The Big Snatch

Just so I am clear about why this $11,000 sexploitation film should be a standard for comparison, let me explain. For anyone who questions whether an exploitation film has drifted into sexploitation territory, I suggest immediately watching "The Big Snatch". Only if the flick in question can match "The Big Snatch" in minute for minute skin, should it even be considered as sexploitation. Another test would be, can you turn off the sound for the entire film and lose nothing? One big advantage of losing the audio is no generic porno music, no lame dialog, but you can still get the gist of a "humpathon" like "The Big Snatch". - MERK

What could be better than seeing 70's softcore porn regulars Jane Tsentas, Peggy Church and Uschi Digert in various stages of nudity, ranging from full frontal to bra and panties. To reach this stage, 2 psychos kidnap 5 girls and have them jog in place, do push ups, touch their toes and stretch their bodies. All wear miniskirts...and, well, you can guess the rest. The girls are also forced to lie on their backs and stick their legs straight up in the air. Oh la la! Finally the girls get revenge and the best scene is when Peggy Church grabs a big pair of pliers and crushes the cocks of their tormenters. 70's soft core porn doesn't get much better then this.

The Big Snatch (1971)

** 1/2 (out of 4)

David Friendman produced this rather infamous sexploitation film about a psycho (Harry Chest) who kidnaps five women and takes them to his home out in the desert. Once there he turns them into his sex slave until one day when they get the upper hand and decide to return the torture.

THE BIG SNATCH is a pretty wild and fun sexploitation picture that has a lot of beautiful women who are constantly naked. Plot wise there's really not too much here as there's never an attempt to make this a serious thriller. I mean, the actresses were clearly hired for their bodies and not their acting skills as there's not even an attempt to make them act any other way than sexy. There's no terror that they feel. They're never in any fear for their lives or emotional damage. None of that stuff. Instead they just dance around naked and bounce their boobs.

What makes this film so memorable are the ladies and this includes Uschi Digard as one of them. All five women are quite easy on the eyes and they're asked to do various sexploitation things like slow showers, lesbian make out scenes and other moments where they just bounce around with the camera planted right on their breasts. I'd add that Chest is quite entertaining in his role as the bad guy.

Again, there's nothing here that is mean to be taken serious and there's no question that this was made on a very low-budget. Friedman and company were wanting to make money, not make an Oscar-worthy film. If you're a fan of sexploitation then this here is certainly worth watching.

I don't usually go into these sorts of films with high expectations, but to my surprise The Big Snatch is actually quite good! The title is obviously meant to have a double meaning, but actually it relates to the part of the plot that involves a couple of men going round kidnapping girls, only to have them turned into 'sex slaves'. Naturally, considering that this is a seventies rough porn flick, the acting and production values aren't up to much; but all you can really expect from a film like this is plenty of sex and a few laughs and the film delivers that. The plot works with the film quite well; it offers numerous opportunities for a bit of action, and most of these are capitalised on. The film doesn't feature a great deal of surprises in the first half, we just watch as the girls are 'trained' by their captors, but there's a decent twist around the middle in which the tables are turned and the film becomes a bit more interesting, and also features a few nail biting moments. The sex is mostly just softcore, so the film might not please the fans of the harder stuff, but its all fairly decent.

Although IMDb lists this movie with a 1968 date, the movie could not have been made until at least 1971. During the infamous radiator scene, Bart quotes the famous line, "Love means never having to say your horny." This is an obvious play on the famous line from Love Story, which was not released until December 1970. Peggy Church, who was born in 1954 according to her IMDb entry, was certainly older than 14 in this film (although she could have been younger than 18). In addition, the amount of nudity in the film would have been highly unusual for 1968, but it is pretty much in line for a soft-core film released in 1971.