The Impossible Years

As those who have read my reviews on his films before, David Niven carried more mediocre films on the strength of his charm than any other leading man I know. In this case he had something of a built in advance sale on a role, as The Impossible Years had a respectable two year run of 640 performances on Broadway. Would you believe that Alan King played the role on Broadway and I'm sure the interpretation was vastly different. In fact I'm sure King had to reach for his conception as part and parcel of his standup comedy routine was his experiences in suburbia as the father of two teenage sons which he was in real life.

The unflappable Niven plays a psychologist who has written on the subject of teens, but in his own life he and wife Lola Albright are having no better or worse time than thousands of others raising adolescents. Daughters Christina Ferrare and Darleen Carr are driving both of them to the edge. Especially the 17 year old Ferrare who has a lot of young males in heat buzzing around her. And one of them has rounded home and scored.

The play had to have been a bit more realistic to have enjoyed the run it did. The Code was down, but obviously this was being marketed to a family audience and a lot of it just didn't make sense. Most of all Ferrare's choice of male partner.

The Impossible Years is just plain impossible.

Okay,so this movie wasn't really that good to some people,but I for one liked it.A father who is a doctor(?) has two daughters:Abby who is the youngest and Linda who is the oldest(and has the raging libido).Yes,it's boyfriend after boyfriend for Linda,and her parents watch her wondering why their daughter jumps from one boyfriend to the next.It isn't until later when she moves out of the house and gets married,only to see her father trying to find out who her spouse really is.There is a favorite scene of mine where the Linda's parents are having a party and her boyfriend brings in a portrait of her that he painted.And when he shows the family and guests,it's revealed to be a nude portrait,in which Linda didn't know!The rating is bad though.It acts more like a PG-13 movie than a G rated movie.Believe me.This is NOT something you wanna watch with your parents!

While the film is greatly dated in viewing it today, as for someone that lived during the 60's, it was quite ground breaking in dealing with current trends in our society. Since themes such as this were something relatively new, they sort of skimmed around the issues, and weren't as hard hitting as they are today.

Alond with this film, David Niven starred in another film of this genre also in 1968, "Prudence and the Pill". Even by 1968 standards this film was very silly and disappointing.

It is ironic how Hollywood, tried to deal with society's changes by making them seem humorous and inconsequential.

If memory is a testament to value then this is a really valued and fun movie for me. It was 1968 and I was 9 years old and I remember this movie well. Me and my friends went to the movies every Saturday and I saw this movie 5 times and enjoyed it every time. I loved Christina Ferrare (what a sweetheart),and her little sister Abby reading "Fanny Hill" I had no idea who that was but it sure upset the parents and lets face it, kids challenging old ideas with with free speech issues is what helps keep freedom alive. This movie may have seemed like a superficial romp yet it actually touched upon some very relevant issues and was a beautiful vignette of those times. It had spirit. It had heart and it was a lot of fun. It also brought out the humorous side to some tough issues, something that was needed in those days, and lets face it who couldn't love "smuts".

Corny swingin' 60s sex comedy has uptight psychology professor David Niven trying to control his liberated free-spirit 17-year old daughter, Cristina Ferrare. It's really a generational comedy with the square adults having a hard time understanding 1960's youth culture. The main problems with this film isn't the premise, but that the comedy is not all that funny. Both the square adults and the hip kids are presented in broad exaggerated versions of themselves, which could work, but does not here. I did laugh at one of-the-moment line when Niven's character is angry at a doctor friend and yells, "I'm glad they passed Medicare!" but outside of that there was not much that made me laugh.