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6.2/10
3.5 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA thirty-something square falls in love with a hippie and decides to "drop out" himself.A thirty-something square falls in love with a hippie and decides to "drop out" himself.A thirty-something square falls in love with a hippie and decides to "drop out" himself.
- पुरस्कार
- 5 कुल नामांकन
Sidney Clute
- Mechanic
- (as Sid Clute)
फ़ीचर्ड समीक्षाएं
I Love You, Alice B. Toklas! is probably my definitive 60s romp.
This movie has so many classic comic moments, I don't know where to begin. It was written by Paul Mazursky and might just be the high point of his illustrious career.
In between great stuff like where Howard, his fiancee and Jewish parents unwittingly eat pot brownies and the scene where Howard's scene turns into a bummer, there's some decent commentary of the hypocricies of the 60s. Plus a focused Sellars performance as Harold Fine with some great Jewish humor.
I'm tempted to quote this movie non-stop.
If you are any kind of fan of Peter Sellars, I cannot recommend this movie highly enough.
This movie has so many classic comic moments, I don't know where to begin. It was written by Paul Mazursky and might just be the high point of his illustrious career.
In between great stuff like where Howard, his fiancee and Jewish parents unwittingly eat pot brownies and the scene where Howard's scene turns into a bummer, there's some decent commentary of the hypocricies of the 60s. Plus a focused Sellars performance as Harold Fine with some great Jewish humor.
I'm tempted to quote this movie non-stop.
If you are any kind of fan of Peter Sellars, I cannot recommend this movie highly enough.
I Love You Alice B. Toklas is one nostalgic film, especially for those who partook in the hippie movement. It expresses some of the joy and frustrations of what it entails.
Peter Sellers is your 40 something Jewish lawyer from Los Angeles who has put off matrimony, concentrating on work and material success. Now he's ready to take the plunge with Joyce Van Patten and nothing thrills his parents Salem Ludwig and Jo Van Fleet than to see their son final settle down.
But a chance encounter with hippie chick Leigh Taylor-Young on the Freeway where she's hitchhiking and he tunes in, turns on, and drops out. The second is the most important when after a night of some wild sex Taylor- Young gives him some of those marijuana laced brownies so popular in the day. Even his fiancé and parents partake and the result is the most hilarious scene in the film.
I suppose that people have to have a fling at something equivalent of hippie when they're young. Sad to say there is a time when one has to buckle down and assume a few responsibilities for yourself. If we all could be hippies that would be nice, but we all never will be. It was no accident that they were called flower 'children'.
Which brings me to the ending of this film. Sellers eventually has issue with Taylor-Young and they split, but can't commit to his former life and the relationships therein. Director Hy Averback gives us a happy ending which is both funny and yet sad in a way because we really don't know what Sellers will do because he doesn't know himself. I feared the worst for Peter.
A nice cast supports Sellers and Jo Van Fleet has to be singled out as the ultimate Jewish mother. Also take note of Herb Edelman as Sellers brother-in-law, confidante, and a rebound man from way back.
Nice film. Too bad we aren't all hippies. And it would have to be all of us to make it work.
Peter Sellers is your 40 something Jewish lawyer from Los Angeles who has put off matrimony, concentrating on work and material success. Now he's ready to take the plunge with Joyce Van Patten and nothing thrills his parents Salem Ludwig and Jo Van Fleet than to see their son final settle down.
But a chance encounter with hippie chick Leigh Taylor-Young on the Freeway where she's hitchhiking and he tunes in, turns on, and drops out. The second is the most important when after a night of some wild sex Taylor- Young gives him some of those marijuana laced brownies so popular in the day. Even his fiancé and parents partake and the result is the most hilarious scene in the film.
I suppose that people have to have a fling at something equivalent of hippie when they're young. Sad to say there is a time when one has to buckle down and assume a few responsibilities for yourself. If we all could be hippies that would be nice, but we all never will be. It was no accident that they were called flower 'children'.
Which brings me to the ending of this film. Sellers eventually has issue with Taylor-Young and they split, but can't commit to his former life and the relationships therein. Director Hy Averback gives us a happy ending which is both funny and yet sad in a way because we really don't know what Sellers will do because he doesn't know himself. I feared the worst for Peter.
A nice cast supports Sellers and Jo Van Fleet has to be singled out as the ultimate Jewish mother. Also take note of Herb Edelman as Sellers brother-in-law, confidante, and a rebound man from way back.
Nice film. Too bad we aren't all hippies. And it would have to be all of us to make it work.
Entertaining film with lots of 60's memories like psychedelic cars, hip, cool, groovy lingo, long hair wigs, and, naturally....pot. Mr. Uptight just couldn't make up his mind whether he wanted to be a straight or be hip, which caused him to alienate himself from both circles. Fun and funny picture.
This is a very funny send up of the flower child generation. Peter Sellers plays an uptight, Jewish lawyer who falls for one of his hippie brother's girlfriends. After that, he descends into hippiedom. The film is filled with some of the funniest scenes around. The funniest part of the movie is Sellers as a hippie with hair down around his cheeks and psychedelic clothing, but still wearing horn-rimmed glasses. The musical score, which uses sitars as satire, is really great, too. It's very much worth seeing, although it overstays its welcome. Its humorous observations (and imaginations) about hippies get a bit repetitive in the film's second half. 8/10.
Harold Fine (Peter Sellers) is an uptight lawyer, a member of the Establishment. His longtime girlfriend Joyce finally has pinned Harold down on a wedding date, and his life seems to be settling down. But wait! Harold meets Nancy, a friend of his hippie brother, at a family funeral. Turned on by her free thinking, free loving, and free living, Harold leaves Joyce at the altar to be with Nancy. He drops out of society and into hippiedom! Sellers isn't the most likely person to play this role, but he's very good in it. Leigh Taylor-Young, as Nancy, is positively ravishing. The movie takes you back to the late sixties, even if you've never been there. All the sights and sounds are lovingly created by director Hy Averback. And the script! Nearly every aspect of counterculture society in the late sixties is covered, and there's hardly a stagnant scene. In particular, the wild parties at Harold's apartment and the scene where the policeman come upon Harold and Nancy in the backseat of his car are real gems.
क्या आपको पता है
- ट्रिवियाDirector Hy Averback said in an interview that one day Peter Sellers refused to shoot a scene until a crew member standing off camera changed clothes. The superstitious Sellers claimed the outfit was the "wrong color". Shooting had to stop while they went to wardrobe and got a different color outfit for the crew member.
- गूफ़Cops stop the psychedelic hippie hearse right in front of the same supermarket that is seen in background several miles back when they began pursuing vehicle in the opposite direction.
- भाव
Nancy: Your attitude is very unhip.
Harold: My attitude is unhip? Don't give me that. Don't - listen, I'm probably the hippest guy around here. I got a house full of strangers. I got cats, I got dogs, I got pot, I got acid, I got LSD cubes. I've got this thing here. Don't tell me about hip. I am so hip it hurts. That's how hip I am.
Nancy: It's very unhip to say you're hip, Harold.
Harold: And it's very unhip of you to tell me that I am unhip.
- कनेक्शनFeatured in Reel Radicals: The Sixties Revolution in Film (2002)
- साउंडट्रैकI Love You, Alice B. Toklas!
(1968) (uncredited)
Music by Elmer Bernstein
Lyrics by Larry Tucker and Paul Mazursky
Arranged by Bob Thompson
Performed by Harpers Bizarre
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is I Love You, Alice B. Toklas!?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- Yo te amo Alicia
- फ़िल्माने की जगहें
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $30,00,000(अनुमानित)
- चलने की अवधि1 घंटा 32 मिनट
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
टॉप गैप
By what name was I Love You, Alice B. Toklas! (1968) officially released in India in English?
जवाब