O slavnosti a hostech

...but if is has one it is no doubt subversive. That was the British Board of Film Censors' verdict on another surrealist film, and the same is true here. It isn't about communist coups or subversion; it's about the contradictions of human nature and that makes it much more dangerous than any ostensibly revolutionary or counter-revolutionary film. The host- who says he loves surprises but hates surprises he has not arranged himself- is more like a self-made businessman or an old-fashioned nobleman than any apparatchik and even more like god- he wants everyone to enjoy his banquet and is hurt if they don't, and takes drastic measures if his generosity is rejected, while his eccentric son tries to fulfil his desires.

A group of friends are going on a picnic. They are stopped by unknown men during the way. They don't actually notice the moment when they become slaves of a game of absurd. A game they agreed to take part in. They were softly persuaded. Or they were trying to be kind. None of them is able to cross the line drawn on the sand. Except for one who will run away. The fugitive will be chased by the guest who do not do it because of fear. Simply said, they don't want to do any harm to the host...

An idyllic party turns into a prison camp, but the guests don't seem to notice that at all. It was a film about the world we used to live in. We were invited to a similar party and tried to pretend with keeping a smile on our faces. And the cinema was able to film that "escape towards freedom".

Jan Nemec was one of the biggest individuals of the young Czechoslovakian cinema of the 60's. It was already at college were he had trouble with censorship. It stated that he was picking the wrong subjects and that he reached out for wrong authors (Hlasko, Dostojevski). He was also accused of their wrongful interpretation.

The Czech film O slavnosti a hostech (1966) was shown in the U. S. with the translated title A Report on the Party and the Guests. It was co-written and directed by Jan Nemec.

This movie starts off innocently enough. Several friends are enjoying a picnic in the woods. Suddenly, about a dozen men interrupt the picnic, and, politely, but firmly, escort the group to a new location. One of the picnickers is roughed up, but no one is badly hurt.

Then, another man, who is in charge, invites the picnickers to an outdoor wedding party. The whole situation is threatening, but not terrible. Much is made of one of the picnickers who decides to leave, but the other picnickers decide to stay to enjoy the party.

This film was immediately banned when it was completed. The government knew that it was an implied attack on the authorities who ruled Czechoslovakia with an iron fist. It was released during the Czech Spring period, but then banned again after the Russian tanks rolled into Prague. It wasn't released until Soviet rule ended.

This was a difficult movie to enjoy. After the first few minutes, the plot was very tense. On a more basic level, we saw the film on an old VHS cassette, which was in bad condition, and may have been a duplicate. The subtitles were often white on white, so we missed some of the dialog.

The film has an IMDb rating of 7.1, which is pretty good, all things considered. I rated it 8 for the movie I would have seen if I'd watched it on DVD.

It's a political allegory set in 1966 Czechoslovakia that was banned for many years except for a short time during Prague Spring in 1968.

The story follows a group of seven middle-class men and women having a picnic near a lake. There is a discussion about an obscure future event. At one point, they see what appears to be a wedding party dance by at a distance. They finally decide to proceed to get to the "celebration" in time.

Suddenly, the group is accosted by a significant number of men. The men are led by Rudolf (Jan Klusak). It's not clear if they are threatening or joking. Karel (Karel Mares) defies Rudolf at one point and is roughed up. Josef (Jirí Nemec) from the picnic group helps to bring peace. Then an older man in white appears. Known as The Host (Ivan Vyskocil), he welcomes everyone to his joint birthday party and wedding celebration. He reprimands Rudolph and seems to smooth everything over.

During the meal, the Host learns his guests occupy the wrong seats and that one of the men from the picnic has left. This causes great consternation, and the Host and Rudolf decide to go and find the missing man and return him to the party. They use a large dog with massive teeth to aid in the search.

The aura of threat over a façade of peace apparently offended the Czech government of the time. This is not usually my type of film, but I thought it effectively communicated its point. It was banned in 1967 because it had "nothing in common with our republic, socialism, and the ideals of Communism."

Masterfully lensed film. Wonderful black and white compositions with great placement of figures in the frame.

This is a fiercely anti-Stalinist work that can relate to anyone who hates unquestionable authority. It's opening scenes are pure Kafka-horror. A sadistic magistrate sent down to interrogate people just trying to live their lives seems to have absolute freedom to torment and humiliate.

Then, the magistrate is himself humiliated by a benevolent, yet all- powerful, "host". At this point the tone becomes one of blackest satire. Clearly a commentary on the post-Stalinist USSR and eastern block, the authorities "banned the film forever."