Taiyô no ôji: Horusu no daibôken

excerpt, more at my location - Developed and created in 1968, Isao Takahata's first feature-length outing fuses Japanese and Norse philosophies and mythologies into the charmingly grown-up children's tale that is The Little Norse Prince.

While the impact of The Little Norse Prince resonates even in today's modern anime, as an individual film, it is a triumphant hallmark of sublime animation and an adult story with genuine heart, warmth, danger and menace that the talking squirrels of Disney's preceding '60s sword film (The Sword In The Stone) could only dream of achieving.

The originality that The Little Norse Prince exudes is nothing short of impressive, as his anti-aging formula transports us back in time to makes us feel young and vulnerable. While it may not be the greatest anime of all time, it is nothing short of being the most important.

I first saw this film in the mid-1970's and I really enjoyed it. It came at the time I was first introduced to such Japanese exports as Speed Racer and Kimba, as well as all the Godzilla films. The thing that really made me enjoy it was the story about the young protagonist's quest to free the village of his birth from the evil wizard and his love for the young girl that turned out to be the wizard's daughter. It is just too bad that this film has never been released on DVD. Not only would I enjoy watching it once again, but I think that this film would be enjoyed by younger kids as well. In fact, this film is probably a good introduction for younger viewers to the world of Japanese anime.

Although it was made in 1968, this fascinating animated film feels more like it came out a few years before Nausicaa in the early 1980s; fans of Studio Ghibli will recognize all of its distinctive calling cards. One of these calling cards is the feeling of being totally immersed in an alternate world, which, in this case, is achieved through cultural ambiguity. The odd title, Horus: Prince of the Sun, suggests a pseudo-Egyptian setting, but that couldn't be further from the truth: it is instead vaguely Scandinavian, with its focus on northern villages, but drawing on the culture and mythology of the Ainu, the indigenous people of Hokkaido, Japan's northern island. There are relatively few people, and they are barely surviving given the harsh environment and the evil demon Grunwald, who wants to eliminate humanity; in fact, the isolated village recalls in many ways the post-apocalyptic world of Nausicaa.

While this movie is usually heralded as an auspicious beginning for Japanese anime and Studio Ghibli, I noticed the strong influence of one of its forebears: Lev Atamanov's Snow Queen. In particular, the dark and cold Grunwald is very much like a male version of the Snow Queen, including his appearance. Horus and Hilda recall Kay and Gerda, except that here it is Hilda who is under the spell of the Snow (King). Hilda, like Gerda, is guided by a bird, this time an evil owl. I could go on, but the influence is real, and significant, as acknowledged by Miyazaki. The major difference is that, unlike the later Ghibli films (and Atamanov's Snow Queen, for example), it is the male rather than the female who is the lead.

This was one of the first movies that legends Hayao Miyazaki and Isao Takahata worked on, and probably the first movie that suggested animation might be more than just for children. I understand a copy of the video is not easy to find. I was lucky enough to see it at Anime Society last night at the local university.

The film is important for its place in anime history. As a story, it's slightly weak (there are several subplots that didn't quite seem to fit), but nevertheless very enjoyable. This was partly due to the fact that the fansub I watched was, um...rather poorly translated, and some of the subtitles caused me to break into fits of hilarity. The animation itself seems mediocre nowadays, but must have been exceptional for the time. There's a slightly Disney look to it, but the anime style is definitely there...and the film is much darker than anything Disney could come up with. I mean, there's an Ice Demon whose dream is to kill everyone in the world. ! I'm thinking also of the part when Hilda's squirrel companion says something like, "But Hilda, if you save this girl she will live a life of rejection and hatred! Just like your whole life has been!" (That's nowhere near an exact quotation, but it's as close as I can remember.) And then there's the scene when Horus enters the Forest of Delusion...

It's fun to see the early development of Takahata and Miyazaki. You can see ideas just forming that would manifest in their later films. The film in itself is quite good, and in fact one of the better anime (animes?) I've seen. [Certainly it was better than the other feature at Anime Society that night, an inexplicable, boring, badly animated mess about a detective who is his own client and airplanes turning into fish and a two-year-old who is God...no, I didn't get it either.]

In conclusion, if you ever get the chance to see "Horus, Prince of the Sun", don't hesitate. I just wish there was a way I could see it again...

It's impressive what this guys managed to create 1968. Only Disney movies have been on a similar level back then. The drawings have been beautiful, it was full of amazing action, great characters (especially Hilda impressed me) and a captivating story. Also worth mentioning is the music. The music was totally unusual and impressive.

Sadly the story doesn't make fully sense. Some characters aren't designed as well as they could have been. Especially the evil demon didn't look impressive at all - not even slightly scary. Also the drawings lacked detail all together. But that is all understandable, since "Anime" has been in it's children's shoes.

I don't know why, but Isao Takahata movies are the emotionally most touching movies for me. Hotaru no haka (Grave of the Fireflies) has been the most extreme cinematic experience for me. I am almost crying remembering this movie. And it's almost 10 years ago since I watched it the last time. Horus is different. It's not a sad movie, like Grave of the Fireflies is. I'ts quite cheerful and optimistic. It's one of the movies that is so warmhearted, that it makes you feel like a child again.