Vixen!

Vixen Palmer (Erica Palmer) is the wife of a Canadian bush pilot… She and her husband run a resort for vacationers, but she utilizes the place more for her erotic exploits than for making money… To say that she is having sexual relations with many is an understatement… She provokes many of the young boys in a nearby town, and basically has a good time...

Everyone seems to know about Vixen's exploits except her husband, who constantly considers her a loving, loyal housewife… The plot moves into high gear when a Communist hijacks the husband's plane and orders him at gunpoint to fly to Cuba…

While Meyer never moved into graphic sex, "Vixen" was one of the early expressing films for the adult market… It contained much simulated intercourse, a lot of nudity, and sex jokes... The film by nature is exploitative, but Meyer always lets the plot move in and out of the erotic encounters, creating a distinct stimulating sex comedy rather than a series of cheap shots… The performances are always exuberant, and—despite the hilarious action—the characters are very realistic

Russ Meyer's VIXEN was one of the first films to receive the newly-formed MPAA's X rating. There were stories that in some theatres, people would pay just to see the trailer for it then leave before the main feature(shades of THE PHANTOM MENACE!). Comparing it to other adult films of that era or even to some of Meyer's other films, VIXEN looks almost tame. Erica Gavin stars as a sexually voracious woman who lives in Canada with her bush pilot husband. During the course of the film, Gavin has sex with her husband, a Mountie (apparently they always get their WOMAN too), both members of a married couple that they guide through the Great White North and her own brother(!). Oddly enough, the only name I recognized from this movie was Harrison Page, the black friend of Vixen's brother. Page, like Gavin, also appeared in Meyer's BEYOND THE VALLEY OF THE DOLLS, but he also had a sitcom in the Seventies (LOVE THY NEIGHBOR . . . and no, it wasn't about wifeswapping!). As with Meyer's other work, there is no way you can watch this and keep a straight face . . . nor should you want to.

'Vixen!' is satirical softcore ride with the energy and mood of lighthearted sitcom. Only Russ Meyer is capable to fill all the quiet caps between almost unstoppable sex and nudity with sly satire and not always subtle, but every time warm humor that works. Beautiful camera-work and dynamic fast editing transform this seemingly trashy film into form of pure art (most of the modern directors/editors/cinematographers need to learn from Meyer's movies).

Erica Gavin stars as Vixen Palmer, the wife of Canadian bush pilot Tom (Garth Pillsbury). The man is often away from home, and Vixen, who is unable to control her appetite for sex, starts to feel bored quickly in the wilderness on Canada, so her misadventures and sexual manipulations begin. Even when Tom returns home together with a married couple to take them to a fishing trip, Vixen can't go without seducing them both. Non-stop sexual adventures continue until veering off into taboo territories of incest and racism until all this finds conclusion in the manner of creeping threat of communism.

'Vixen!' is not your typical guilty pleasure movie, it is genuinely (feel) good film without any guilt. Nudity and sex (that are tame compared today's standards), although, have always been driving force in Meyer's films, there is lot of hart and warm humor between bare skin. Even the nasty racial slur doesn't sound very awful thanks to the tongue in cheek handling of the subject matter and the satisfying ending.

The movie is like its main character - besides offering eye-candy and wildness, there are lot hidden in the deep underneath. Strangely charming movie with quirky but somehow likable characters with all their flaws.

SYNOPSIS: The escapades of an insatiable wife living in the backwoods of Canada.

CONCEPT IN RELATION TO THE VIEWER The sexual revolution and the concept of hedonism. Pushing the limits of what is acceptable to show.

PROS AND CONS I have always been a big fan of Russ Meyer. Along with Federico Fellini, I consider him a true innovator in film. Many write him off as a sexploatation film maker of the "B" movie genre. I beg to differ, he was a true pioneer and a maverick and his films have stood the test of time.

What always captivated me about Meyer's work was how he got so much out of a film by doing the basics and doing them well. His films are low budget and look it, but they captivate you regardless. The dialog is crisp and quick, the editing is sharp and the story moves along quickly. This film is only an hour long but you wouldn't know it when it is all over.

Meyer financed most of his own movies, used the same troop of actors, did his own cinematography and writing along with most of the editing. He ran the whole show and answered to no one. What you see on the screen is his vision and no one elses. You have to admire an artist that can create such a large body of work under those terms.

This was Meyer's first 'big' film that got wide release. It was also the first mass distributed film to be given an "X" rating, which is laughable by today's standards. There is no explicit sex scenes or graphic nudity in this film. But there is a lot of implied sexuality and topless women. What made the film controversial in its day was its portrayal of wanton sexuality and taboo subjects such as incest and lesbian relationships.

The plot is rather simple. Vixen likes to fool around and does so with wild abandon. Thrown into this mix are subjects of infidelity, racism, patriotism, honesty and morals. You don't really like Vixen in this film. She is beautiful to look at, but she is a bitch to almost everyone and only appears to seek self gratification and cares for no one but herself.

The print I saw was in terrible condition, with several minutes eliminated by jumping and scratching and the colour a uniform washed-out pink. On the bright side, this added an even more surreal layer to Meyer's already fairly radical editing style. Anyway, a lot of it, although entertaining enough, is pretty basic stuff of Gavin pouting and staring and flaunting herself and jumping on every man in sight with an infectious shameless pleasure. It gets radical when she seduces her own brother in the shower, with little moral hesitation (at that point she's already gone through another woman, a Canadian mountie and a couple more guys). The most intriguing aspect is embodied by the black character whom she relentlessly and openly taunts; he then falls in with the IRA guy and...well, see for yourself. The juxtaposition of nudie exploitation with such open rabble-rousing politics is fairly startling just as an idea, but Meyer pushes it so far that the woman goes beyond mere feistiness and carefreeness into a systematic challenger of all niceties and convention - she calls the black guy every racist epiphet, but her lack of bull ultimately opens his eyes.