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    कैलेंडर रिलीज़ करेंसबसे बढ़िया 250 फ़िल्मेंसर्वाधिक लोकप्रिय फ़िल्मेंज़ोनर के आधार पर फ़िल्में ब्राउज़ करेंटॉप बॉक्स ऑफ़िसशो का समय और टिकटफ़िल्मों से जुड़ी खबरेंइंडिया मूवी स्पॉटलाइट
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Flesh

  • 1968
  • Not Rated
  • 1 घं 29 मि
IMDb रेटिंग
5.7/10
2.7 हज़ार
आपकी रेटिंग
Joe Dallesandro in Flesh (1968)
Drama

अपनी भाषा में प्लॉट जोड़ेंA man desperate for money and no income, turns prostitute and interplays with a variety of clients and hustlers.A man desperate for money and no income, turns prostitute and interplays with a variety of clients and hustlers.A man desperate for money and no income, turns prostitute and interplays with a variety of clients and hustlers.

  • निर्देशक
    • Paul Morrissey
  • लेखक
    • Paul Morrissey
  • स्टार
    • Joe Dallesandro
    • Geraldine Smith
    • Patti D'Arbanville
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    5.7/10
    2.7 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Paul Morrissey
    • लेखक
      • Paul Morrissey
    • स्टार
      • Joe Dallesandro
      • Geraldine Smith
      • Patti D'Arbanville
    • 26यूज़र समीक्षाएं
    • 36आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • कुल 1 जीत

    फ़ोटो16

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 10
    पोस्टर देखें

    टॉप कलाकार12

    बदलाव करें
    Joe Dallesandro
    Joe Dallesandro
    • Joe - the Hustler
    Geraldine Smith
    Geraldine Smith
    • Geri - Joe's Wife
    Patti D'Arbanville
    Patti D'Arbanville
    • Patti - Geri's Lover
    Candy Darling
    Candy Darling
    • Candy - a Transvestite
    Jackie Curtis
    Jackie Curtis
    • Jackie - a Transvestite
    John Christian
    • Joe's Customer
    Maurice Braddell
    Maurice Braddell
    • The Artist
    Geri Miller
    • Terry
    Louis Waldon
    • David - the Gymnast
    Barry Brown
    • Boy in street
    Roberto D'Allesandro
    • Boy in the Street #2
    • (बिना क्रेडिट के)
    Jed Johnson
    Jed Johnson
    • Solicitor
    • (बिना क्रेडिट के)
    • निर्देशक
      • Paul Morrissey
    • लेखक
      • Paul Morrissey
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं26

    5.72.6K
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    फ़ीचर्ड समीक्षाएं

    6RobertF87

    Cult Classic

    Although the film opens with the credit "Andy Warhol Presents", it was actually written, photographed and directed by cult film-maker Paul Morrissey (according to Morrissey, all Warhol provided was money and publicity).

    Joe Dallesandro (immortalised as "little Joe" in the Velvet Underground song "Walk on the Wild Side") plays Joe, a slightly dim-witted male prostitute, who is supporting his bisexual wife and baby. His wife wants him to come up with $200 for her girlfriend's abortion. We basically follow Joe around as he encounters various characters willing to help him, including an artist who wants to pay him to pose nude, and Warhol "superstars" Candy darling and Jackie Curtis.

    Despite being amateurishly shot, with countless technical errors, the most annoying of which is a very badly-recorded soundtrack, the film is fascinating due to it's delving into a world rarely seen on mainstream screens, which probably doesn't exist anymore. Although many scenes do go on for too long, it's too startling to be dull. Fans of Joe Dallesandro will no doubt enjoy his frequent exposure (he provides most of the flesh of the title).

    If you're a fan of cult or underground films, you'll not want to miss this. It was followed by "Trash" (1970) and "Heat" (1972) to form a loose trilogy.
    6leandros

    lots of flesh, lots of fun for the crew

    Because this flick is the first feature fruit of a long lasting collaboration between Paul Morrissey, Andy Warhol and Joe Dallessandro, it is too much obvious that it was mostly made for having fun among themselves. The script is quite loose, the dialogues are too obviously improvised, one even suspects that there probably is no script at all, just thematic concepts: prostitution, addiction and poverty (which all seem to continue in the following films Trash and Heat).

    Joe Dallessandro reveals unashamedly his gorgeous body at any chance, to the hungry eyes of other addicts (not only drug addicts).



    Although the whole film seems like amateurish, especially the scene with other hustlers at the park is very intriguing, like a documentary project.

    I would not recommend to see this by itself, but watching the trilogy (Flesh, Heat and Trash) altogether will be much enlightening.
    JMann

    the passive object of desire

    Flesh is the first film of a trilogy by Paul Morrissey and Andy Warhol, and is perhaps the first attempt to create an icon of desire out of a male leading role. Although the film is focused on an uncomplicated character development of Joe (Joe Dallesandro), a gentle and subtly unhappy hustler, it depicts him as a passive and ambivalent object, who, in spite of a semi-evident sense of self-control, is possessed, shaped, and evaluated entirely by others. Joe is a young and somewhat naive Adonis who exudes comfort and beauty in his independence, but he works the streets to support his lesbian wife and her girlfriend. He is restlessly bored by an artist/customer's speeches on Greek athletic sculpture and 'body worship', but he sells his nudity anyway. He regards the increasing advances of his homosexual friend with ambivalence, but lets them happen nonetheless. This passivity dominates the film and succeeds in creating a visceral element to Dallesandro's appeal: not only is he desired, he is had.

    Perhaps the film's most interesting element is the balance of its obviously experimental nature with its palpable directness. The snappy editing and fragmented dialogue make it fresh and 'real', yet it manages not to rely on the clichéd abstractness of art-films. It is rough, and indeed a weaker effort than Trash or Heat, but nonetheless presents a collection of perfectly plausible characters in a light of almost absolute neutrality.
    4Bunuel1976

    FLESH (Paul Morrissey, 1968) **

    I guess only a selected number of audience members really had any interest in watching how a male hustler in New York operates but I'd be willing to bet that even these brave souls were turned off by the irritating patchwork technique and deliberately muffled sound recording on display here; the fact that these inherent 'defects' were a direct result of the film's low-budget/underground/experimental nature is, I'd say, beside the point. Anyway, for those so inclined, the film features extensive male nudity and Joe Dallesandro, understandably, became an underground – and gay – icon!

    The episodic structure showing the day-to-day routine of the hustler protagonist offers a couple of mildly interesting scenes: his meeting with (and eventually posing for) an eccentric elderly artist; the one where Dallesandro expresses his views on his unusual line of work and delineates his particular modus operandi to a couple of prospective 'colleagues' including perhaps the unlikeliest of hustlers – a bespectacled nerd! Perhaps mercifully, the film ran for only 89 minutes against the IMDb's claim that its complete length is 105 (but the latter could well be a mistake)!

    I had watched a few other of Warhol's 'movies' and this one is decidedly not as satisfying as the most tolerable example I've run into yet, BAD (1977), and only slightly better than the likes of MY HUSTLER (1965) which were mostly a strain to sit through. The fact that this was only the first part of a trilogy did not augur well but, as the saying goes, you gotta to do what you gotta do and the other two 'chapters' had to follow in quick succession...

    Despite my generally negative reaction to it, FLESH is nevertheless still valuable as a 1960s time capsule and as a prototype of the Underground scene of that era, both cinematically and in real life. For the record, an image of Dallesandro from this film adorns the sleeve of The Smiths' self-titled 1984 debut album and transsexual Candy Darling (who appears here rather unremarkably) was immortalized in "Candy Says", the opening track of The Velvet Underground's eponymous 1969 album. Although the latter band is my all-time favorite, and one of the reasons for this is that, through their sheerly unique and ground-breaking music, they described a lifestyle so utterly different from my own, this is truly a case where I'd much rather experience something aurally instead of visually!
    7bastard_wisher

    75% brilliant, 25% tedious

    In a lot of ways this film defines the essence of everything I love about cinema, in terms of capturing those strange, elusive moments of unguarded truth. In other ways, it is undeniably an amateurish, unfocused result of junkies self-indulgently fooling around with a camera. Ultimately it comes out somewhere between pure brilliance and unwatchability (thankfully much more so the former than the latter). Part of me wants to reward it solely for it's absolute innovativeness and moments of pure sublimity, but at the same time I can't completely ignore the occasionally downright awful "acting" and overtly bad production values. At first the editing seems overwhelmingly sloppy and needlessly distracting (or maybe just wrongheadedly "innovative"), but after a while I got used to it, which is, in the end, the true sign of whether a film succeeds on it's own terms or not. I guess that answer basically sums up my all-around feelings for the film. That is, despite it's in-ignorable flaws, on a whole it does work very well. And, if nothing else, a film like this really shows how false and contrived the faux-documentary, shaky-cam style can sometimes be when it so obviously applied purely for effect (such as in films like the otherwise admirable Roger Dodger). Here the aesthetics are plainly derived from the necessities of the filming situation, and are not just used arbitrarily to make it look "cool".

    इस तरह के और

    Trash
    6.1
    Trash
    Heat
    6.1
    Heat
    Flesh for Frankenstein
    5.8
    Flesh for Frankenstein
    Lonesome Cowboys
    5.2
    Lonesome Cowboys
    Sangue per Dracula
    6.1
    Sangue per Dracula
    L'Amour
    5.8
    L'Amour
    The Loves of Ondine
    6.0
    The Loves of Ondine
    Women in Revolt
    5.7
    Women in Revolt
    San Diego Surf
    6.5
    San Diego Surf
    La maison
    6.2
    La maison
    Los agitadores
    5.5
    Los agitadores
    I a Man
    5.8
    I a Man

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      UK censor John Trevelyan was wary of issuing the film a cinema certificate and suggested to the distributors that the film be shown on a club basis. When it was initially shown at the Open Space Theatre in London in February 1970 the cinema was raided by police who attempted to seize the film, leading Trevelyan himself to hastily rush to the cinema and vigorously defend the movie against possible prosecution, calling the police action 'unjustified and preposterous'. In the light of this incident Trevelyan was able to grant the film an uncut 'X' certificate.
    • गूफ़
      During a scene with the go-go dancer, Candy and Jackie alternately call her by the character's first name (Terry) and that of the actress playing her (Geri Miller).
    • भाव

      Joe, the Hustler: How am I supposed to make any money without clean underwear?

    • क्रेज़ी क्रेडिट
      The opening credits run sideways and list Warhol's name, the title, the main cast members, and that it was written, photographed and directed by Paul Morissey.
    • कनेक्शन
      Edited into Porn to Be Free (2016)
    • साउंडट्रैक
      Makin' Wicky Wacky Down in Waikiki
      Performed by Sophie Tucker.

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल12

    • How long is Flesh?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 27 मई 1970 (पश्चिम जर्मनी)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Andy Warhol's Flesh
    • फ़िल्माने की जगहें
      • Greenwich Village, न्यूयॉर्क शहर, न्यूयॉर्क, संयुक्त राज्य अमेरिका(At the apartment of critic David Bourdon)
    • उत्पादन कंपनी
      • Factory Films (I)
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $4,000(अनुमानित)
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 29 मिनट
    • ध्वनि मिश्रण
      • Mono
    • पक्ष अनुपात
      • 1.37 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Joe Dallesandro in Flesh (1968)
    टॉप गैप
    What is the Spanish language plot outline for Flesh (1968)?
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    • योगदान करने के बारे में और जानें
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