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In the Realm of the Senses

ओरिजिनल टाइटल: Ai no korîda
  • 1976
  • 18
  • 1 घं 49 मि
IMDb रेटिंग
6.6/10
24 हज़ार
आपकी रेटिंग
लोकप्रियता
2,219
1,443
Tatsuya Fuji and Eiko Matsuda in In the Realm of the Senses (1976)
TragedyDramaRomance

यह सदा अबे की कहानी के बारे में दर्शाती है. एक भावुक महिला, जिसका अपने मालिक के साथ प्रेम प्रसंग था और अंत में विनाशकारी यौन संबंध बन जाता है.यह सदा अबे की कहानी के बारे में दर्शाती है. एक भावुक महिला, जिसका अपने मालिक के साथ प्रेम प्रसंग था और अंत में विनाशकारी यौन संबंध बन जाता है.यह सदा अबे की कहानी के बारे में दर्शाती है. एक भावुक महिला, जिसका अपने मालिक के साथ प्रेम प्रसंग था और अंत में विनाशकारी यौन संबंध बन जाता है.

  • निर्देशक
    • Nagisa Ôshima
  • लेखक
    • Nagisa Ôshima
    • Kôji Wakamatsu
  • स्टार
    • Tatsuya Fuji
    • Eiko Matsuda
    • Aoi Nakajima
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.6/10
    24 हज़ार
    आपकी रेटिंग
    लोकप्रियता
    2,219
    1,443
    • निर्देशक
      • Nagisa Ôshima
    • लेखक
      • Nagisa Ôshima
      • Kôji Wakamatsu
    • स्टार
      • Tatsuya Fuji
      • Eiko Matsuda
      • Aoi Nakajima
    • 133यूज़र समीक्षाएं
    • 113आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • कुल 4 जीत

    वीडियो1

    Trailer
    Trailer 2:21
    Trailer

    फ़ोटो103

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
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    पोस्टर देखें
    पोस्टर देखें
    + 96
    पोस्टर देखें

    टॉप कलाकार26

    बदलाव करें
    Tatsuya Fuji
    Tatsuya Fuji
    • Kichizo Ishida
    Eiko Matsuda
    Eiko Matsuda
    • Sada Abe
    Aoi Nakajima
    • Toku
    Yasuko Matsui
    • Tagawa Inn Manager
    Meika Seri
    • Matsuko (Yoshidaya maid)
    Kanae Kobayashi
    Kanae Kobayashi
    • Old geisha Kikuryû
    Taiji Tonoyama
    Taiji Tonoyama
    • Old Beggar
    Kyôji Kokonoe
    Kyôji Kokonoe
    • Teacher Ômiya
    Naomi Shiraishi
    • Geisha Yaeji
    Shinkichi Noda
    • Street Restaurant Owner
    Komikichi Hori
    • Mitsuwa Geisha
    Kikuhei Matsunoya
    • Hôkan jester
    Akiko Koyama
    Akiko Koyama
    • Mansaki Geisha
    Yuriko Azuma
    • Mitsuwa Geisha
    Rei Minami
    • Mitsuwa Geisha
    Machiko Aoki
    • Mitsuwa maid
    Mariko Abe
    • Kinu (Yoshidaya maid)
    Kyôko Okada
    • Hangyoku…
    • निर्देशक
      • Nagisa Ôshima
    • लेखक
      • Nagisa Ôshima
      • Kôji Wakamatsu
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं133

    6.624.2K
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    फ़ीचर्ड समीक्षाएं

    Krustallos

    Get Over It

    It's clear that a lot of people can't get past the explicitness of this film, which is a shame. I recall a lot of embarrassed giggling last time I saw it at the cinema. The art/pornography debate seems futile to me - this is a film about an obsessive sexual relationship/love affair and it tells it like it is. But it's about as far away from the likes of "Debbie Does Dallas 26" as you can get. The film is clearly serious in intent and there is a lot of beauty in it.

    The subtle political content/context of the film is often overlooked - some of the few scenes shot outside the bedroom show groups of soldiers marching the other way from the direction our characters travel - and we all know where the rising Japanese militarism and nationalism of the 1930's led.

    I think the best comparison is probably with a film like "Last Tango in Paris" which dealt with similar themes in a similar way - and was probably also pretty boring for those with a short attention span.
    mgangadeen

    Good!!

    Nagisa Oshima has achieved what few other directors have managed in dealing with the very touchy subject of sex, in this instance, with sexual obsession. If you plan to watch this movie for a cheap sexual thrill, you will be most disappointed. Oshima has drawn from a real incident reported in a 1936 Japanese newspaper. The film centers around the love between two people expressed physically, graphically, into realms of the senses where few dare to tread. And with good reason. This is a very intense film as it progresses from the attraction of two people through increasing experimentation in an effort not only to express their passion but to try to find the outer most limits of passion itself. Oshima must have had something metaphorical in mind but the journey as chronicled in the film also has retained the feel of the specifics. It's quirkey and eccentric. The backdrop of the story is as interesting as the story itself. It is an amazing spectacle to observe, giving the viewer a perspective on Japanese life not usually rendered but often alluded to in some historical accounts. One wonders what this experience must have been like for the actors. Oshima has managed what I have always believed should be done in order to treat the subject of sex fully and without shrinking from its' less savory aspects. This is serious minded erotica and quite unlike anything else on screen. The only other film I can recall that compares at all is "Taxi Zum Klo" which was autobiographical and starred a number of actual people playing themselves.Obviously a different catagory in that regard from what is going on here, but both films draw much of their power from explicitly sexual scenes without compromising the integrity of the story being told. This is a film experience that should not be missed.
    Beast-5

    terrifying

    IN THE REALM OF THE SENSES explores sexual obsession and the extremes to which it drives the characters. I saw the uncut version,readily available at the Cleveland Public Library. It was indeed sexually graphic,reaching a point where the act seems to be driven by a kind of symbiosis that can only culminate in one way. The ending is one of the most horrifying things I've ever seen in a movie. Do not confuse

    this movie with the vastly inferior IN THE REALM OF PASSION.
    9BoboPDE

    Well, if nothing else, it has guts...

    Sure, everyone (or most everyone) has heard about "Sex, Lies, and Videotape" and its remarkable statement about human sexuality. However, it is unlikely that as many people have heard about this film, which in a totally different way makes perhaps as profound a statement about that topic.

    In fact, if you see an uncut version of this film, you are in essence watching pornography. That is, you are watching incredibly graphic sexual content that simply would not be allowed in an American film. I won't spell it out for you, but I will say this...do you know what they can't show you in American movies? This one shows that. And quite a bit more. This is not the type of sex you would see in a film like "Sex, Lies, and Videotape" or "Bliss" or some of the other decent American films about sex (though I can't think of any others). This is more like the sex shown in "Last Tango in Paris." The characters are so self-destructive and dangerous that the sex (one of the most inherent of all human practices) becomes an expression of their inhumanity. This is not easy stuff. But if you are willing to find an uncut version and experience the true power of this film, you may find yourself moved by the things you see.

    This film blurs the line between pornography and art, and I believe that it stays one inch to the art side, but decide for yourself. Either way, I think that it is about time for American films to truly explore that distinction.
    edwjoolee

    A story about sexual obsession.

    This movie was quite a shocker when my friend and I rented it a few years back. It was clear from the first explicit sex scene that this movie was going to be different from the types of movies my friend and I were generally used to.

    After having viewed it recently again, and this time focusing more on the intrinsic value of the film rather than just on the shocking images alone like I had the first time I viewed it, I was surprised to find a dark, disturbing psychological drama about sexual obsession that really held my interest. It is interesting to note how the male and female leads, who both seem emotionally sterile to the world around them and are barely communicative towards one another in the traditional and normal sense, are inseparably bonded by a strange and sexual attraction they have for eachother. It is a fatal attraction of the darkest kind I've ever witnessed in a movie.

    This movie is definitely not for all tastes or who are easily offended by graphic scenes of sex. But for those adventurous souls looking for something different and interesting, I recommend this film. Nagisa Oshima's other films of interest are Merry Christmas, Mr. Lawrence and the recent Taboo.

    इस तरह के और

    Empire of Passion
    7.0
    Empire of Passion
    Sei to ai no korîda
    5.7
    Sei to ai no korîda
    The Man Who Left His Will on Film
    6.9
    The Man Who Left His Will on Film
    Gishiki
    7.2
    Gishiki
    Kissed
    6.4
    Kissed
    Spanking the Monkey
    6.3
    Spanking the Monkey
    मेरी क्रिसमस, Mr. सॉरेन्स
    7.2
    मेरी क्रिसमस, Mr. सॉरेन्स
    Kawaki.
    6.5
    Kawaki.
    Gohatto
    6.8
    Gohatto
    In the Realm of the Senses: Recalling the Film
    In the Realm of the Senses: Recalling the Film
    The Night Porter
    6.6
    The Night Porter
    Max mon amour
    6.0
    Max mon amour

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Demand to see the film at its first appearance at the Cannes Film Festival was so high, 13 screenings were arranged.
    • भाव

      Kichizo: I've got to pee. Okay with you?

      Sada Abe: There's no need to leave. Do it here.

      Kichizo: Where?

      Sada Abe: Inside of Sada, all nice and warm.

      Kichizo: You're mad! It's impossible to do both at the same time.

    • इसके अलावा अन्य वर्जन
      The original version ran 108 minutes. Producer Anatole Dauman received Oshima's permission to recut the film, resulting in a shorter 102-minute edit. This version has been distributed theatrically in some countries (such as France) and is available on video in Australia, the UK, the United States, and France. The French DVD includes both versions (via seamless branching), while the U.S. Criterion DVD features the cut footage as an extra. The PAL releases run 97 minutes. This shorter version makes the following changes:
      • An early scene in which Sada has sex with Ishida while playing a shamisen has been cut by about a minute and a half. In the original version, Sada seemingly goes unconscious and Ishida checks for her heartbeat.
      • A brief shot (12 seconds) of Ishida and Sada on a bridge has been added to the scene in which the couple goes out walking at night.
      • A later scene (in which the geishas assault one of their own with a dildo) is cut by 14 seconds to remove a shot of Ishida and Sada's faces in mid-copulation.
      • An entire two-minute scene is deleted about an hour into the film. This scene features Sada and Ishida having sex behind a thin screen, while Ishida speaks of the "darkness" he feels inside Sada.
      • The scene in which Sada first strangles Ishida is cut by just over one minute. In the short version, the scene ends when Ishida starts coughing and Sada releases his throat. In the original version, Ishida asks her to resume, which she does (only to stop when he begins coughing again).
      • The scene in which Ishida becomes drowsy while having sex with Sada is edited differently. The original version has slightly different dialogue and has an additional minute of footage where Ishida actually does fall asleep for a short time.
      • The scene in which Sada wakes up after her final night with Ishida is cut by one minute. The original version shows Sada lying on the floor and apparently panicking, walking around the room and opening doors for no obvious reason. The short version cuts straight from Sada waking up to the shot of her standing over Ishida's body.
    • कनेक्शन
      Edited into Video Macumba (1991)
    • साउंडट्रैक
      Ballades for koto II-Spring: Mebae (Seeding)
      Composed by Minoru Miki

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल21

    • How long is In the Realm of the Senses?Alexa द्वारा संचालित
    • Is this film still banned in Japan?
    • Are the actors having real sex?
    • What are the differences between the old BBFC 18 Version and the Uncensored Version?

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 20 सितंबर 2020 (भारत)
    • कंट्री ऑफ़ ओरिजिन
      • जापान
      • फ़्रांस
    • आधिकारिक साइट
      • Official site (Japan)
    • भाषा
      • जापानी
    • इस रूप में भी जाना जाता है
      • Ai no korîda
    • फ़िल्माने की जगहें
      • Daiei-Kyoto Studios, क्योटो, जापान(Studio)
    • उत्पादन कंपनियां
      • Argos Films
      • Oshima Productions
      • Shibata Organisation
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    बॉक्स ऑफ़िस

    बदलाव करें
    • दुनिया भर में सकल
      • $569
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 49 मिनट
    • पक्ष अनुपात
      • 1.37 : 1

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    Tatsuya Fuji and Eiko Matsuda in In the Realm of the Senses (1976)
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    What is the streaming release date of In the Realm of the Senses (1976) in Spain?
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