Il giorno della civetta

In a town in Sicily, a truck driver is found dead by the side of the road, his truck nearby. Newly appointed captain of the Caribinieri, Franco Nero, investigates, and notices a nearby house. Claudia Cardinale is there with her daughter. Her husband, she says, went out looking for work and she doesn't know when he will be back. As Nero investigates, he knows it has to do with the Mafia, under the control of local capo Lee J. Cobb. He's the man in charge of dividing up local contracts for public works, although he is not the top man; that's someone in Rome. His fellow Mafiosi continue on with business as usual, while Miss Cardinale's story changes as she realizes her husband is dead. But no one will talk in public.

It is directed by Damiano Damiani from his own novel, loosely based on the 1947 murder of Sicilian trade unionist Accursio Miraglia. Everyone gives good performances, but it's Cobb, of course, who stands out as a man who comes to respect Nero, who's willing to use extra-legal methods to obtain justice, and who is constantly frustrated by the fear that enforces silence among the people of the town. Slower and more deliberate than the usual movies about the Mafia, it offers a telling portrait of a system that no one is willing to change.

Highly intense and intriguing Poliziesco film with a good cast who gives fine performances . ¨Il Giorno della Civetta" - Italy original title or "Mafia" - , International , USA title , results to be a nice cop/political/Sicilian Mafia thriller , being professionally filmed and rightly made by Damiano Damiani . It's a hard boiled movie that packs a noir story , police procedural , intrigue , detective inquiries and a final twist in the plot . It concerns a dedicated captain what tries to wipe out the Mafiosi and bureaucratic corruption that is infecting his village . This story deals with the difficulties facing a northern Carabinieri captain named Bellodi (Franco Nero), he is a proverbial honest men , a stiff , idealistic officer and investigating a Mafia killing in a small Sicilian town in 1961 . He is helped by an upright Brigade , both of whom contend dangerous enemies , but determined in their will to fight crime and corruption . Salvatore Colasbena , a construction supplier has been killed because he refused to join the Mafia-controlled road building bunch . His widow, Rosa (a gorgeous Claudia Cardinale) , is investigated by the Carabinieri , but Captain Bellodi comes to suspect Mafia boss Don Mariano Arena (Lee J. Cobb) when he can encounter no witnesses , no evidence, only hostile obstruction by sabotage and blackmail . Captain Bellodi holding a firm belief in the law and justice system but he has no idea that his chase of the truth will stir up powerful foundations , but the Carabinieri takes on Mafia which the fight is hopeless . Everyone in the village is afraid to inform to Bellodi for fright they will be silenced forever and fearing the main Mafiosi and his hoodlums (Nehemiah Persoff) . The Carabinieri on the edge while investigate ties between the mob , politics and State departments . Important figures have a vested interest in ensuring that the very existence of the Mafia can be denied . Meanwhile , Bellodi finds corpses buried under a blanket of tar and faces several risks . But ambition , vendetta , corrupt government influences and decay reach everything and everybody .

This exciting and thought-provoking Italian cop thriller turns out to be one of the first and best films about the mafia . This heavy-going tale has an interesting and politically incorrect writing by the same director Damiano Damiani along with Ugo Pirro and especially dealing with corruption interwoven between high authorities and Mafia . Based on the Leonardo Sciascia novel of the same title , the movie dramatizes the hold that the Mafia has on Sicilian life : the blackmail, the Omertá , the power and politics . The picture displays thrills , disturbing issues , suspenseful , great visual style and is pretty entertaining , though sometimes is hard to follow . Excellent main cast as Franco Nero as a rough-and-ready captain who attempts to prove the wealthy man in the city is in the mafia , being very good played by the great Lee J. Cobb . Supporting cast is frankly magnificent such as Nehemiah Persoff as Pizzuco , Tano Cimarosa as Zecchinetta and Serge Reggiani as informer . Colorful and appropriate cinematography by Tonino Delli Colli though being necessary a right remastering . Sensitive as well as appropriate musical score by Giovanni Fusco who composed an enjoyable soundtrack .

The motion picture was well directed by Damiano Damiani . He's an expert on all kind of genres as Drama (¨Arthur's island¨ , ¨The Most Beautiful Wife" , ¨The witch¨ , and ¨Empty canvas¨ based on the Alberto Moravia novel) , Terror (Amytiville 2 : the possession) , Historical (¨The Inquiry¨) , Spaghetti Western (¨Trinity is back again¨and the prestigious ¨A bullet for the General¨) . Damiani was specialized on crime-thriller-Subgenre or Italian cop thriller (¨Confessions of a Police captain¨ , ¨How to kill a judge¨, ¨The case is closed , forget it¨, "Goodbye e amen" , ¨Mafia¨, "I Am Afraid" and ¨Warning¨ starred by Martin Balsam) . "Il Giorno Della Civetta" seems to be a ¨must see¨ for the Poliziesco fans . This is one of the crowns of the Italian Poliziotteschi (police thrillers) and Mafia film of the 1970s , along with other films directed by Enzo G . Castellari , Ferdinando Baldi or Umberto Lenzi . Rating : Better than average . Essential and indispensable watching , this highly recommended film is the same for the Italian "mafia-film" of that period.

Wow,the composer of the music for The Godfather could be cited for plagiarism. LISTEN to this production. Ah yes this is a more accurate account of what the "Black Hands " are all about. Deceit,obfuscation, murder and corruption of government. Performances are okay a little overdone in spots. Something very Italian to the whole production. Sound is not well produced and camera movement can be distracting. The mafia as an entity is the main character. The organization was at that time even in Sicily openly discussed as "no such thing." What one should perceive from watching this film is the fundamental institutionalization of that concept. The social imperatives on the island perpetuate that pernicious myth.

Italian films have always been the ebst of the best concerning the Sicilian Mafia, or even any Mafia in Italy; Camorra, Ndrangheta.... It brings something authentic, accurate, even more efficient and riveting than any US action flicks. Francesco Rosi, Damiano Damiani and Pasquale Squieteri were the masters on those topics. This one is one of the best examples of what I say. It s a fiction, but facts. It is not an action crime film, such as those Italian film industry made during the late sixties and especially the seventies: the famous poliziottescos, all violent, brutal, misogynist at the most, nothing to do with the films made by Damiani, Squieteri or Rosi. In those Poliziottescos, you have gunfights, car chases, tortures scenes galore till you get fed up. I prefer the Damiani style, more minimalist but true, showing informers, details on corruption, embezzlements, swindles. Acting absolutely flawless. Once more in his career Lee J Cobb, after ON THE WATER FRONT and PARTY GIRL, plays a mob boss.

Italian film based on a novel by Leonardo Sciascia, explores the mystery and corruption in a small Sicilian town. If you enjoy intellectual thrillers, this film is a must-watch!

Despite being from the distant year of 1968, "Il giorno della civetta" resonates surprisingly with the present day. Tackling themes like omertà and distrust in institutions, the film challenges us to reflect on social dynamics that unfortunately persist even today, over 50 years later in Italy. A timeless work that invites us to examine the complexities of society in a new light.

The screenplay and plot are masterfully executed, keeping you glued to the screen without a dull moment. The dialogues are convincing and well-crafted. The direction and editing, considering the production era, are impeccable. The soundtrack is fitting, but what strikes the most is the final message, incredibly true and relevant.

While I'm not particularly fond of very old films, and I'm usually quite demanding when it comes to giving a rating, it must be said that this film is very well-crafted.