स्वीट नोवेम्बर

Sweet November is a charming enough quirk fest than can sometimes grate, cause a chuckle, and move you in the span of 5 minutes. You're always sort of on guard when you watch this movie. It all starts with a stuffy box company worker named Charlie (singer Anthony Newley) gets pushed out of his driver's test when a quirky young woman named Sara (Sandy Dennis) asks him for some answers. Instead of being appalled and angry at this woman, Charlie hangs out with her for a little while and discovers her to be another in a long line of Manic Pixie Dream Girls who could only exist in Hollywood fiction. They agree to continue to spend time together only for Charlie to realize that Sara wants him to be her man of the month. She has a habit of dating men for a month, trying to improve them and then releasing them into the wild. But what will happen if they fall madly in love?

Sweet November sometimes works and sometimes doesn't. Sandy Dennis' performance ranges from shrill to charming to bizarre to adorable to heartbreaking and back again. It's an odd performance, but I can't say I've ever seen anything like it. Anthony Newley does better than expected as Charlie, but there is something off puttingly smug about him at times that makes you want to slap him.

What starts out as an amusing rom com tries to go into melodramatic weepie territory towards the end and it doesn't really work. I'll give them this much - at least it doesn't end with an unearned death to tug at the viewer's heartstrings. In fact, the film ends on an impressively mature and thoughtful note that took me by surprise.

I never intended watching Sweet November. I'd never even heard of it. I was flicking through the channels and it just leaped out and grabbed me. I don't what it was, the wonderful, light, witty dialogue that reminded me of Noel Coward at his best, or the tangible chemistry between Sandy Dennis and Anthony Newley. Whatever it was I just couldn't stop watching. It was like snuggling up with someone you love on a windswept winters night or shuffling through fallen autumn leaves. Watching this film filled me with a wonderful inner glow and I loved it.

I'm a guy who loves films, I also love poetry and for me this film is the perfect combination of both. I saw this film 15yrs ago and watch it every few years.

Its a film that touches in so many ways, and for what plays as a romantic comedy the ending is one of the best endings for such a film.

I hope Newly knew just how much of an abiding love people had for this film and for himself and Sandy.

Its a shame they remade it, but the remake is a soulless travesty when set against the original. Sadly more people probably know the remake and will be put off watching the original. Quite simply in a quiet, dignified way I think this is one of the best films ever made.

When Anthony Newley passed away in 1999 I was disappointed,to say the least,at the lack of television tributes that would normally accompany such an event.A brief note at the end of Eastenders was the best that the BBC could muster.The one exception,somewhat suprisingly,came from the fledgling Channel 5 and took the form of a showing of the film Sweet November.I must confess that at the time I had not heard of this film and it was only by chance that I happened to be over at My brother,s house at the moment of its broadcast.For the following two hours I sat mesmerised by a film that represents for me,the very best work that Newley ever did within the medium of film.The opening minutes of the film offer little indication of the true nature of what is to follow,as an unfashionably clad,and strangely uptight Anthony Newley has a chance encounter with a free spirited young lady,who epitomises all that the rigidly conventional Mr Newley would appear to despise.These opening scenes are possibly the most demanding on the viewer,as representing conventional characters came about as easily to Anthony Newley as it does now to Jack Nicholson,or Dennis Hopper.As the storyline unfolds however,the viewer is taken on board a magical rollercoaster of alternating pain and whimsy as the process of liberation,initiated by the promise of a transient love,brings both spiritual regeneration and inconsolable loss to Anthony Newley,s urban changeling.A storyline ,that would in less capable hands than the superlative ensemble cast and director,might descend into empty schmaltz,is carried to an unforgettable finale.I urge all those with a suitably open mind to take the opportunity to share in this neglected masterpiece.

Sandy Dennis stars as a kooky, but kind girl who takes a different man under her wing every month and works to resolve their problems. In doing so, she seeks to take her mind off her own troubles. This was a great vehicle for the supremely gifted Dennis who, by this time, had already won the Oscar for her supporting role in WHO'S AFRAID OF VIRGINIA WOOLF? and took the starring role in UP THE DOWN STAIRCASE. As irresistable and memorable as she was in these two films, I think she leaves an even more indelible impression with SWEET NOVEMBER. Co-star Anthony Newley, who plays her conquest for November, indeed contributes some fine moments, but this is Dennis' film all the way. There is no way that the remake, scheduled for release next year, will be able to hold a candle to this gem.