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I was led to believe from reviews that this was some sort of buddy comedy with Roger Moore and Stacey Keach and although the film does have its lighter moments (mainly down to Keach) it is still a violent Eurocrime film that doesn't skimp on the car chases, punch-ups, or smoking.

You see Moore is a lawyer for his Uncle, who is a mobster trying to go straight. The Uncle has recently imported a huge wooden cross from a chapel in Sicily as a gift to his estranged priest friend Ettor Manni, but when three Sicilians turn up, kidnap the delivery men, then steal a shipment of heroin concealed in the cross, all hell breaks loose. Only we the audience are clued in that there's a black-gloved killer (possibly on loan from a giallo) who kills the delivery men with a silencer. Somebody doesn't want witnesses!

Moore seems to be some sort of mediator for all the mob bosses too, so he's given the task of recovering the heroin, tracking down the three gangsters, and finding out who set up his Uncle. To do that he enlists Stacey "You Never Forget the Taste of Human Flesh!" Keach, a race car driver, and you better believe that's coming in handy later in the film. Moore travels to Sicily while Keach hits the streets looking for the heroin, where he discovers that it's not being sold - so where is it?

I suppose you could complain that the film is all over the place tone-wise, with the drug dealing granny and Keach merrily destroying a car by driving it around San Francisco on one side and the gangland executions on the other side, but I liked it. You've got a bit of a mystery going on and James Bond fighting Romano Puppo, who doesn't want that?

We also get a car chase thrown in where two trucks get involved and I couldn't tell if they belonged to the bad guys or Roger Moore just killed them because they got in his way. All the Eurocrime elements are here, so I guess whether you enjoy or not depends on how you get on with Roger Moore and Stacey Keach.

Back in the 70s everything was possible; - just ask Sir Roger Moore! Shooting a down & dirty Italian mafia/gangster exploitation thriller in between two major James Bond productions? Sure, why not! In "Street People", the über-British Moore supposedly plays a half-Sicilian counsellor based in San Francisco. If you can believe that, the rest of the overly silly, far-fetched and pointlessly convoluted plot shouldn't be too difficult to accept, neither. The opening sequences are impressive, for certain. In the San Franciscan harbor, a massive Jesus' cross arrives in a container from Sicily. It's a gift to the local church, by the former mafia don Salvatore Francesco, but it turns out the hollowed cross was stuffed with heroin and three innocent harbor workers were killed during unloading. Furious over the accusation that the supposedly unaware Salvatore abuses the church to smuggle drugs into America, he assigns his nephew Ulisse to investigate who organized the drug-transport. Ulisse, at his turn, calls in the help of his buddy Charlie, who's a totally reckless and unscrupulous race car driver and thrill seeker. During their search, many double-crossings and nasty family secrets come to the surface, though.

The script of "Street People" (aka "The Man from the Organization" and about half a dozen other alternate titles) seriously lacks structure and coherence, but it also contains many clever little ideas and a handful of near-genius action sequences. I agree with what most reviewers mentioned already, namely that Stacy Keach steals the show as the pleasantly deranged Charlie. The "test drive" scene is unforgettable and there's another very spectacular and insane chase sequence with colossal trucks towards the climax. During this chase, you can clearly spot that the stunt drivers don't nearly resemble Roger Moore and Stacy Keach, but who cares? The flashback footage to Sicily in the 1930s is so exaggeratedly melodramatic, due to the slow-motion filming and the harrowing music, that it almost becomes hilarious!

Disjointed gangster film that specializes in pointless "destruction of property" scenes. Roger Moore is badly miscast; he clearly looks uncomfortable to be in an Italian crime movie, and he shows none of his usual flair. Don't go out of your way to see this one. (*1/2)

In my opinion, the ratings are somewhat unfair, possibly because they compare the film with current productions. The film is from 1976 and therefore should be measured at the standards of that time and here, I find, it still exceeds the average. The two main actors, Roger Moore and, more specifically, Stacey Keach, are the main reason for this. Some complain about the English dubbing. About this I can say nothing, but I can imagine that a bad dubbing can mess something, or all here. Well, the German Dubbing is very good, both protagonists have the well- known sync voices, Roger Moore, for example, from his James Bond films. Both act as buddies and complement each other excellently, just Keach's role brings loose the film excellently and humorously. The music is better than the beats from other Italian films of the 70s. Also the production and the existing budget is higher. I often read 'low budget film' but as mentioned before, compare it to the standard Italian classic flick and not with an James Bond Production. The two auto- action scenes are very well implemented, also the filming sites was well-considered. Surely we have here no top film belonging to the IMDb Top 250, but in my opinion synonymous not the superfluous film, which is only waste of time. It is a solid, versatile action tiller who can be given a chance. In German its called Abrechnung in San Francisco, meaning Last billing in SF, which suits much better than Street People. A weak 7, but a 7.

¨The Sicilian Cross¨ or ¨Gli Esecutori¨ 1976 is a passable thriller with international cast including two big name cast : Roger Moore and Stacy Keach . A Mafia Salvatore Francesco (Ivo Garrani) who does dark businesses is enraged when a holy cross that contained a shipment of drug is robbed and he is suspected of smuggling heroin from Sicily to port of San Francisco. He dispatches his nephew , a elegant advocate at law named Ulisse (Roger Moore) to identify the real culprit. The lawyer also enlists the aid of his best friend called Charlie Hanson (Stacy Keach) , a grand prix driver to discover the crook thieves . As Ulysse and Charlie Hanson join forces and go after three alleged , suspect delinquents (Fausto Tozzi, Peter Martell , Romano Puppo) , but then things go wrong . And the Hunting Season Has Opened in the Naked City! The Hunting Season Has Opened In The Naked City.

Average but passable thriller with brief touches of sympathetic humour in charge of the two likeable protagonists . Roger Moore and Stacy Keach form a stunning couple with adventurous streak , creating a funny Buddy Movie, as Roger Moore is a hotshot Anglo-Sicilian lawyer, while Stacy Keach is a resourceful car driver . There's also a motley group of Italian actors usual in the typical genres of the Sixties and Seventies as Spaghetti western , Peplum , Polizziesco , Giallo , such as : Ettore Manni , Fausto Tozzi ,Peter Martel (as Pietro Martellanza) , Romano Puppo , Rosemarie Lindt, Remo De Angelis , among others. In spite of known actors in the cast , it didn't have international success , failing at the boxoffice , even in some countries it was shown as part of a double bill with other movies.

It contains atmospheric and thrilling musical score by Luis Bacalov who subsequently won Academy Award for The Postman and Pablo Neruda . Evocative and appropriate cinematography by Aiace Parolin shot in several locations , as Paestum, Capaccio, Salerno, Seude , Capaccio , Vecchio, De Paolis Studios, Rome, and especially San Francisco , California : Fisherman's Wharf, North Beach , Sausalito, Broadway, Pier 45, San Francisco. The motion picture was professionally directed by Maurizio Lucidi , though it has some flaws , and gaps , but being an acceptable thriller flick . Lucidi was born in 1932 in Florence, Tuscany, Italy and died in 2005 , Rome . He was a director and editor, known for this ¨The Man from the Organization or The sicilian cross or Los ejecutores¨ (1976) and he made more thrillers as ¨The last chance¨ with Elli Wallach, Fabio Testi and Ursula Andress . And he directed three Westerns as ¨Halleluja for Django¨(1967) with Hunt Powers , ¨Saddle tramps¨ with Bud Spencer and ¨Pecos¨ with Robert Woods . And furthermore , wartime movie as Probabilità zero (1969) and La víttima designata (1971) , among others . Rating : 5.5/10. Acceptable and passable .

Roger Moore and Stacey Keach star in this Italian-American co-production, and try to be the Martin and Lewis of 70's crime exploitation cinema. The rigor mortis of Roger Moore was never more noticeable as it is here, playing the straight man next to the Keach's easygoing rouge. It's a rather stale exploitation film, with the typical one liners, car chases, shoot outs, and gratuitously bad dubbing of the Italian actors. The film does have one great highlight when Keach takes a gangster's car for a test drive, and in hair-raising fashion, wrecks it through the streets of San Francisco. Unfortunately, it all doesn't work- the comedy isn't funny enough, neither Keach or Moore are particularly convincing (especially Moore, who is as dry as a desert), the violence and stuntwork is middling, the story isn't very engaging, and the ending is painfully banal. There may be just enough `so bad it's good' work that 70's exploitation fans may be entertained, but no one would call it great.

Just to give an idea what you're in for- in the finale, Keach (as Charlie) hides some dope in cans of powdered milk, stashed in the trunk of his car. Moore, to keep him out of trouble, pushes the car over a cliff and says, `It was only powdered milk, wasn't it Charlie? And, what's the use of crying over powdered milk?' You may now groan if you aren't already.

This film is not dissimilar to many cop-buddy films, except that the two central characters trying to track down the contraband are working for the mob. And, to-be-fair, it is far better than a hell of lot of cop-buddy films I have seen. It is let down in places though, not least the awful flashback scenes which are far too sappy.

This film is one of the hardest Roger Moore films to track down, other than the almost forgotten Sunday Lovers. The version I saw was entitled The Executors and ran for 100 minutes, and as far as I'm aware it is the most complete edition of the film in circulation. Other editions include Sicilian Cross, Gli Esecutori and Street People. Under any title it is not a good film..... in fact, it is one of the worst examples of Italian profiteering movie making.

The film is similar to The French Connection. It deals with drug peddlars in San Francisco. In order to smuggle their latest consignment in the US, they have used a wooden crucifix sent as a gift to the Californian fishermen from the island of Sicily. This enrages the local godfather, who sends his nephew Moore to catch the culprits. Moore enlists the aid of his hard-driving buddy Stacy Keach and eventually tracks down the villains, but the truth affects him more personally and emotively than he could have foreseen.

The film is full of under developed moments. There's a great opportunity for a classic car chase, but the sequence is badly editted and makes little sense. The final showdown could have packed a real wallop, but it fizzles out without generating anything of note. The best scene involves Keach wrecking a car, but even then it isn't a great scene... merely a mediocre scene in a movie full of bad scenes.

Moore gives an OK performance and Keach is pretty good in his usual casual way. The foreign actors are embarrassingly dubbed and look foolish as a result. All in all, this film is for Roger Moore completists only,as anybody else will certainly find it a hard slog.

If you've seen your Fellini or THE LEOPARD with Burt Lancaster you know Italian productions often have actors speak the dialogue in front of the camera only to have lip-syncing to match when they actually record the dialogue later in the studio. That's certainly the case with STREET PEOPLE (and not my favorite thing) and the rest of the production is often similarly clumsy. Having said that, the screenplay is well-structured with different story threads that are woven together quite successfully. Moore was at his peak as 007 and I marveled that he signed onto this clunky movie, until I realized (on top of the likely influence of his then Italian wife and what I assume was a hefty salary) he probably realized the screenplay was actually quite good. The car chase is sort of an irreverent homage to BULLITT's (it takes place in San Francisco, after all) and I enjoyed it.

I only tracked this down because a couple relatives told me they happened across the filming of this movie in S. F. and one of them went up and talked to Roger Moore and said he was quite charming. I wanted to see the movie solely based on that, and am glad I finally tracked it down.

I was expecting something a little different from a film called (in the US) Street People...maybe something in the vein of Fox's 6th and Main (1977). Instead we get an incredibly dull take on mob revenge that is enlivened by one...ONE...good scene of Stacy Keach smashing up a car on the streets of San Francisco. The interiors were shot in Italy, so all the actors read their lines phonetically in English, and the resultant dubbing is incredibly annoying. Memo to filmmakers: if you're going to go to the trouble of phonetic dubbing, HIRE SOME GOOD VOICE ACTORS.

Thin plot about some Italian mobsters...watch this movie for the spectacular car chases through Sausalito and San Francisco in the mid 70's when it was still pretty, open and not the tourist trap it is now. THESE WERE REAL STUNTS people not the garbage computer generated pablum they pass off to millennials in current movies. Movies now are like cartoons. This was real action and believable not the over the top tripe they make now geared towards horny 14 year olds.

Originally, the filmmakers approached Tony Curtis to play the lead. He turned them down and they then hired Roger Moore. I mention this because it's interesting considering the two shared leads in a 1970s British TV series, "The Persuaders!". And, considering that Roger Moore didn't understand this movie's plot in the least, perhaps Curtis was a wise man.

As Roger Moore and Stacy Keach found the plot confusing, I won't get into it too much. Ulisee (Moore) is approached by a 'nice' mobster. He tells him that some evil people are shipping drugs using his ships...and he wants them caught and stopped, as drugs are something he won't tolerate. So, Ulisee and Charlie (Keach) go in search of the folks responsible...and bodies pile up like cords of wood by the time they are finished!

The films is certainly NOT a family-friendly movie. It has a bit of nudity and a lot of violence. And, for the most part, I found it a bit mindless. However, whenever Charlie and Ulisee talk together...the film lights up. It gets even better when Charlie takes a car on a test drive.

Overall, a very mixed bag. Not a great film (technically it looked a bit cheap) but an enjoyable one if you can stomach all the killing.

An Italian crime action thriller; A story about an English-Sicilian lawyer, nephew of a Sicilian crime family head, who teams up with a Friscan wiseguy to track down drug smugglers and come into conflict with a wider criminal underworld. There are impressive car chase sequences and shoot-outs, but the buddy act never really goes up the gears despite some good screen chemistry. Moore comes over a bit stilted at times; Keach is the funnier of the two. Although it is scripted by the Academy Award-winning screenwriter of The French Connection, it holds interest only for those who have a curiosity for a story hard to fathom. It also suffers from poor editing and shoddy camerawork. It is dubbed in parts, but Roger Moore speaks fluent Italian when required.

Aside from the novelty of seeing Roger Moore (as a half-Sicilian!) and Stacy Keach, there really isn't much of interest here. It's mostly people talking - all dubbed. Even Moore and Keach are dubbed! (Using their own voices, which leads to a weird effect) There are a few not-bad chase sequences, but there's a sloppiness to them, as there is to the entire production; this movie really screams, "Italians made this." Bobbing cameras, slightly blurred photography, uses of a zoom lens is more than enough evidence for that. Only for people into Italian cinema of this genre.

This is really a movie which has lost its interest by the time. The actors just seem to drive around like in a mediocre American police-serial. When people are shot, it is by a killer who appears and disappears and is everywhere. When there is a pursuit on the road, by accident three big trucks try to drive Stacey Keach from the road. I prefer Mannix or Kojak. The mafia is typical but described without any details or exactitude. The story has no point and nobody could believe it. Roger Moore is not only a lawyer, he must be also something as an SAS-agent capable of killing any professional killer. Who believes that?

If you like the sound of smashing car metal and tires squealing along with a smooth British gentleman's accent then look no further. This was a pure 70s action movie with an abundance of lengthy car chases or just pure car destruction. 007 is working some side jobs, off the clock from MI6, as he has been hired as a private investigator working with the Italian Mob to track down who set up the Mafia boss in smuggling drugs into San Francisco. He partners with a race car driver as his wheelman who is a smooth talking side kick. Will these two be able to ruffle enough feathers to find out who the root culprits are? A decent story with entertaining action with Roger Moore carrying the movie.

Very odd Roger Moore film made during his James Bond stint somewhere between The Man With the Golden Gun and The Spy Who Loved Me I would guess. Very slow in parts yet still feels as if great chunks of it are missing. A look at some of the poster art suggest missing scenes or possibly a later mash up poster to cash in on some Bond sexiness.

Interesting in parts and even some some similarity to future bond films. Roger must have had some deja vu when filming in Karnak after this bit in the columned Roman ruins. Some similarities also with the tanker chase to the later Licence to Kill.

Fairly good double act with Keach , Moore this time playing the straight man.

I have seen over 650 movies and this one is special. Roger is a weird choice in the cast but he develops a special bond with Stacey keatch in this movie that reminds me of roger and tony Curtis in The persuaders. As a movie its very mixed, both with humor and action and that makes it very hard to really like.

Because its trying to be both serious and silly. If you can look past this, its a great movie. I really recommend it. If you like movies, don't miss this one. This is a very special movie that has way to few followers and a ridiculously low IMDb rating this is a weird but lovable movie. Its not a masterpiece but its worth your time.

Roger carries this movie on his broad shoulders. Without him this would have been a joke.

See it.

I suspect this is another one of those films that Roger Moore will claim paid for an house, or a swimming pool or something - for believe me, it has nothing at all to recommend it to anyone. Here he has to team up with Stacy Keach to find out who has been smuggling heroin into San Francisco - very much to the chagrin of local mafioso "Salvatore Francesco" (Ivo Garrani), for such activities are seriously frowned upon by the church. The film has it's fair share of car chases and shoot 'em ups, but the story is wafer-thin, with an almost interminable build up to an ending that we could have created ourselves on a beer mat. Keach is on nowhere near decent form, and Moore is clearly just walking from his winnebago to the set, doing his job, then heading back to put the cucumber slices back on his eyes. It reminded me of a bog-standard episode of "Starsky and Hutch"...

This is a rare melodramatic Roger Moore remembering what uncle did when he was a boy in Sicily. And Uncle Garrani is now living in San Francisco and uses Moore to find tax loopholes for him. A Sicilian cross comes off the ship filled with dope, and Father Ettore Manni curses his brother for doing it. The plot revolves around the dope. There is a Sausolito car chase that is great. Maurizio Lucidi directed this Italian film and dubbed it. The 70's streets of San Francisco make it worth the viewing. Also the two main characters, Moore and Keach, are always good.