La resa dei conti

As a big fan of Spaghetti Westerns, two of my all-time favorite directors are Sergio Leone and Sergio Corbucci. Out of all Spaghetti Westerns directed by neither Leone, nor Corbucci, Segio Sollima's "La Resa Dei Conti" aka. "The Big Gundown" is my personal favorite, and doubtlessly one of the greatest films the genre has ever brought forth. An exciting and extremely stylish film with brilliantly drawn characters, "The Big Gundown" is a masterly Spaghetti Western with a political message.

Jonathan Corbett (Lee Van Cleef), a famous gunman and bounty hunter, is sent to hunt down a Mexican small-time crook named Cuchillo Sanchez (Tomas Milian), who is accused of the rape and murder of a 12-year-old girl. Corbett is an experienced and successful lawman, but Cuchillo is very clever too. On the his long hunt Corbett gets to know Cuchillo, whose guilt he finds more and more doubtful. Although this is a very serious Spaghetti Western in most of its parts, there are some very funny characters, like the almost cartoonish aristocratic Austrian gunman Baron Von Schulenberg (Gérard Herter), a cold-blooded but extremely arrogant and almost Nazi-ish killer wearing a monocle and always looking neat as a pin.

Sergio Sollima's directing is truly outstanding. The acting is also great, especially the brilliant performances of Tomas Milian and Lee Van Cleef, two of my personal favorite actors. The score by Ennio Morricone is one of a kind, outstanding, even compared to most of the other Morricone soundtracks. In one ingenious part of the movie, for example, Morricone mixes Ludwig Van Beethoven's "Für Elise" with a Mexican guitar and his typical dynamic Spaghetti Western drums. The cinematography and settings are overwhelming in a manner that is en par with Leone. In short: "The Big Gundown" is a formidable gem that even Leone would be proud of, and an Italian Western highlight that no lover of the genre could possibly afford to miss! 10/10

Retired sheriff is persuaded by a politician to come back and hunt down a Mexican who has raped and murdered a twelve year old girl but he slowly realises the Mexican has been framed to cover up the real murderer. Good, stylish spaghetti western,this is the longer uncut version of the film and not the hacked up Amercian version that lost nearly twenty minutes of footage.This has a rather slow start and develops into a chase movie in a kind of western version of "the fugitive".Lee Van Cleef is his usual dependable self and the Ennio Morricone soundtrack is good although i'm not sure about the screeching title song!Film is good and satisfies overall.

Here we have two legendary actors together, the stereotyped Lee Van Cleef & Tomas Millian, the first a true American from New Jersey that went to stardom after working with the master Sergio Leone, Tomas Millian a Cuban that made an impressive career at Italy and Spain on spaghetti genre although both had a fine experience on Italian Poliziotteschi on the seventies.

As strange as it may seems Lee Van Cleef plays a good guy Jonathan Colorado Corbett, a bounty hunter that swept the western territory of those outlaws, bank robbers and related, such striking performance impresses the greedy and wealthy financier Brokston (Walter Barnes) that is willing underwrite Corbett to run of the senate's seat, however appears an unexpected sad news, a twelve years old girl was raped and murdered by a Mexican outlaw called Cuchillo (Tomas Millian), they require to Corbett bring him alive to be punished rather than he cross the Mexico frontier.

The savvy Corbett finds him sooner than he had ever hope, Cuchillo was calmly shaving at a small village, nonetheless the slippery cat burglar escapes with rare smartness, the next stop is a Mormon's wagon train passing by the river area, Corbett finds him about to rape another young girl, once more Cuchillo has a lucky at his side, the young girl shot at Corbett's shoulder, next meeting at widow farmer where the dirtiest runaway at last was arrested, meantime all it took was a small slip up for the cunning outlaw slips away, a new rallying point takes place in a desert waterhole, where the crafty bandolero sticks a cactus's thorn at Corbett's back pretending a snake's bite that is near him, what scene, anyway Cuchillo still gets running over and over until weary confess that he wasn't rape the girl whatsoever, although he knows who did.

Isn't all that Tarantino regards this movie one the best spaghetti ever, the both leading actors had a flawless performance, the final showdown is priceless , the director Sergio Sollima lived up at Leone's style, I'll look forward for a better restoration preserving the fabulous Aspect Ratio 2.35 : 1, due my copy was of the first generation of DVD!!



Thanks for reading.

Resume:

First watch: 1993 / How many: 2 / Source: TV-DVD / Rating: 8

This is absolutely one of the best so-called spaghetti westerns ever, after Sergio Leone's films of course, and it rates very highly among all westerns. Unlike many other non-Sergio Leone westerns, the cinematography, camera-work, etc., are all very good and some scenes are very artistic and even worthy of Leone himself.

Lee van Cleef is excellent as the pseudo-lawman/bounty hunter with integrity who believes in "justice" and "progress" for society.

Ennio Morricone, as usual, provides a great score for the film. The song is rousing, while the music for the chase scenes is excellent. Morricone also does a folk-music/square dance version of the theme for the wedding party, which is a neat touch.

The story is interesting and well-developed, as well. In its full-length version, it is in fact somewhat deep, with van Cleef's Corbett being a fairly complex character who undergoes a significant character development in the course of the film. In the abridged American version, unfortunately, he is shown as simply bounty hunter who mercilessly kills all before him in cold blood, who never bats an eye at his job, making his character two-dimensional and making the end more flat, more perfunctory, and less convincing or meaningful. In the full-length version, though, he cares about justice, gives outlaws a choice (and a chance), and there is significant development on how he becomes so obsessed with finding Cuchillo that he crosses the boundary between justice and personal obsession. He then re-examines himself and the events in which he finds himself to come to a significant realisation near the end.

What I liked about this film was an intriguing storyline, superb music by Ennio Morricone and Lee Van Cleef. The action scenes are almost on a par with Leone's films and Van Cleef is top-notch (more convincing as a 'good guy').

After watching my tape of this film, I found out that it was a (badly-cut-by-Columbia) 84 min version. This would explain some confusing sections of the dialogue/narrative.

I'm told that the fuller versions (there is one of 114 min) are superior. Let's hope this film gets a decent treatment on DVD (hello Sony-Columbia) - it certainly deserves it more than most.