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Juraj Herz's The Cremator, lost to Western audiences for many years before being recently rediscovered by the Brothers Quay, is an extraordinary surreal meditation on the political horror of 1930s Europe. Hrusínský's remarkable title performance literally and figuratively fills the screen, an alarming depiction of a deceptive and compulsive character slowly inhabited by Nazi political dogma. In some respects The Cremator recalls Polanski's claustrophobic nightmare Repulsion, though this is arguably even further out than Polanski could manage. Utterly devastating but incredibly watchable (the 90 minute running time passes in a heartbeat), this is a real find. I posted this comment because I was aware that the only other comment on the film was negative, and I really do believe it is worth your time checking this out.

Really unbelievable this film is stated as horror/comedy here on IMDb. Braindead is horror/comedy. This is pure horror. If Kopfrkringl's sick mind doesn't scare you, nothing does. This is a holocaust movie. But unlike Pianist or Shindler's list this movie is about cremator. About man who finds idea of burning thousands of murdered people every day very attractive. Director Juraj Herz have done brilliant piece of work by creating atmosphere of fear and madness so deep and believable. Because in fact there had to be some Kopfrkringl who actually done these things during WW2. This movie flows like honey (or some Lynch's work) with no boring spots and no disturbances in its rhythm. One scene traverses into another almost seamlessly. And in the end you can see mass murderer who thinks he is dalailama and you'll believe it's possible. That's why Cremator is REAL horror.

"The Cremator" is Karel Kopfrkingl, played beautifully by Rudolf Hrusinsky, a man who fought for Germany in the Great War (World War I) and is now a crematorium operator in Czechoslovakia in the 1930s. His friend, a member of the Nazi party, tries to steer him towards fighting for Germany again, but will Karel give up his comfortable life and semi-Jewish family?

I wasn't sure what I was getting into with this one. When I found out that Dark Sky was releasing it, I instantly found myself interested. And despite having no knowledge of Czech horror or Czech cinema in general, Dark Sky did not disappoint. "The Cremator" truly is a forgotten classic. Who knew that as early as 1968 that Czechoslovakia was releasing films that were well-scripted, well-acted and most interestingly... extremely well-shot with quality footage (decades ahead of Italian cinema).

Actor Rudolf Hrusinsky and director Juraj Herz are a perfect combination when combining black comedy, morbidity, and what the box describes as "surrealism" and "expressionism". The surrealism is evident: the first ten minutes contain many camera shots that warp our sense of safety and familiarity, calling to mind for me "The Holy Mountain". I can't think of another film that is even close to these two in this regard.

The pace is steady, with Karel's descent a gradual, but well-paced journey for the viewer. Can a "sensitive" man be transformed into a Jew-hating, violence-loving monster who can turn away from his family? I won't say how far he goes, but some key scenes involve a carnival's haunted wax museum and the unusual execution of some cats. And that's just the beginning.

Of course, those who don't like black and white films or subtitles are going to be scared away. You are missing out, my friends. "The Cremator" is visually stunning and grips you with a dead, icy hand that cannot be denied. 2009 has had a handful of good films released, but most are stinkers. "Cremator" is no stinker... this film has been embalmed perfectly and is as fresh today -- if not more fresh -- than it was on the day it was filmed. Do not rent a copy -- buy one!

This film is hypnotic. The soothing voice of the lead character, coming out of his cherubic always sweetly smiling face, almost lulls the viewer into a serene calm--if not for the fact that we know in our guts that this is the calm a cobra induces in its prey before the kill. This is, after all, Czechoslovakia on the eve of being taken over by Hitler, and the main character runs a crematorium. We know what is coming next. And yet, we cannot take our eyes from the screen; we are filled with foreboding.

Like the best of Fellini, the director, Juraj Herz, frames virtually every scene perfectly; a collection of stills taken from this black-and-white masterpiece could fill a photographic art gallery with a distinguished collection indeed.

How could the holocaust ever have happened in the middle of the most "civilized" culture in the world, the cradle of elegant music? How could rational "civilized" human beings have abetted this monstrosity? This film provides a fable that can help us answer these most important questions. But do not think this movie is some boring treatise on the banal roots of evil. It is a very entertaining horror film that will keep you spellbound.

Many reviews seem to miss the complicated layers of Czech culture, and hence view The Cremator only through western lens.

The politics and historical background of this film play heavily into the story. The director Juraj Herz had been a prisoner in a concentration camp and thankfully survived the Holocaust and went on to make movies. So the film was about the Nazi occupation made by a Jewish director who survived the Holocaust and later filmed during Czechoslovakia's oppressive communist regime (following the Prague Spring). Quite a complicated layer for Americans to swallow. The Czech people are a cynical bunch and understandably trust no type of government. Their culture and worldview (much like that of eastern Europe) remain a mystery to most Americans.

With that, he film was neither horrific nor depressing. It was a wicked comedy-Czech style, if you will. The cinematography was heavily stylized, almost Kafkaesque, and revealed a theatrical satire with odd moments of humor. The idea that this ordinary man with a mundane job could morph into a führer-like character illustrates perfectly the Czech skepticism toward humanity. The movie exposes the stupidity of people and politics, and its fatalistic outlook results in a clever tragicomedy.