The Young Animals

There is a website out there somewhere that specializes in the 4 word film review. This movie easily fits into that category (see summary above). It is a typical stereotypical film that religiously follows every imaginable cliché.

The characters are supposed to be high school students, but the lead actor Tony (good chicano) was 33 at the time of the film, and most of the other actors appear to be in their early to mid twenties.

Making a long story short, the good chicano eventually gets the better of the bad gringos, and walks away with a good gringo girl (Patty McCormick), which really burns the bad gringos. The plot is predictable and irrelevant, but if you must watch the film you can get a good history lesson on 60's fashion and cars.

For the missing part from my 1968 heart. I do sure love watching two stars from Oscar winning movies stretching their talents in new film genres.

I saw this in 1968,l. Having parents that as long as I took my 4yo brother with me, could go to a movie every night. I became a connoisseur of AIP and Hammer movies.

There weren't ratings yet, watched Rosemary's Baby alone at 12 yo, Night of the Living Dead and at a midnight sneak with myself a 13 yo and my sisters (only girls in the joint) in a rowdy audience of airmen, flying or servicing the the B52s taking off heavy and landing light after doing their 8,000 mile round trip across the South Pacific.

If you haven't guessed, I'm 13yo, while living in Guam 🇬🇺 as an Air Force dependent. Nothing like watching an AIP teen movie to take your mind off the current news of the day.

Although American International Pictures (the drive-in specialists who put the ''ex'' in ''Exploitation) promoted this film in their usual, lurid way, (''They Run In Packs, And What They Do Makes Headlines!'') , it's actually a good, if simplistic look at White vs. Mexicans in a California High School. Tom Nardini (''Cat Ballou'') is the new Latino kid on the block who tries, peacefully, to combat the prejudice faced by the Mexican students, from both the white kids as well as some of the faculty. When he becomes involved with a sympathetic ''Gringo'' girl, (Patty McCormack), her bigoted ex-boyfriend (David Macklin) and his gang vow revenge. And revenge he gets, in some pretty tense scenes which are uncomfortable to watch, even today. As a hot-headed student at odds with Nardini's approach to their problems, Zooey Hall is impressive. His girlfriend is played by the lovely Joanna Frank (''The Savage Seven'') and though her part is relatively small, she is just as effective. In fact, all of the acting is convincing here,( including an early appearance by a young A Martinez) and if the resolution seems a bit far-fetched, the film's heart is in the right place. At the last minute, the title was switched to ''Born Wild'', which really doesn't do it justice either, but, under any name, it's a good example of a ''Teen Flick'' with an actual message, something most were lacking. The photography, by Ken Peach is excellent, belying the film's low budget. The editing is jumpy in places, but nothing seems to have been removed which would spoil the continuity. (It's noticeable mostly in the abbreviated performances of the two rock bands ''The American Revolution'' and ''Orphan Egg'', both of whom were under contract to AIP at the time). Good Les Baxter score, too. It's worth seeing at least once.

This film was made on location at Tucson High School in Tucson Arizona. I was in this film as an extra playing a high school student. I have a copy on a CD. I don't remember CHER being in it but will watch it again to be sure. What is depicted in the movie was nothing like real life at THS. What a joke watching it now. But it was cool being in a movie on the big screen at the local drive-in.

This 1968 film stands out from other low-budget 1960s teen flicks for its seriousness and unusual direction. Despite their sometimes "gee whiz" innocence typical of other 1960s films, high school students here deal with racism, activism, violence and rape. As dissatisfaction with unequal treatment of Mexican-American students increases, violence escalates. Students find themselves facing property destruction, graphic violence and a unique torture.

Most notable is the standout direction by Maury Dexter. Dolly, tracking and crane shots add visual interest when a stationary camera would have sufficed; plus, violence is filmed with active camera placements. For example, inside and in front of vehicles during chase sequences and inside a salvage airplane along with the actors (or stunt doubles) as a piece of wrecking equipment slices through it - an especially unusual sequence. Further visual interest is added by excellent editing that keeps a realistic timeline through quick cutting among multiple cameras at the climaxes of action but is not so excessive as to be confusing as is too common in today's action movies. At times, the editing is "psychedelic" quick, for example during a rock band's performance and might remind the viewer of filmmaker Russ Meyer's unusual editing.

I was surprised to see a very young A Martinez (billed as Adolph Martinez) in what is apparently his first movie and, though his role is small, is very good. Also exceptional is the lively score by the great Les Baxter. Fans of his "tropical lounge" music will appreciate hints of it here among congas, timbales and prominent brass. Listen for it! In all, a movie most compelling for its unusual direction and serious tone, though the acting sometimes turns "Sharks vs Jets" melodramatic.