Play Dirty

Tough, macho Nigel Davenport matches wits with firm English captain Michael Caine as they team up to kick axis butt in this two-fisted war movie that will keep you glued to the screen.

The harshness of the unforgiving desert and the danger of combat is expertly presented by director Andre de Toth. The storyline is intelligent and the characters believable whereas the battle scenes are excellent as well as a scene in a desert windstorm that is my favorite. Nigel Davenport is an underrated actor and the tension between him and Michael Caine is nicely understated, which gives it more power. One of the top war movies from its era.

Play Dirty surprises because of how 'dirty' it actually gets, and how it doesn't give any easy beats for its characters. It follows the seemingly usual tropes of the men-on-a-mission war flick, where a group of men are selected practically on the basis that they won't succeed in their mission, and that the end goal is to blow something up. But unlike The Guns of Navarone or the Dirty Dozen, Play Dirty puts the position of the British army in this desert scene as greedy and malicious and really only caring about getting to the oil, and surely before the 'decoy' team gets there. It's entertaining but it's not what exactly one would call 'fun' like Navarone. It's a story of unheroic men doing some heroic things and always for the almighty dollar.

In the film, Michael Caine is a Captain Douglas in the army- he doesn't look entirely like the army type and no wonder since he was formerly a Petro-exec- who is put in charge of a group to go through rocky terrain in the North African desert to bomb an oil field. Only big snag is that this isn't the first time the mission has been attempted, and Captains have died already. With this in mind, the head guy puts Cyril Leech (Nigel Davenport) in charge to make sure the Captain is kept alive - at a good cost of two thousand pounds. This doesn't mean that Cyril won't get sometimes in the way of the Captains orders, like when they need to pull up their trucks over a rocky mountain ridge and he refuses to unload the trucks. It's an uneasy partnership with their fellow soldiers also not always sure who to follow, especially when coming into some enemy territory, or when they come upon a 'fake' enemy outpost in a sandstorm.

Andre De Toth's film is rough and tough, as any men-on-a-mission war film should be, but it has something extra to keep one interested. This is the guts to keep things rightfully violent and shocking (when a mine goes off at one point as another mine is being diffused, it's one of those moments you'll jump in your seat even at home), and at most mildly amusing. The characters aren't very colorful or even terribly memorable, although Caine and Davenport are both fantastic in their parts, often fantastic at being understated (as Davenport's Captain says, "look, listen, don't move, that's the way you survive"). The action is also intense enough but moves at that pace where suspense is genuinely built like in the climax among the oil barrels and the barbed wire. Even a scene involving an attempted rape is shown without any punches pulled, until the one oddly-effective laugh had at the outcome of the scene.

It's a forgotten little wonder of the world war two movie, and it's more bitter than sweet with its view of the buck-stops-here mentality of wartime - or rather, as a character points out, how war is "a criminal enterprise", hence having a guy like Cyril, who was in prison for fifteen years until being put to use on the mission. Play Dirty doesn't get really going until twenty minutes in, but once it does it doesn't play safe. 8.5/10

A virtually unknown British masterpiece from the 60's.

Its cynical and bleak portrayal of men in war is only matched by its lack of notoriety which is a shame considering how powerful the films message is. Admittedly Caine is a little wooden as the straight laced British Officer, but it is the much less known Nigel Davenport who steals the show as the hard bitten second in command. The films cynicism is the sum of it's ending which is suitably negative but still unsuspected. With all the flag waving war films out there its good to see the odd one which suggests the end never justifies the means.

After yet another failed covert operation, a specialist unit is given one last chance to show success to account for losses. When the commander learns of an oil station many miles behind enemy lines it is selected for the mission. Capt Douglas is chosen to head the team of ex-criminals to carry out the destruction. However a large military unit is sent out behind them. When the military unit are all killed, Douglas is forced to abandon his training and become a little more like the un-gentleman-like Capt Leech, and play dirty.

I had only seen this film once almost 15 years ago and had reasonable memories of it. I watched it again today because of this memories and it goes to show that a good end to a film can wipe out everything else that you could remember. I loved the ending to this film – I won't even talk about why in case I spoil it because it loses it's impact after seeing it once. However the rest of the film isn't up to the same sort of value. As it is, the plot is very much a version of the Dirty Dozen but in reality it doesn't have any training or recruiting that film does but instead leaps straight into `the action'. I say `action' because, although it sustains the interest, it is a rather plodding film that is consistent but has no high points as a result.

The story is good but the delivery is one that is clearly meant to make a point rather than entertain in the way Dirty Dozen does. Caine is good in the lead – one of his `young officer' roles a la Zulu. However he doesn't have much in the way of chemistry with xxxx, really there needed to be a lot more friction and sparks between the two, sadly the tension between the two was only very basic. It is mostly Davenport's fault as I found him to be lacking in real screen presence. He easily had the best character but failed to dominate with it – also I found it distracting that he looked a little like Sean Connery, I assumed that Sean was unavailable. The support cast are unmemorable – whereas many people can name all the dirty dozen, none of these really make an impression – only the gay pair stick but mainly because of how surreal it feels in the setting.

Overall this is an OK film with a good ending. It is consistently fair and never really dips above or below that standard. Worth a watch once but don't expect it to bare anything other than a passing resemblance to the Dirty Dozen – certainly not in the same league entertainment wise.

Prescient, dark slice of a desert war campaign -- a band of jaded misfits is sent on a critical dangerous mission -- that you will not be able to erase from memory. The tension De Toth creates in one scene of a booby-trapped way-station, with long patient shots and close ups of sweat beads, surpasses any but the most masterful of Hitchcock. Michael Caine's role as a reluctant oil executive tagged on to the mission is a study in ambivalent survival. The characters are some you'd never expect.

De Toth is among the most interesting directors no one has ever heard of. His distaste for the studio system has meant that many of his movies have been overlooked. His style of storytelling is terse and sparse, almost unfinished, leaving the viewers to fill in their own ideas. Probably unsatisfying to some, but fascinating in his contrast to so many over-explaining movie makers.

Syriana owes much to the tenor of this story. It is the flip side of Band of Brothers. A story that today holds more lessons than ever.