Commandos

I too picked up Commandos in the budget bin. The movie itself was decent...acting a bit over the top from some of the players, the plot very predictable, and the ending a bit smarmy, intent on teaching us a nice lesson about the horrors of war.

The worst part of the film were the technical details. The US Army dropping paratrooper commandos behind enemy lines prior to Operation Torch (factual error... US Airborne troops were no where near ready for a raid prior to Torch). The obvious use of the 1944 M3 Grease Gun as the weapon of choice for the commandos, a weapon which didn't even see North Africa, let alone North Africa in 1942, the year before it made it to Army usage.

One can forgive the use of US Chaffee and Walker Bulldog tanks repainted in German Afrika Tan (after all, Patton did too), but too many errors upon errors crept into the movie to make it truly enjoyable. For 99 cents and a Saturday afternoon, it will serve. As a great movie, it falls far short.

Commandos is one of those movies I remember watching on the late-late-late show back in the late 70s and early 80s. It aired frequently.

I was quite surprised to find it included in a WWII movie multipack I bought at WM. An entirely different description of Commandos was listed, so imagine my surprise when I saw it was the old Lee Van Cleef movie! This movie isn't going to win any awards. There's no historic accuracy to it at all, other than the Germans and Italians were fighting in North Africa (or the Western Desert, for our British friends). But it's still fun to watch.

"Commandos" was released in 1968 and has been in circulation on public domain home video (and now DVD) in the United States and abroad since the early 1980s. A great widescreen print has now surfaced on DVD, one from the Platinum Disc Corporation and another from St. Clair Vision. This is one of the easiest to find Italian war films, and it's really not too shabby, either…

On the eve of the American landings in North Africa, a band of Italian-American soldiers are recruited for a special mission behind the enemy lines. They will capture and hold a vital oasis the day before the Allies land. Unfortunately, the garrison of Italian soldiers and a German Panzer unit will do anything to stop this takeover.

Director Crispino is all about style, and just about everything else is disregarded here. The main conflict is between Sergeant Sullivan (Lee Van Cleef, "The Good, the Bad and the Ugly") and Captain Valli (Jack Kelly, "To Hell and Back"). Sullivan is an experienced veteran, and Valli is a rear-echelon officer who really shouldn't be in charge. Sullivan questions Valli's authority every step of the way. Unfortunately, this conflict remains shallow throughout, and the characters do little besides yell at and threaten each other. As an individual, however, Sullivan is a fleshed-out, battle-scarred veteran who's haunted by images of a failed campaign in the Pacific. Sadly, Van Cleef overacts through every scene, chewing up the scenery so much that it's hard to take him seriously.

The kudos go to the supporting cast, who manage to put on a convincing show from start to finish. Joachim Fuchsburger is fabulous as Lt. Heitzel, a German professor who is now drafted as a Panzer officer. He hates the war, but does his duty for country. Heitzel's character draws sympathy from the audience is his character is naturally fleshed out over the course of a long dinner scene with Valli and Tomassini. It's very nice to see a late-1960s war film in which a German character has a sympathetic role, rather than a clichéd "evil Nazi" part which was so common in other action films produced during the era. On the other hand, Götz George is equally good as Lt. Rudi, a dedicated Hitler Youth-type. The Germans and Americans discuss culture and politics over dinner in one long scene, and this makes their face-to-face encounter during the final battle all the more moving. Finally, there's Marino Mase ("The Five Man Army") as Lt. Tomassini, who commands the Italian garrison and will stop at nothing to escape with the survivors and liberate what's rightfully his. Add to this long list some excellent small roles filled by Ivano Stacciolo, Pier Paolo Capponi, Heinz Reincke and Romano Puppo.

Crispino's focus is on the action, and makes the characters just believable enough to appreciate the big, explosive proceedings. The American takeover of the Italian garrison is excellently shot and finely edited, and the climactic tank battle in the oasis is purely awesome. It's filled with great shots of people getting shot, tanks exploding, bullets kicking up puffs of dirt – there are some shots with action going on in both the background and foreground, making for interesting composition.

The movie has a very realistic look and feel to it, as well. The Americans and Germans are appropriately armed and clad for the time period. The sweltering sun and dry desert are completely convincing. The oasis set is massive and Crispino makes use of every part of it. The interiors, particularly the big dining room, are well-captured with wide shots and pans. At night, the set is well-lit and the action is completely clear.

"Commandos" is a well-written, well-shot and action-packed war drama with a fine supporting cast and some nail-biting combat sequences, which put it a notch above many other Italian war productions in the same vein.

7/10

See This Movie!!! As for all the nay sayers on this site, it doesn't sound like they actually saw the movie or watched it all the way through.

If you love WWII films or action films, make this a must see. The action is so intense it's difficult to believe this was made way back in 1968. The production quality is very high.

How intense is the action? Well, I've seen this movie twice and I've yet to find a rifle on screen! (no kidding) Every character is armed with a submachine gun. Just as 'Die Hard' tought us, SMGs make for the best action scenes no matter how unrealistic it would be to actually hit a target at 100 feet. (or 50 feet) The plot: October 1942, North Africa. Lee Van Cleef leads a band of New York Italian American paratroopers whom must raid and hold an Axis water supply depot. Most importantly they must be about to pass for Italian solders in order to fool their German comrades.

The oasis depot proves to be a very elaborate but well fortified Axis hotel. There's even a bar and grill and a prostitute.

The GIs do their best to fool the Germans but inevitably the situation cannot hold. Their Italian prisoners escape, more and more German squads keep visiting and worse yet Van Cleef himself is a deranged and unstable veteran of Bataan who hates all superior officers as glory hounds carelessly putting his men at risk.

The final scene is a really great one. I've never seen anything like it in any war movie! It's the perfect conclusion.

For those of you not familiar with the "Spaghetti WWII" film 'Commandos' is a great place to start.

No, "Spaghetti WWII" is not part of the "Nazisploitation" films made in Italy during the 70s and 80s. (remember 'Salon Kitty' 'Last Orgy of the Third Reich' or the Elsa films?) "Spaghetti WWII" films are an overlooked genre that embodied much of what we love about American WWII films. The brotherhood of solders, the hell of war, and the glory of combat. These films were told from either the Axis or Allied side and just like traditional WWII films the Nazis always lose. Even if they are the main characters.

Unlike neutered German WWII films like 'Stalingrad.' The Italians got it right. No drama or romance, just guts and glory.

'Desert Commandos' is a perfect companion piece to this film.

(1968) Commandos DUBBED SPAGHETTI WAR

Co-written and directed by Armando Crispino During WWII when Mussolini was in power and still had an army, a group of Italian Americans are selected to partake a dangerous mission whereas they were to take over a fort guarded by Italian soldiers working alongside with the Nazis, and then wait for more US armed soldiers to show up! Lee Van Cleef also stars as the troubled captain.

One of the major problems with Spaghetti Westerns and Spaghetti War films has a lot to do with it's budget, and this one is no exception, whereas Sergio Leone makes scenes look very theatrically credible with it's close- ups and camera angles- this film lacks common sense with a lack of charisma leading to predictable results.