Rock Follies

I saw this as a teenager and thought it was fantastic. I recall it being a hilarious and involving story of a struggling girl group. I loved the songs and bought the album, and it's one of my favorite albums to this day.

43 years later I watch it again, and, well, it's awful.

At least the first episode is awful. I stuck with it for nostalgia's sake and it does pick up as it moves away from the Little Ladies pre-rock life to their time on the road. Most of the acting is weak, but Dee Covington is terrific as the edgiest member (she's also easily the best singer, later having a hit with Don't Cry for Me Argentina).

Their adventures are a mix of awful clubs, awful men, awful money men, awful choreography, way too many long speeches on this and that, and really terrific songs by Andy McKay (all the songs were apparently rerecorded for the album except Glenn Miller is Missing, and while the originals aren't as polished they're still generally quite good).

The great irony of Rock Follies is it's a series about the powerlessness of talented nobodies and the ways they are chewed up and spat out, and the idea for the series was actually stolen from a group called Rock Bottom, which came up with the idea as a vehicle for themselves and were quite upset to see it wind up as a vehicle for others (they eventually won a lawsuit). It's exactly the sort of thing that would happen in the series, and it's amazing to consider people creating a show critiquing the exact sort of exploitation they were involved in.

I saw the second season of Rock Follies years after the first, and I thought it was a terrible follow up, but now that I realize the original wasn't that good I suppose the sequel may have been about equivalent.

I don't know how much of my disappointment in this series is the difference between me at 18 and 60, and how much is that the quality of TV was so much worse in the 70s that there was a pretty low bar. Ultimately, the 17-year-old me recommends this, the 60-year-old me says don't bother, and both of us encourage you to get the soundtrack.

The adventures of three young women from diverse show biz backgrounds meet at an audition and form a rock trio with hilarious results; including a tour where one of the venues is a Scottish country & western bar. Great performances and good singing and outrageous humor. Good songs too! ("I used to be in talkin' pictures, talkin' pictures, if you know what I mean" is a hoot.) British humor at its best by, ironically an American author. My thumbs are way up. Love to see this again - it was run on PBS. RB

This was an enjoyable series with a musical storyline. It featured the trials of an aspiring all girl band, with entertaining and still memorable songs.

Julie Covington could sing, and had a huge number 1 hit soon after the show ("Don't cry for me Argentina"). Charlotte Cornwell could barely sing, but Rula Lenska could barely sing or talk.

I'm surprised this hasn't developed more of a cult following.

Whatever happened to Julie Covington, she seemed to dissappear completely?!

It's a TV series about theatrical types performed and written by theatrical types, and it doesn't work well on the small screen.

Julie Covington does the tomboy bit which probably inspired Sinead O Conner... Charlotte Cornwell does the mousy middle-aged housewife going through a crisis and Rula Lenska struts around doing a disturbing impersonation of a Las Vegas drag act.

This Thames Television production exploded onto the British consciousnesses in early 1976. I was 16 at the time with much better things to do to occupy my time than watch this. I was left out of a lot of conversations! It was all anyone talked about and the 'girls' sold a zillion magazines touting 'girl power' before it was even invented!

The songs sound like they would do well in a musical. The song 'Little Ladies' is simply unbearably painful to listen to. The acting is so camp and unpolished that it also belongs on a stage where it can never be accurately recalled, too. Unfortunately it's there for all to see.

The peripheral characters are caricatures. The boyfriends are so absurd and annoying that you just want to reach into the screen and punch them senseless. There's lots of shouting, lots of over-acting and lots and lots of smoking! It's allegedly a satire, but I didn't see any. Then again, it's 2018 and maybe 40 years has changed the meaning of the word.

There are some good cameos, though. Kathy Staff (Nora Batty/Mrs Blewitt) is a hoot as the waitress in episode two. Whoever plays the seedy agent in the first episode is funny, too, especially when he's explaining how he wants the Annie Hall production to be a bit more sexed up.

But these moments are too few and far between. In summation... it's just a noisy and annoying mess.

I watched it and enjoyed it - clever comedy, and the relations between the chief characters kept changing, not re-cycling the same plots as many comedies do.

The three woman come from different backgrounds and have very difference approaches to life. Each also has a distinctive relationship with the man in their life, though this too alters, with some characters growing more important and others dropping out.

I know nothing about the actual pop world but it seemed very plausible, the way ambition would lead to a loss of ideas, not necessarily leading to success.