Turn-On

The Museum of Television and Radio actually have two episodes of Turn On (though one is slightly misfiled). This show is one of the most surreal pieces of television I have ever witnessed. Shot entirely on a white sound stage with no sets and no laugh track, the gags are faster than rapid fire and rather cutting edge for the time. The credits (which feature many names not listed here, including Albert Brooks) run for the entire duration of both programs! Other episodes shot for this program (but never aired) included guest shots from Sebastian Cabot and the Monkees. Robert Culp is the special guest on episode two. All I can tell you is that most descriptions of this program in books or on the internet are from people who have never actually seen this thing - it isn't so much a Laugh In rip off, as it is what might happen if the Fox network tried to spice up the Laugh In concept. With skits about foot fetishes and birth control it may still be a little much for the meek. I recommend it to any '60s pop culture fanatic (though the first episode will give you a headache from the incessant Moog synthesizer music, which is played non-stop).

I didn't think it was funny either. It seemed very sterile and maybe a bit too fast-paced. The only bit I really recall is a ballet dancer spinning about and colliding with other dancers - which was almost funny. I believe another bit had the dancer falling into bed. It was a long time ago and the show was mostly forgettable. I don't remember it being 'dirty'. Maybe it was but it went over my head. Tim Conway was way out of place here. A complete waste. I, too, would like to see it again to make a more current judgment. It was probably conveyed to the audience improperly. The biggest problem may have been that there wasn't much banter ala Dan Rowan/Dick Martin. The show practically alienated from the outset.

If LAUGH-IN, today, dates very badly (how many of us find jokes about figures from the LBJ and Nixon period funny today?), TURN-ON lacks the variety of the comic skits that makes parts of LAUGH-IN funny even now. It was only 30 minutes long, and it's running connection was briefly shot scenes of two or three men in a booth running the projector and special effects. It wasted some talented people, including two favorites of mine, Hamilton Camp and Chuck McCann. In fact, the "best" memory I have of this terrible show was of McCann, as a cop on the beat at a lover's lane in the country, looking through car windows with a flashlight, singing, "Hello Young Lovers" as he did so. That was the show's best moment.

I was a teenager in the Los Angeles area when it aired in its entirety.

It was heavily promoted (hyped) and being rebellious I had to watch. My parents were not upset but more stunned. As in, "What the...." A blend of topical humor of Laugh-In infused with the DNA of Ernie Kovacs led to a bad reaction -- the grafting did not take and resulted in chaos and convulsions. And not convulsions of laughter. It was not offensive, just alien. I was irritated by the continuous drumming or scatting or some annoying audio underlay that was more annoying that a continuous laugh track.

Creative is was. Entertaining it was not...unless you find train wrecks entertaining. Glad it was archived. Oddly, one of the few details I recall was that Sebastian Cabot was going to be the guest host the next week. I pondered if he knew what he was getting himself into.

When Tim was doing chat shows in the 70s, the discussion would always include a comment like, "You've been on a lot of TV series." Tim would then respond by listing every show he was on, and then the number of episodes before it was cancelled. And then he would say, "Turn-On. Cancelled after one show."

Legend has it the head of ABC programming actually decided to cancel it the moment it ended. At the time, ABC was still the distant third-place network. The hope was that George Schlatter could give ABC a counterpart to NBC's LAUGH-IN and CBS' SMOTHERS BROTHERS. Too bad the material was just not there. I was 12 when I watched this. None of my family was interested on it, so I watched it in my bedroom. I remember thinking it was odd. I don't recall laughing much at it.