The Food of the Gods

If you are a Pamela Franklin fan, this is a must! Campy, schlocky, and plain bizarre are words too weak to describe this movie. Check your brain at the door and enjoy Ms. Franklin in her last cult appearance.

A last-gasp attempt at the 1950s 'giant monster' B-movie, directed by schlock purveyor Burt I. Gordon (aka 'Mr Big') who utilises some of his famed back screen-projected beasts onto the screen for the last time. FOOD OF THE GODS is apparently partly based on a tale by H. G. Wells, but turns out to a typical entry into the genre.

The storyline is simplicity in itself: creatures on a remote island have grown to giant size, and a group of diverse characters must battle to save themselves. In the lead is former child evangelist Marjoe Gortner, one of the oddest looking leads to populate '70s cinema; in support is Ida Lupino in her last screen appearance. Still, one of the performances really register as this is a film all about the giant creatures.

And the effects are pretty decent, at least in places. Things start off badly with some dodgy giant wasps and chickens, but once the rats come into it things really pick up, with some elaborately-staged set-pieces that convince in places. After that point it's an action-packed ride to the climax, with added gore and bloodshed for modern-day '70s audience. Although I had concerns about animal welfare - some of the rats look like they get genuinely injured/drowned - FOOD OF THE GODS turns out to be a surprisingly entertaining little monster flick for fans of the genre and a film which doesn't deserve it's poor reputation.

A rare food taken by an old woman (penultimate film for Ida Lupino) provokes the excessive increasing on animals and bugs . Then killer beasts , gigantic flies , huge chicken , wasps , worms and enormous rats strike tourists on a secluded island . Football team players (Marjoe Gotner , John Cypher) enjoying vacations have to fight the giant monsters that are attacking people (Ralph Meeker , Belinda Balaski as an unperiled pregnant woman and Pamela Franklin's last film although she would continue to work on TV in guest).

This is an entertaining movie from expert Bert I. Gordon and freely based on H.G. Welles novel , being AIP's most successful film of the year . Although it suffers from average special effects and regular performances . The flies reproduction are quite badly made but the rats are better staged by means of true bugs increased by optics effects . Over-sized reproduction of massive worms , bulky chicken were utilized to incarnate the enormous creature effects and were also used various diverse mechanized rats . As six different mechanized rat heads and four human-motivated rat costumes were also employed . The miniature design and special props were made by Von Buelow , titles and optical effects by Universal title ; plus , the visual effects by coordinator J. Richardson and , of course , Bert I. Gordon who usually makes his own FX , he's a real craftsman . The movie gives special thanks to football team of Frazer University and the children of Sir John Franklin Community of Vancouver ,British Columbia , where it was filmed.

The film was produced in little budget by Samuel Z. Arkoff who created along with James H Nicholson the American International Pictures in which during the 60s and 70s produced several monster movies and the prestigious Roger Corman-Edgar Allan Poe series . The motion picture was professionally directed by Bert I Gordon. Bert is a B series producer/director , known as Mr B.I.G. He's a monster movies expert in which animals and men suffer voluminous shapes change caused by food or radioactivity. As occurs in ¨The cyclops¨ when the protagonist becomes a giant human monster,as well as a soldier converts in ¨War of the colossal beast¨, the immense insects of ¨Begining of the end¨, a monstrous spider in ¨The spider¨, giant ants in ¨Empire of the ants¨. Other his works in fantasy-terror are : ¨Picture mommy dead¨ and ¨ Necromancy¨, among them. It's followed by a lesser sequel titled ¨Food of gods , part 2 (1989)¨ directed by Damian Lee where the huge rats strike again and maim beautiful women.

A great title (borrowed from the greatest science-fiction writer of all time) and downhill from there, but this fun flic with a bad rep, for good reason in a couple of spots, taken in its entirety offers more entertainment value, pound for pound, than most of the other 'eco-terror' flics of the '70s; that's not saying much, but there were plenty of 'em: Bug(75); Night of the Lepus(72); Squirm(76); Kingdom of the Spiders(77); Prophecy(79); Empire of the Ants(77); Frogs(72); Day of the Animals(76); Ben(72); and even Phase IV(74), which was more intelligent but a bore. The only one on par with this is Piranha(78), whose director, Dante, moved to the A-list, and the original Willard(71), which had the added psycho angle. Beyond this, "Food.." contains a wicked depiction of American 'can do' gumption, embodied by Marjoe (an odd choice for leading man). He kills a rooster which was just minding its own business and defending its turf, and never apologizes to the owner (Ida Lupino). Later, he causes the deaths of his buddy (Cypher) and the obvious villain (Meeker-slumming,but the 'go to' guy those days for bad guy roles) by refusing to listen to their logical arguments for getting out of the mess they're in. No, it's his way only, 'cause he's the toughest around these here parts, and if a few people get eaten due to his manly choices, well, that's the American way. In a very strange way, it called to mind the relentless expansion & colonization represented by the American spirit; OK, that's a stretch, but, in another genre, his role would be played by someone like John Wayne, who needs to make the tough decisions. However, if you look more closely at Marjoe's character, he seems to have some crazy death wish. At one point, when they already know the island is infested with giant killers, he decides to go look around in his jeep, which offers no protection at all; his friend, echoing the thoughts of the audience, asks what the hell for? Marjoe doesn't really have an answer; he even says "I don't know." Wild. I first saw this as a teen when it came out, in a downtown theater in San Francisco and sure, most of the FX, especially the dam breaking and water pouring out, caused me to groan in another sort of horror, but seeing people getting eaten alive by giant rats was nothing to laugh off back then. This looked pretty grisly. I recently acquired a decent DVD version and the photography was quite good. Oh, and a bit of a twist ending, to boot! The much later sequel, having little to do with this picture, really was a waste of time.

In this adaptation of a portion of H.G. Wells's "The Food of the Gods", a strange substance bubbles up out of the Earth and causes giantism in forms of animal life including wasps, chickens, worms, and rats. Among the unlucky people caught up in this invasion of plus- sized critters are football player Morgan (Marjoe Gortner), his teams' P.R. man Brian (Jon Cypher), expectant couple Thomas (Tom Stovall) and Rita (Belinda Balaski), pathologically greedy opportunist Bensington (Ralph Meeker) and his associate Lorna (Pamela Franklin), and farm woman Mrs. Skinner (Ida Lupino).

You gotta love him; veteran film director Bert I. Gordon was *still* relying on his favourite movie theme of large menaces at this point in time. This effort is ultimately dumb, silly, and sloppy, but just like many bad B movies, it's not without appeal, especially when it comes to supposed shock scenes (that chicken attack scene early on in the movie is a riot). The special effects, as one will expect, are for the most part none too convincing. The acting is variable; Gortner is likable as always as the hero. Veterans Lupino and Meeker had certainly been in much better films, but they're as solid as ever. Meeker is particularly funny in a very one note and sleazy portrayal. The lovely Ms. Balaski does well as the young mother to be who feels no need to marry the father of her baby. Gordon does generate some atmosphere from the surroundings; this was filmed on location in the Canadian province of British Columbia.

One thing's for sure: this will rub many animal rights activists the wrong way.

Six out of 10.