House of Evil

House of Evil (1968)

* 1/2 (out of 4)

One of the four Mexican films Boris Karloff made at the end of his career, this one here being the first to get released. In the film Karloff plays an rich, if eccentric man who calls his family together for a will reading. He ends up dying and his fears of a maniac stalking the house taking out eyeballs appears to be coming true as the family members start dropping dead one by one. Okay, there's certainly a bit of sadness seeing Karloff go out with these Mexican films but at the same time you have to respect his wishes to continue working. From what I've read, he didn't need money so apparently these movies were made simply so he could continue to act. I hadn't seen this film, also known as DANCE OF DEATH, since I was very young and I remember it being quite bad but this repeat viewing shows that it is bad but certainly not as horrible as THE FEAR CHAMBER or SNAKE PEOPLE. I think Karloff turns in a pretty good performance here, which also includes him not being forced to use a wheelchair throughout the production. I think he manages to be quite believable as the mean old man who certainly doesn't have any love for his greedy family. The supporting players are all fairly forgettable as they add nothing to the film although sex pot Julissa, who appeared in three of the four Karloff films, comes off mildly entertaining and apparently is still working today. One thing that does benefit this film is that it actually makes sense. The other three films in the series all have plots that make no sense and the scenes with Karloff appear to have been shot without too much thought going into them as they really don't mix too well with the "other" footage. That's not the case here as everything flows pretty smoothly together. The death scenes are all silly looking but that's to be expected I guess. Karloff fans might want to check this notorious films out but others should certainly stay clear.

Worth a watch if you enjoy the low-budget, B-grade horror of the '60's. No masterpiece, but Karloff is always a treat and the sets are suitably atmospheric. The acting will win no prizes but was ok. All in all, I found the movie watchable - and that's good enough for this genre.

In the late 1960s after a long and productive career, Boris Karloff, who was then in his late 70s and in poor health, was asked if he planned to retire. His reply was "He who rests...rusts! Not me. I plan to die in harness." And that's just what he did...almost. He died at 81 just two months after completing a series of four Mexican pictures. While his persistence was admirable, his final cinematic efforts were not. In fact they were pretty awful rivaling the movies that Bela Lugosi made at the end of his career for Ed Wood. This wasn't Karloff's fault. In fact he seemed more energetic in these last four films then he had been in the previous four bigger budget movies where he had been primarily seated in a wheelchair. The problem was in the way these Mexican titles were put together.

His health and the high altitude kept Karloff from going to Mexico City to shoot the films and so his scenes were all shot in Hollywood with an American director (Jack Hill) and an American script. Once his scenes were in the can, the Mexican portions using Mexican actors were filmed and then Boris' scenes were edited in. Director Hill, who had made the cult favorite SPIDER BABY with Lon Chaney Jr, was an old hand at creating composite films. Usually foreign films were purchased and then American scenes were shot and fitted into them. For these Mexican movies the process was reversed. Once back in Mexico, the producers rewrote the original scripts and did pretty much what they wanted including the addition of unsavory and rather violent material.

Fortunately Boris died before he had a chance to see these hybrid curiosities and so it is left for fans of BK to make of them what they will. Unquestionably the best of the lot was the first screenplay, HOUSE OF EVIL, which recycles the story of the dying patriarch and the greedy relatives gathered for the reading of his will. The twist here is that they are bumped off by his collection of mechanical toys. Next came ISLE OF THE SNAKE PEOPLE, a tale of zombies with Karloff as the head of a voodoo cult. The third to be filmed was THE INCREDIBLE INVASION which borrows from Karloff's THE INVISIBLE RAY (1936) and adds outer space aliens. Finally there was THE FEAR CHAMBER which is the weakest so you could say that each movie got progressively worse.

The first two were released a year after being completed. The last two had to wait until 1971 which was two years after Karloff died. All four played the drive-in circuit as double features and were quickly forgotten. In 1987, twenty years after the films were made, a company called Parasol Group Ltd released them on VHS in an edited form and gave them new titles. They became, in order, DANCE OF DEATH, CULT OF THE DEAD, ALIEN TERROR, and TORTURE ZONE. All four are characterized by cheap sets, unimaginative photography, and are badly dubbed. CULT and ZONE have brief nudity and some graphic violence. It is these rather flat looking VHS copies that VCI has issued on DVD as part of their Sprocket Vault series. For BK completists only...For more reviews visit The Capsule Critic.

"House Of Evil" aka "Dance Of Death" of 1968 is the first of four infamous and odd last movies starring the great Boris Karloff and directed by Jack Hill and Juan Ibánez. Unlike "Snake People" (1971), "The Incredible Invasion" (also 1971) and "The Fear Chamber" (1972) which were all released after Karloff's death in 1969, "House Of Evil" was released in 1968, when Karloff was still alive. "House Of Evil" is regarded by many as the worst of these four movies, which are without doubt all rather crappy, but definitely have their entertainment value as the unintentional comedies they are. I personally prefer "The Fear Chamber" and "House Of Evil" over the other two, simply for the reason that the lack of the slightest logic is even more extreme, and since there is no suspense whatsoever in any of the movies, the lack of logic increases the unintentional fun factor.

The odd story (I don't know if I can really call it a 'plot') is set somewhere in Europe in the 19th century. After some girls are murdered and found with their eyes ripped out, Mathias Morteval (Karloff), an enthusiastic organ player, invites his few remaining relatives to his bizarre mansion, which is full of eerie toys. His kinfolk includes Lucy Durant (Julissa), who is engaged to one of the police inspectors investigating the murders.

I won't give away more of the story, but I can assure you that it is quite bizarre throughout the movie. There are some very funny moments, especially some things Karloff's character says. Boris Karloff was without any doubt one of the most brilliant and important icons of the Horror genre who ever lived, and he manages to award this odd movie with a tiny bit of his greatness, and although (or because) his role is (due to a poor script and and directing) in no way scary, it looks like he deliberately plays it with a sense of humor. Just like in the movie's successors "Snake People" and "The Fear Chamber", the female lead is once again played by Julissa.

Most of he supporting performances are hilariously amateurish, the cinematography is terrible and the locations and sceneries are beneath contempt. The storyline lacks the least bit of logic and the dialogue often does not make the slightest sense. It is the poor story and dialogue, however, that makes this movie so entertaining to watch. "House Of Evil" may be an extremely crappy attempt of a movie, but it is certainly as (unintentionally) funny as it is bad. Fans of Ed Wood's movies should be very amused, I personally found it hilarious. Crappy but entertaining nevertheless, and definitely worth watching since there's Boris Karloff in it and due to the fun factor. 3/10

Felt mine was while watching this...but it seems that is the reason for insanity running in the family in this film. Not that makes a lot of sense anyway, as others have mentioned, this was one of Karloff's last films and it's only his screen presence that lends it any credibility at all. It's sad that all of the great legends of the horror films in the sound era were eventually reduced to starring in low grade rubbish like this. Marginally, Boris did get off slightly better than poor old Bela Lugosi but not by much.

Boris does his best and give him credit for trying to hold this mess together. The strident background music doesn't help and distracts from any lucid moment. Apart from Boris, the rest of the Mexican cast are dubbed into some strange, clipped, English monotone that is reminiscent of the type used in porn films of the late seventies.

At a guess I think it's Edgar Allen Poe's 'House of Usher' that this is taken from but you'd be hard pressed to find a great deal of Poe in the finished article.

Still, there are far better films out there with Boris Karloff at his best, search them out and give this a wide berth, unless you want the curse of the 'shrinking brain' too!