Shadow on the Land

When it aired, "Shadow on the Land"'s premise was barely credible: an unexplained national emergency so terrifies the country that Congress grants the President virtually unlimited emergency powers, which he promptly uses to establish a national security agency charged with hunting down the nation's external and internal "enemies." Soon the country is awash in curfews, traveling papers, checkpoints and managed news. Dissent is unpatriotic and quashed in the name of security and national harmony. In response, a small underground emerges dedicated to revealing the corruption and our loss of freedoms.

Run as a TV movie, "Shadow on the Land" should have done better than it did, and might have made an interesting series had it received better viewer response. Unfortunately, its cautionary message of a fearful America willing to surrender basic freedoms seemed preposterous. Not helping was a fairly plodding script, generally heavy-handed characterizations and an absence of any sense of impending menace or danger.

Still, "Shadow" featured such dependable lead actors as Jackie Cooper, John Forsythe, Gene Hackman, Carol Lynley, Marc Strange and Janice Rule, supported by a strong cast of future character actors including Scott Thomas, Bill Walker and Ken Swofford. All the actors -- Cooper and Hackman especially -- gave solid performances despite the script, which must have seemed something of a fantasy to everyone involved.

While many of the casting decisions were predicable, there was one truly inspired piece of casting that set the show apart: John Forsythe as General Wendell Bruce, head of West Coast security and the resident villain. Setting his likable "Bachelor Father" (1957-1962) persona on its head, Forsythe created a disturbingly complex and believable nemesis: intelligent, dedicated to his duty, sophisticated, articulate and likable, with a ready smile and well-tailored suits. It was truly chilling to watch him, and helped build a case for the type of people who might someday convince us they were only there to "protect" us.

Given the current political and social climate, "Shadow on the Land" was clearly a show forty years ahead of its time – an unusually cautionary tale raised in a television era still dominated by fare such as "Beverley Hillbillies," "Batman," "Death Valley Days: and "Hawaii Five-O." Someone ought to find it in the archives, dust it off, and either run it or redo it; I think we'd be far more willing to believe its vision of America than we were in 1968.

Still, given that same climate, one has to wonder if the show could be done today. The premise strikes far too close to home, and patriotism isn't what it used to be. We've clearly demonstrated that as a people we are now perfectly willing to sacrifice a little freedom for security and safety, just as were the citizens of "Shadow."

On a final minor note, one has to wonder if our Homeland Security folks realize that their eagle logo bears a haunting similarity to "Shadow"'s homeland security agency emblem. If we don't learn from history – even fictional ones – we are somehow doomed to repeat it.

I saw this movie on the ABC network movie on Friday night. I was just out of high school. I had always been interested in becoming futurist. Read many books and articles on how our futures will be if we are not mindful. This movie was so in time with the times. Even now if it were should it would makes us so aware of our freedoms and how much we take them as a matter of fact. It had a documentary feel to it. Marc Strange had a troubled feel of a man doing a job that it hated and saw it as being wrong. The powers that be had cut the links that make it answerable to it's citizens. I statement from the "Killers Elite:There is no government any where in the world that gives a damn about the people that it is suppose to service" This movie written before big government got married to high tech is a look into where we are on our way. It was a warning that I have never fail to me mindful of. I highly recommend, hippies where not just trouble makes they saw something that others didn't. If you get a chance rent it, study it, compare it to now, and remember always be mindful.

A rarely seen gem that hasn't been broadcast in Los Angeles since 1987!! Luckily I grabbed a VHS copy. The plot follows a group of freedom fighters called the Society of Man in their struggle against a fascist government that takes control of the U.S. Fine acting from all the principles, including a young Gene Hackman. It asks a lot of questions about political laziness and expediency. Note: the airport scene at LAX; it almost mirrors the chaos that goes on now with the TSA and their security! Remember this was filmed in 1968! Also the scene at the concentration camp with the freedom fighters and the American Flag is awe inspiring. I wish this film would be released on DVD.

I saw this movie when I was about twelve and it made a profound impression on me. Coming from a conservative Republican family, it got my wheels and gears turning so that when Watergate happened, I saw the parallels.

In reading the comments, I wondered about a couple of things. While I saw it more than 35 years ago, I remember that the resistance group was called the "Brotherhood of Man" or something similar. Also, the facility that they attacked was a power plant or vital production facility.

I'd be grateful for any insight on these questions, and I too wish it that were available on DVD or VHS.

This is a 1968 made for TV movie which was aired only a few times. It is an excellent science fiction- future history movie with the premise that America has descended into a dictatorship because Americans have voluntarily given up their freeedoms in the face of an outside threat. Now that threat has been eliminated, the people in power seek to keep their power... They are opposed by a secret underground called The Sons of Liberty.

I wish this was available to buy in DVD!