Baby Blue Marine

I first saw this film in 1980 and it touched a cord which reminded me of a more innocent time. The opening narrative, music and paintings by Norman Rockwell set the tone for me. You either love the movie or hate it. Jan Michael Vincent was at his all time best and portrayed Cpl Marion Hedgepeth in a most innocent and touching way. This movie is at the top of my all time favorites, a shame it isn't available on DVD or VHS anymore. The ending was also wonderful. John Hancock did a marvelous job of capturing the essence of the time.

Staying up late one night, I accidentally caught this movie on TV. I had been looking for it since I'm a Richard Gere fan but hadn't had any luck. Good thing I didn't buy it or anything.

That said, it's not bad. But it certainly isn't very good. Vincent is sent home from the army and once he arrives in a small town, folks there mistake him for some sort of war hero. And he goes along for the ride, for a while anyway. Gere plays a soldier who at one point steals Vincent's clothes.

Harmless, that's probably the best word I can think of for this movie. I wasn't bored and I wasn't thrilled either. It went by easily (very short film), and I've mostly forgotten about it now, but I guess I wouldn't mind watching it again someday. If I couldn't think of anything else, that is.

One advice; don't watch it for Gere alone. His role is very short, but he's got blond hair here, very funny.

Made in the mid 70s when it looked like Jan Michael Vincent might translate into a romantic male lead, this thoughtful and sensitive film just slipped into nowhere instead, along with his prospects. Richard Gere seen in a minor role as a marine in a lounge somewhere, seemed to overtake JMV from this film and go into Mr Goodbar, Gigolo and Sexy leading man stardom. Like BUSTER AND BILLIE also marred by the VIGILANTE FORCE and WHITE LINE FEVER type violence, BABY BLUE MARINE is actually a charming romantic drama and quite an acting suprise for any viewer who believes JMV is an action star of the time.

This film was seen by me in a movie theater when it came out in 1976. (I haven't seen it since.) The recent passing of Jan Michael Vincent brought the memory of it back to me. I have no allegiance to Mr. Vincent, but considering his reportedly troubled life, I wanted to note that his performance in this film was truly empathetic and moving. Thus, he could certainly handle himself on screen. The film was sort of a surprise, with an excellent cast of familiar actors of that era. I particularly also recall the performance of John Lund in a very pivotal role. This picture was extremely well done, and, obviously, for me, especially memorable.

Very appealing stateside WWII drama stars then-hot Jan-Michael Vincent as Marion "Hedge" Hedgepeth, who, before long, flunks out of his basic training as a Marine, and is sent home in a baby blue uniform in disgrace. During the journey, he encounters an actual young veteran (Richard Gere, in a memorable bit) who's desperate to avoid being sent back into battle. So the vet mugs Hedge (well, so to speak...he actually LEAVES him a few dollars), and all Hedge has to wear is the vets' uniform. On his way back home, he stops in a small Colorado town, and is naturally thought to be a war hero by the locals. He's so endearing to them, and they to him, that he can't bring himself to tell them the truth.

Written by Stanford Whitmore ("Hammersmith Is Out", "The Dark"), and directed by John D. Hancock ("Let's Scare Jessica to Death", "Bang the Drum Slowly"), this is an enjoyable little film worth rediscovering. While not altogether believable (for some reason, there's a Japanese internment camp right in the woods near this town), it gets by on a certain amount of charm, just like its lead character. In fact, a citizen named Hudkins (Bert Remsen), with whose daughter Rose (Glynnis O'Connor) Hedge falls in love, surmises that he's too *nice* and *innocent* to seem like a hardened killer.

Overall, the film does get pretty dramatic, and takes on the tone of a fable, but it never veers too far into unpleasantness. Excellent location shooting in & near the California towns of Weed and McCloud gives it atmosphere and a fine feeling of Americana, and the score by Fred Karlin is excellent.

Vincent was then at the peak of his career as a leading man in film, and he couldn't be more likable. O'Connor is adorable as the romantic interest, and Katherine Helmond, Dana Elcar, Bert Remsen, Bruno Kirby, Gere (sporting shocking bleach blonde hair), Art Lund, Michael Conrad, Allan Miller, Kenneth Tobey, Lelia Goldoni, Marshall Efron, and Barton Heyman comprise a rock solid supporting cast. Adam Arkin has one of his earliest big screen roles as a boy named "Rupe".

Well worth a look, especially if you like cinema set during this period, or are a fan of Vincent.

Seven out of 10.