अपनी भाषा में प्लॉट जोड़ेंThe adventures of four young lovers, a group of amateur actors and their interactions with fairies come to light in a moonlit forest.The adventures of four young lovers, a group of amateur actors and their interactions with fairies come to light in a moonlit forest.The adventures of four young lovers, a group of amateur actors and their interactions with fairies come to light in a moonlit forest.
- 1 प्राइमटाइम एमी के लिए नामांकित
- कुल 1 नामांकन
फ़ीचर्ड समीक्षाएं
Yes, it's clear that director Peter Hall was influenced by Richard Lester in his filming of Shakespeare's classic comedy/fantasy: the hand-held camera, jump cutting, etc. And while one could quibble with some of his derivative directorial choices, there's no arguing that this is the best-acted "Dream" on film available.
There's hardly a weak link in the cast, with the exception of David Warner and Michael Jayston as the male half of the quartet of lovers. Warner is a skilled classical actor, but he never had an ounce of charm. Jayston is competent, but dull and colorless.
But the rest of the cast is marvelous, with special kudos to Helen Mirren, Diana Rigg, Ian Richardson, and Judi Dench as a very sexy Titania. Ian Holm's snake-tongue bit as Puck gets old, but his somewhat malevolent rendition of Puck is well done.
I'm surprised that no one has made more out of Paul Rodgers superb Bottom, by far the best I've ever seen on stage or screen. Unlike so many actors who broadly overplay the role to wring laughs, Rodgers plays Bottom completely straight and with total conviction - never descending to self-conscious comedic playing. And he's all the more hilarious for it. This Pyramus and Thisbee playlet at the end is the funniest ever.
There's hardly a weak link in the cast, with the exception of David Warner and Michael Jayston as the male half of the quartet of lovers. Warner is a skilled classical actor, but he never had an ounce of charm. Jayston is competent, but dull and colorless.
But the rest of the cast is marvelous, with special kudos to Helen Mirren, Diana Rigg, Ian Richardson, and Judi Dench as a very sexy Titania. Ian Holm's snake-tongue bit as Puck gets old, but his somewhat malevolent rendition of Puck is well done.
I'm surprised that no one has made more out of Paul Rodgers superb Bottom, by far the best I've ever seen on stage or screen. Unlike so many actors who broadly overplay the role to wring laughs, Rodgers plays Bottom completely straight and with total conviction - never descending to self-conscious comedic playing. And he's all the more hilarious for it. This Pyramus and Thisbee playlet at the end is the funniest ever.
Yes, there are flaws in editing, lighting and the like. These are probably the results of a relatively low production, and, perhaps of the fact that this was originally conceived as a TV film, and therefore as relatively ephemeral. The superb service given by director and cast to Shakespeare's language and characters far more than make up for any shortcomings. A better production of "Dream", for screen or stage, can hardly be imagined!
A fine, and sadly forgotten, version of Shakespeare's most amusing play. I suppose I am not the only male person who discovered a simultaneous love for the Bard and Diana Rigg in what was (then) a scandalously scantily clad television spectacular. This is, if nothing else, one of the many evidences that the Brits breed actors in a way we don't. The cast, which is by British standards only second-tier, outdoes anything that we could scrape together. Sheer fun; it's us, and not just Shakespeare, in love.
I originally expected to watch a few seconds of this and turn to another channel; however, the film style intrigued me, so I kept watching. Then, I saw Titania...
She was beautiful. Her acting was sublime. The enthusiasm she had for the ass-headed Bottom was palpable. I had to tape it. Fortunately, there was another showing later in the day.
To my surprise, the beautiful Titania was none other than a youngish Judy Dench. Diana Rigg also appears as Helena, the spurned lover, who joins three other young people for the familiar comedy of errors.
Besides the fairies, the actors dress in modern garb...casual: Button-up shirts, mini-skirts, go go boots. The acting is wonderful and the choppy editing very appropriate. Was it as good as Propero's Books? No, but it gives it a run for its money...
She was beautiful. Her acting was sublime. The enthusiasm she had for the ass-headed Bottom was palpable. I had to tape it. Fortunately, there was another showing later in the day.
To my surprise, the beautiful Titania was none other than a youngish Judy Dench. Diana Rigg also appears as Helena, the spurned lover, who joins three other young people for the familiar comedy of errors.
Besides the fairies, the actors dress in modern garb...casual: Button-up shirts, mini-skirts, go go boots. The acting is wonderful and the choppy editing very appropriate. Was it as good as Propero's Books? No, but it gives it a run for its money...
I was channel surfing one day and came upon this film. Unbelievable acting and costumes. I was glad I found it, most entertaining. This is one movie which should go down in history as one of the "must sees". Wish I could personally shake Clive Swift's hand for a wonderful performance in this classic, along with all the other performers! The "costumes" used to portray the individuals in each of their roles was wonderfully done. Also, the "life" put into each of Shakespeare's characters is outstanding. If one does not understand the play by reading it, one will surely understand it after watching this film! This is also a perfect film to see Clive Swift do some other acting other than his extraordinary performance upon "Keeping up Appearances".
क्या आपको पता है
- ट्रिवियाDuring filming of Oberon (Ian Richardson) and Titania (Judi Dench) against a raining backdrop, one of the young men operating the hoses (to simulate rain) was so distracted by the nearly nude beauty of Dench, that he lost track of his hose, which blasted Dench and Richardson into the adjacent lake, from which they had to be rescued by the crew.
- गूफ़In Act 2, Scene 1, when Titania speaks with Oberon, pointed prosthetic ears appear and disappear from Titania's head. This continues into Titania's soliloquy and in further dialog with Oberon.
- कनेक्शनFeatured in Nothing Like a Dame (2018)
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