shame because this is certainly one of his best. It's not common for Bronson to take part in what's basically a romantic comedy but he and Ireland really work wonderfully well together and this is clearly their best film together. It really seems like neither one is giving an actual "performance" but instead they're just being themselves because both come off so natural. Just take a look at the scene where they're swimming together as the perfect example. Perhaps they are just acting but this sequence feels so real that you can't help but feel they're just playing around and showing their real love for one another. The first seventy-five minutes of this movie are so refreshing, funny and charming because we're seeing Bronson playing a character unlike anything he had played before or since. I found him to be incredibly charming here and it's just great fun for a fan to see him flirting, picking flowers and actually smiling. Ireland, never accused of being a great actress, actually does a very good job here and is quite believable in her role. I think the final act with the "truth vs. legend" doesn't work as well as I'm sure everyone was hoping for but you have to give the filmmakers a lot of credit for the ending that I won't ruin here. The film actually says a lot about fame, believing lies that you might read and various other things but in the end the real jewel is seeing Bronson playing a role that he never really got to again, which is a shame considering how great he is here.
*** (out of 4)
Extremely delighting romantic comedy with Charles Bronson playing a bank robber who can't go on the latest heist and instead stays back at a house with a beautiful woman (Jill Ireland). The two spend three romantic hours together but after she thinks he's been killed, she decides to write a story about those three hours, which turns him into a legend but when he returns there's going to be trouble as he wants to be himself and not the legend. When you mention Charles Bronson you can have a great number of films to discuss. I have discussed the films of Bronson with many people but when I mention this film here everyone goes quiet as not many have heard of it and even fewer have actually seen it, which is a real shame because this is certainly one of his best. It's not common for Bronson to take part in what's basically a romantic comedy but he and Ireland really work wonderfully well together and this is clearly their best film together. It really seems like neither one is giving an actual "performance" but instead they're just being themselves because both come off so natural. Just take a look at the scene where they're swimming together as the perfect example. Perhaps they are just acting but this sequence feels so real that you can't help but feel they're just playing around and showing their real love for one another. The first seventy-five minutes of this movie are so refreshing, funny and charming because we're seeing Bronson playing a character unlike anything he had played before or since. I found him to be incredibly charming here and it's just great fun for a fan to see him flirting, picking flowers and actually smiling. Ireland, never accused of being a great actress, actually does a very good job here and is quite believable in her role. I think the final act with the "truth vs. legend" doesn't work as well as I'm sure everyone was hoping for but you have to give the filmmakers a lot of credit for the ending that I won't ruin here. The film actually says a lot about fame, believing lies that you might read and various other things but in the end the real jewel is seeing Bronson playing a role that he never really got to again, which is a shame considering how great he is here.
"Some have a life time/Some just a Day..... Nothing's ever forever/ Forever's a lie..." So goes the theme of this excellent and memorable movie. Bronson shows his talent not only as an actor but as a comic. Jill Ireland also exceeds anything she did before or after. Her shock as she realizes Graham is telling the truth is alone worth the price of admission. Perhaps not for Bronson fans but rather for those of us who enjoyed "Cat Ballou", "Support your Local Sheriff/Gunfighter" and 'The Halleluia Trail". Adult comedy westerns come no better than this.
At the height of his stardom, Charles Bronson made this curious oddity. He stars as a bankrobber hiding out at a widow's residence and after a series of comical mishaps, fall in love with one another. This is probably Jill (Bronson's then real life wife) Ireland's best moment. She made a career doing a lot of second stringing in her husband's films but she comes into her own here in a believably sympathetic performance. As for Bronson, well he didn't do a lot of "cute" movies so it's nice to see him in something a little less nasty for a change. Also, he provides some impressive comic relief in his own inimitable, understated way. It is only hampered by some awfully wooden direction. Still, you could do a lot worse.
I'm shocked to learn that only 17 comments were written in the IMDb so far. I've seen this movie 20 years ago and for a second time last week. I still feel this is a great movie.
Full of inspiration and transpiration, with excellent script and directing, not to mention the great performance by the 2 leading actor and actress, both exhibiting masterpiece achievements for their professionalism.
It was a low cost production, but great film doesn't necessarily cost much. It's a complete waste of movie resource that so little people had seen this masterpiece.
Probably Bronson's only comedy, I strongly and unreservedly recommend it to anyone!
Full of inspiration and transpiration, with excellent script and directing, not to mention the great performance by the 2 leading actor and actress, both exhibiting masterpiece achievements for their professionalism.
It was a low cost production, but great film doesn't necessarily cost much. It's a complete waste of movie resource that so little people had seen this masterpiece.
Probably Bronson's only comedy, I strongly and unreservedly recommend it to anyone!
And its a Charles Bronson film! With a pretty good train crash too! I guess Bronson wanted to make a romantic comedy western with his gorgeous wife Jill Ireland and instead of starring in BILLY TWO HATS or THE SPIKES GANG or some other forgotten oater, he went for this. Rather like a BUTCH CASSIDY - CAT BALLOU combo, this small but charming robbery western gets its title from the afternoon liason he spends with Jill inbetween crime appointments. As Bryan Brown said about adultery in BREAKER MORANT: "A slice off a cut loaf is never missed............!" NOON TILL THREE did little business at the time and is never seen now, pity as like alot of small mid 70s films they are well made and still from the days when films were made to entertain, not shock or traumatise.
क्या आपको पता है
- ट्रिवियाThe movie was a rare instance where the author of a novel (Frank D. Gilroy) directed the filmed adaptation of his book.
- गूफ़When Amanda (Jill Ireland) has the confrontation with the villagers at her door, the sleeve of her dress disappears between frames leaving her with a bare arm.
- कनेक्शनFeatured in 42nd Street Forever, Volume 3: Exploitation Explosion (2008)
- साउंडट्रैकHello and Goodbye
Lyrics by Alan Bergman & Marilyn Bergman
Music by Elmer Bernstein
Sung by Jill Ireland
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is From Noon Till Three?Alexa द्वारा संचालित
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