IMDb रेटिंग
6.3/10
2.5 हज़ार
आपकी रेटिंग
मैक्सिकन विद्रोही, पान्चो विला ने मेक्सिको में कैद हुए एक अमेरिकी विमान-चालक की मदद से क्रांति का नेतृत्व किया.मैक्सिकन विद्रोही, पान्चो विला ने मेक्सिको में कैद हुए एक अमेरिकी विमान-चालक की मदद से क्रांति का नेतृत्व किया.मैक्सिकन विद्रोही, पान्चो विला ने मेक्सिको में कैद हुए एक अमेरिकी विमान-चालक की मदद से क्रांति का नेतृत्व किया.
Maria Grazia Buccella
- Fina
- (as Grazia Buccella)
Robert Carricart
- Don Luis
- (as Bob Carricart)
Andrés Monreal
- Capt. Herrera
- (as Andres Monreal)
José María Prada
- Major
- (as Jose Maria Prada)
Regina de Julián
- Lupita
- (as Regina de Julian)
Antoñito Ruiz
- Juan
- (as Antonio Ruiz)
Francisco Arduras
- Villista
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
I saw this movie long ago and still remember it well enough to place a comment, so its not to bad. Westerns are my favorite movies but that's doesn't mean i like them all, i like the shootist with John Wayne but think that most Wayne movies are not that good....this one with Brynner, Bronson and Mitchum is just plain and simple a Hollywood fabrication and fun to watch,especially Bronson as Fierro. He portrays the very hard merciless right-hand of villa,(and comes up with some very nice inventions). All and all i think its time they should release it on DVD so i could add it to my collection and watch it again after so many years
Villa Rides is directed by Buzz Kulik and adapted to screenplay by Robert Towne and Sam Peckinpah from the biography of Pancho Villa written by William Douglas Lansford. It stars Yul Brynner, Robert Mitchum, Charles Bronson, Herbert Lom, Maria Grazia Buccella, Robert Viharo and Frank Wolff. Music is scored by Maurice Jarre and cinematography by Jack Hildyard.
Film is a fictionalised telling of a period in Pancho Villa's (Brynner) life, primarily his famous involvement in the Mexican Revolution at the start of the 20th Century.
The film that should have been a Peckinpah classic!? Maybe? There is no doubting that had Peckinpah been allowed to direct his own screenplay we would have got a far better, more brutal, Pancho Villa film. In fact if we just had Peckinpah's original screenplay intact and someone like Robert Aldrich to direct, then that surely would have given us a mean and moody biography of one José Doroteo Arango Arámbula (AKA: Francisco Villa or Pancho Villa)? Film history tells us that star Yul Brynner was most displeased with the portrayal of Villa as written on Bloody Sam's page. Brynner wanted, and got eventually, his Villa to be an heroic Robin Hood type man of the people, a romanticised revolutionary as it were. Not the driven bastardo prone to acts of horror and sneak tactics that Peckinpah envisaged for the film.
La Cucaracha.
Brynner laughably cited Peckinpah's lack of Mexican knowledge as reason for getting him off the film, laughable because Peckinpah was married to a Mexican and visited the country regularly! So Peckinpah was off, sold his screenplay to the producers, which was remodelled considerably by Robert Towne & Brynner, and he took much of the ideas from the writing for Villa Rides to craft his masterpiece a year later, The Wild Bunch. In to the director's chair came Buzz Kulik and Brynner got to don a toupee and portray Villa the way he wanted. Although, thankfully, Peckinpah's edginess does manage to flit in and out of the finished product.
Viva Villa! You can't fight for the revolution if you are dead.
What remains for viewing is far better than some would have you believe. True, it's no Western/War classic, some of the politico posturings fail to make a mark because they are not expanded on, and one yearns at times for some Peckinpah grit, grue and grim machinations. There's also casting issues, for although I actually don't mind Brynner as Villa because he attacks the role with fanciful relish, he is generally miscast, while Mitchum manages to get by on laconic charm rather than have a character worthy of putting effort into. But if you can forgive the obvious missteps then it's a good two hours of rip-snorting entertainment.
It's always a question of money with you Gringo.
Kulik (Sergeant Ryker) keeps things lively and proves adept at action directing. The battles scenes are high on quality, particularly for the engagement at Conejos, where stunt men and horses are flung around the place, explosions puncture the air, the artillery on show resplendent as it deals out damage. Hundreds of costumed extras cut a swathe through each other, a plane and a train impact greatly on proceedings, while potent scenes involving the bad things that men do add fuel to the loud expressive fire. Jarre's score is fabulous, Latino flavours mix with high energy thunder to bounce off the burning sun with aural pleasure, while Hildyard keeps the Spanish locales vibrant in colours. Then there's Bronson stealing the movie with his portrayal of Rodolfo Fierro, a man who enjoys killing and tormenting the enemy, with dark humour also etched into his make-up.
Fanciful, fun and fiery, with flaws enough for sure, but still a good time to be had for the genre faithful. 7/10
Film is a fictionalised telling of a period in Pancho Villa's (Brynner) life, primarily his famous involvement in the Mexican Revolution at the start of the 20th Century.
The film that should have been a Peckinpah classic!? Maybe? There is no doubting that had Peckinpah been allowed to direct his own screenplay we would have got a far better, more brutal, Pancho Villa film. In fact if we just had Peckinpah's original screenplay intact and someone like Robert Aldrich to direct, then that surely would have given us a mean and moody biography of one José Doroteo Arango Arámbula (AKA: Francisco Villa or Pancho Villa)? Film history tells us that star Yul Brynner was most displeased with the portrayal of Villa as written on Bloody Sam's page. Brynner wanted, and got eventually, his Villa to be an heroic Robin Hood type man of the people, a romanticised revolutionary as it were. Not the driven bastardo prone to acts of horror and sneak tactics that Peckinpah envisaged for the film.
La Cucaracha.
Brynner laughably cited Peckinpah's lack of Mexican knowledge as reason for getting him off the film, laughable because Peckinpah was married to a Mexican and visited the country regularly! So Peckinpah was off, sold his screenplay to the producers, which was remodelled considerably by Robert Towne & Brynner, and he took much of the ideas from the writing for Villa Rides to craft his masterpiece a year later, The Wild Bunch. In to the director's chair came Buzz Kulik and Brynner got to don a toupee and portray Villa the way he wanted. Although, thankfully, Peckinpah's edginess does manage to flit in and out of the finished product.
Viva Villa! You can't fight for the revolution if you are dead.
What remains for viewing is far better than some would have you believe. True, it's no Western/War classic, some of the politico posturings fail to make a mark because they are not expanded on, and one yearns at times for some Peckinpah grit, grue and grim machinations. There's also casting issues, for although I actually don't mind Brynner as Villa because he attacks the role with fanciful relish, he is generally miscast, while Mitchum manages to get by on laconic charm rather than have a character worthy of putting effort into. But if you can forgive the obvious missteps then it's a good two hours of rip-snorting entertainment.
It's always a question of money with you Gringo.
Kulik (Sergeant Ryker) keeps things lively and proves adept at action directing. The battles scenes are high on quality, particularly for the engagement at Conejos, where stunt men and horses are flung around the place, explosions puncture the air, the artillery on show resplendent as it deals out damage. Hundreds of costumed extras cut a swathe through each other, a plane and a train impact greatly on proceedings, while potent scenes involving the bad things that men do add fuel to the loud expressive fire. Jarre's score is fabulous, Latino flavours mix with high energy thunder to bounce off the burning sun with aural pleasure, while Hildyard keeps the Spanish locales vibrant in colours. Then there's Bronson stealing the movie with his portrayal of Rodolfo Fierro, a man who enjoys killing and tormenting the enemy, with dark humour also etched into his make-up.
Fanciful, fun and fiery, with flaws enough for sure, but still a good time to be had for the genre faithful. 7/10
"Villa Rides" says in the opening credits that it is a tribute to Pancho Villa. And, as presented, the film is indeed a tribute in which it paints the former Mexican bandit in pretty colors. We should remember that the Mexican revolutionary had attacked an American town, Columbus, New Mexico. So, the U.S. government sent our own Gen. John J. Pershing into Mexico to hunt down and capture or kill Francisco "Pancho" Villa. His pursuit lasted from March 1916 to February 1917. Pershing was recalled when WW I broke out. Of course, none of this is mentioned in this film.
So, remembering that Hollywood often glosses over history – even rewrites it at times, viewers should always take films like this with a grain of salt – as to their accuracy and truth. Of course, their enjoyment as entertainment is aside from that. Now, to counter that aspect, we should also remember that Villa was a real folk hero among the people. He was a Mexican "Robin Hood," who stole from the rich and gave to the poor. He wasn't out for power himself, but was a genuine revolutionary for the freedom of the people.
We should also remember that it was after 1917 that the dictatorships in Mexico began to oppress the church and religion. Recent Mexican President Vicente Fox acknowledged and lamented the previous tyrannical governments. After 1917, Mexico outlawed religion, killed priests, confiscated and closed churches, and desecrated altars. Not until 1992 did this situation begin to change. Can it be any wonder why so many Mexicans would flee their country and want to live in the U.S. in the 20th century? Besides the economic hardships, the people were terribly persecuted and denied their basic rights.
Now for this film. It has a nice plot with some good action. The cast, for the most part, are quite good. Yul Bryner is very good as Pancho, although I suspect he is quite sanitized. Charles Bronson is very good as Fierro. Some other main characters are all quite good – Fernando Rey as Fuentes, Alexander Knox as Madero, and Herbert Lom as General Huerta. You'll notice I've saved Robert Mitchum until last. His role just doesn't fit as he portrays it. We need the character for the plot, but Mitchum just does not seem to play him right. He seems way too nonchalant. The script, or directing, or acting, or all three needed a major rework there to make his character much more believable. It put a sort of pale of humor over the story, and I don't think it really should be humorous. Not when we see families distraught over the hanging of many of their fathers, husbands and sons by the government army. And, I've never thought it funny when women are raped.
So, I'll give this 7 stars for the action, the story and the roles of Bryner, Bronson and some others. Back to that opening credit on the film – I'm sure that Paramount didn't mean to imply that Hollywood welcomes foreign governments to attack towns in the U.S. Or that it will honor them for doing so. But, wait a minute. I could be wrong about Hollywood.
So, remembering that Hollywood often glosses over history – even rewrites it at times, viewers should always take films like this with a grain of salt – as to their accuracy and truth. Of course, their enjoyment as entertainment is aside from that. Now, to counter that aspect, we should also remember that Villa was a real folk hero among the people. He was a Mexican "Robin Hood," who stole from the rich and gave to the poor. He wasn't out for power himself, but was a genuine revolutionary for the freedom of the people.
We should also remember that it was after 1917 that the dictatorships in Mexico began to oppress the church and religion. Recent Mexican President Vicente Fox acknowledged and lamented the previous tyrannical governments. After 1917, Mexico outlawed religion, killed priests, confiscated and closed churches, and desecrated altars. Not until 1992 did this situation begin to change. Can it be any wonder why so many Mexicans would flee their country and want to live in the U.S. in the 20th century? Besides the economic hardships, the people were terribly persecuted and denied their basic rights.
Now for this film. It has a nice plot with some good action. The cast, for the most part, are quite good. Yul Bryner is very good as Pancho, although I suspect he is quite sanitized. Charles Bronson is very good as Fierro. Some other main characters are all quite good – Fernando Rey as Fuentes, Alexander Knox as Madero, and Herbert Lom as General Huerta. You'll notice I've saved Robert Mitchum until last. His role just doesn't fit as he portrays it. We need the character for the plot, but Mitchum just does not seem to play him right. He seems way too nonchalant. The script, or directing, or acting, or all three needed a major rework there to make his character much more believable. It put a sort of pale of humor over the story, and I don't think it really should be humorous. Not when we see families distraught over the hanging of many of their fathers, husbands and sons by the government army. And, I've never thought it funny when women are raped.
So, I'll give this 7 stars for the action, the story and the roles of Bryner, Bronson and some others. Back to that opening credit on the film – I'm sure that Paramount didn't mean to imply that Hollywood welcomes foreign governments to attack towns in the U.S. Or that it will honor them for doing so. But, wait a minute. I could be wrong about Hollywood.
So far I haven't seen one film about Pancho Villa that got it right and Villa Rides is definitely one of them. Perhaps the proposed biographical film that Johnny Depp will star in might do Villa some justice.
Yul Brynner and Robert Mitchum co-star in Villa Rides with Brynner in the title role. Mitchum plays your typical soldier of fortune although in his case he's a pilot of fortune. He's a pilot of one of those new fangled airplanes and it is through his eyes we see the story of the film unfold.
A damaged aircraft delays Mitchum in Mexico after making a delivery and before he knows it, he's hip deep in the revolution that is going on in Mexico. At this point in his career Villa is one of several guerrilla chiefs supporting the new republic and the presidency of the idealistic Francisco Madero played here by Alexander Knox. Madero himself was a strange and fascinating character, one day he might get a biographical film study of his tragic life.
The Mexican Revolution of the teen years saw the country give way to anarchy with Villa eventually becoming one of several generalissimos controlling a piece of Mexican turf. As Villa operated in the extreme north of the country it was his bad fortune to later on raid into the USA and get Woodrow Wilson to send our army after him.
Here at the beginning Villa though after Mitchum talks his way into not being shot by his forces, Brynner sees the value of Mitchum's airplane as a weapon of war. He puts one of his aides Charles Bronson to ride herd on Mitchum and the two of them don't get along at all.
According to Lee Server's book on Mitchum they didn't get along all that well during the filming. Another Mitchum, brother John Mitchum wrote in his memoirs that Bronson was a very reserved sort who guarded his privacy strictly. They apparently had no problem on the set of Bronson's film Breakheart Pass which John Mitchum had a small part.
Mitchum and Brynner got along however which was not always the case with Brynner. Yul Brynner was a man of some mystery who liked it that way, he was and could be standoffish with fellow players, but apparently he and Mitchum worked well together in their only joint film.
The film was shot in Spain and I have to say the battle sequences were very well staged. They are the best part of Villa Rides.
A good, but not a great film. I do have to wonder that when Black Jack Pershing came into Mexico later on after the action of this film concluded, might not Mitchum be in a real jackpot fighting against the American army at that point.
Yul Brynner and Robert Mitchum co-star in Villa Rides with Brynner in the title role. Mitchum plays your typical soldier of fortune although in his case he's a pilot of fortune. He's a pilot of one of those new fangled airplanes and it is through his eyes we see the story of the film unfold.
A damaged aircraft delays Mitchum in Mexico after making a delivery and before he knows it, he's hip deep in the revolution that is going on in Mexico. At this point in his career Villa is one of several guerrilla chiefs supporting the new republic and the presidency of the idealistic Francisco Madero played here by Alexander Knox. Madero himself was a strange and fascinating character, one day he might get a biographical film study of his tragic life.
The Mexican Revolution of the teen years saw the country give way to anarchy with Villa eventually becoming one of several generalissimos controlling a piece of Mexican turf. As Villa operated in the extreme north of the country it was his bad fortune to later on raid into the USA and get Woodrow Wilson to send our army after him.
Here at the beginning Villa though after Mitchum talks his way into not being shot by his forces, Brynner sees the value of Mitchum's airplane as a weapon of war. He puts one of his aides Charles Bronson to ride herd on Mitchum and the two of them don't get along at all.
According to Lee Server's book on Mitchum they didn't get along all that well during the filming. Another Mitchum, brother John Mitchum wrote in his memoirs that Bronson was a very reserved sort who guarded his privacy strictly. They apparently had no problem on the set of Bronson's film Breakheart Pass which John Mitchum had a small part.
Mitchum and Brynner got along however which was not always the case with Brynner. Yul Brynner was a man of some mystery who liked it that way, he was and could be standoffish with fellow players, but apparently he and Mitchum worked well together in their only joint film.
The film was shot in Spain and I have to say the battle sequences were very well staged. They are the best part of Villa Rides.
A good, but not a great film. I do have to wonder that when Black Jack Pershing came into Mexico later on after the action of this film concluded, might not Mitchum be in a real jackpot fighting against the American army at that point.
Mexican bandit and revolutionary Pancho Villa has been portrayed in films before, most notably by Wallace Beery in 1934's "Viva Villa!". Beery bore an uncanny resemblance to the real Pancho Villa, and by all accounts his portrayal is historically quite accurate, although the movie itself isn't. While overall this film is better than Beery's, the miscasting of Yul Brynner as Villa is difficult to overcome, and Robert Mitchum's sleepwalking through his role as an American soldier of fortune caught up in the Mexican revolution doesn't help, either. The two best performances in the film are Charles Bronson as Villa's right-hand man and chief executioner Rodolfo Fierro (Bronson accurately plays him as a man who can murder dozens of people with almost no thought about it; the real Fierro was even more of a butcher than he's shown to be here, and is known to have personally murdered hundreds of people) and Herbert Lom as the murderous Gen. Victoriano Huerta, and although Lom plays him as a sophisticated James Bond-ish Eurotrash villain than the semi-literate Indian and psychopathic killer that Huerta really was, it's still an effective job. The action set pieces are extremely well done and exciting, especially a rebel charge through a marsh against a heavily fortified federale position and, as has been previously mentioned, the film's soundtrack is truly outstanding. So even though Brynner may not be anyone's idea of Pancho Villa, the movie overall is worth a watch.
क्या आपको पता है
- ट्रिवियाAccording to producer Norbert Saada's interview in the documentary "Once Upon A Time Sergio Leone", Italian director Sergio Leone was offered to direct, but turned it down because he did not like the casting of Yul Brynner in the title role.
- गूफ़Near the end of the movie they show a street scene that is supposed to be El Paso Texas but on the side of a building it advertises the Oklahoma Wigwam the newspaper from the book and movie Cimarron.
- भाव
[repeated lines]
Rodolfo Fierro: Who cooked this?
Ramirez: Me, Jefe.
Rodolfo Fierro: No, you didn't!
Ramirez: No, I didn't.
Rodolfo Fierro: COOK IT!
- कनेक्शनFeatured in Kain's Quest: The Stone Killer (2015)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Villa Rides?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $26,40,000
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें