In the Realm of the Senses

Nagisa Oshima has achieved what few other directors have managed in dealing with the very touchy subject of sex, in this instance, with sexual obsession. If you plan to watch this movie for a cheap sexual thrill, you will be most disappointed. Oshima has drawn from a real incident reported in a 1936 Japanese newspaper. The film centers around the love between two people expressed physically, graphically, into realms of the senses where few dare to tread. And with good reason. This is a very intense film as it progresses from the attraction of two people through increasing experimentation in an effort not only to express their passion but to try to find the outer most limits of passion itself. Oshima must have had something metaphorical in mind but the journey as chronicled in the film also has retained the feel of the specifics. It's quirkey and eccentric. The backdrop of the story is as interesting as the story itself. It is an amazing spectacle to observe, giving the viewer a perspective on Japanese life not usually rendered but often alluded to in some historical accounts. One wonders what this experience must have been like for the actors. Oshima has managed what I have always believed should be done in order to treat the subject of sex fully and without shrinking from its' less savory aspects. This is serious minded erotica and quite unlike anything else on screen. The only other film I can recall that compares at all is "Taxi Zum Klo" which was autobiographical and starred a number of actual people playing themselves.Obviously a different catagory in that regard from what is going on here, but both films draw much of their power from explicitly sexual scenes without compromising the integrity of the story being told. This is a film experience that should not be missed.

IN THE REALM OF THE SENSES explores sexual obsession and the extremes to which it drives the characters. I saw the uncut version,readily available at the Cleveland Public Library. It was indeed sexually graphic,reaching a point where the act seems to be driven by a kind of symbiosis that can only culminate in one way. The ending is one of the most horrifying things I've ever seen in a movie. Do not confuse

this movie with the vastly inferior IN THE REALM OF PASSION.

This movie was quite a shocker when my friend and I rented it a few years back. It was clear from the first explicit sex scene that this movie was going to be different from the types of movies my friend and I were generally used to.

After having viewed it recently again, and this time focusing more on the intrinsic value of the film rather than just on the shocking images alone like I had the first time I viewed it, I was surprised to find a dark, disturbing psychological drama about sexual obsession that really held my interest. It is interesting to note how the male and female leads, who both seem emotionally sterile to the world around them and are barely communicative towards one another in the traditional and normal sense, are inseparably bonded by a strange and sexual attraction they have for eachother. It is a fatal attraction of the darkest kind I've ever witnessed in a movie.

This movie is definitely not for all tastes or who are easily offended by graphic scenes of sex. But for those adventurous souls looking for something different and interesting, I recommend this film. Nagisa Oshima's other films of interest are Merry Christmas, Mr. Lawrence and the recent Taboo.

There is nothing in cinema that I can think of that compares to In The Realm Of The Senses. It is in a class of its own: beautiful, tender, sensual, erotic, horrifying. I can still remember the shock of seeing it perhaps twenty years ago: not just at the explicitness of the images, in every sense, but at the extraordinary passion and honesty of the two central performances, and Oshima's direction.

Despite the violent nature of the film, and the fact that it is based on a true event, I cannot think of another film that so truly captures the intensity of any emotional and sexual relationship at some point in its incarnation. If you have ever felt love and desire at their most powerful - the wish not to possess someone, but to become part of them and share with them how they experience the world - then you will recognize that feeling here. While certainly not a map for any relationship you might wish to have (I pray!), this film says more about what it means to be a man or woman than any other film I have seen.

I wrote a review of this film 15 years ago in which I claimed it was quite sophisticated. It was found helpful by 71 out of 89 people on this site. How naive I was, and, I must admit, pretentious. I am a good deal wiser now and I see the film in a completely different light. Now all I see is subversion and misogyny. Specifically it is a desperate effort to subvert conventional society by depicting heterosexual sex as baleful and destructive. Why would the director want to do such a thing? Think about it. It won't take more than a few seconds. This kind of thing obviously used to pass for art. Not any more. March 2019