IMDb रेटिंग
6.7/10
9.2 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA woman's dark and absurdist nightmare vision comprising a continuous recitation of the alphabet and bizarre living representations of each letter.A woman's dark and absurdist nightmare vision comprising a continuous recitation of the alphabet and bizarre living representations of each letter.A woman's dark and absurdist nightmare vision comprising a continuous recitation of the alphabet and bizarre living representations of each letter.
- निर्देशक
- लेखक
- स्टार
Peggy Reavey
- Girl
- (as Peggy Lynch)
फ़ीचर्ड समीक्षाएं
David Lynch says this film was an attempt at visualizing the "fear of learning." In it, a young girl is tortured by the alphabet in a competely abstract nightmare. Lynch has always been fascinated by the darker side of dreams, the seemingly nonsensical black procession of symbols and fears, and this film simply adds another phobia to the canon.
We are shown images of a head with information going in one side, and this eventually causes the head to erupt into a black mess. Lynch juxtaposes the most innocent of subjects (the alphabet), which usually marks the beginning of our schooling, with disconcerting images of blood and vomit. Disturbing? Yes. Lynch apparently formed the idea after hearing of a girl who was found reciting the alphabet during a nightmare.
On a more profound level, the film examines a fear that perhaps appears for most later in life: the dread of knowledge. There's quite a bit of truth to the oft-repeated line "ignorance is bliss." Gradually, we realize that the more we learn, the less we understand, and therefore, the less control we have over our situations. It's a problem that has vexed people since the conception of "science." We ask questions out of curiosity, find there are no accessible answers, create a religious penumbra that satisfies a great deal with a few simple passages, and then science comes along and we are confronted once again with the inconsistencies of our faith. Thus, we fear that which turns the rock-solid black and whites of our existence to a confused mass of gray.
Also, The Alphabet hints at what linguists and intellectuals and songwriters have known for centuries; words are wholly inadequate to describe even the simplest of human perceptions. And once one has etched that list of letters into one's mind, in a sense, there is no turning back. Life becomes shapes patterned on paper, and conceptions of reality will no longer be formed purely and internally; they are immediately attached to an imperfect language and remained tethered to that which will never truly suffice.
We are shown images of a head with information going in one side, and this eventually causes the head to erupt into a black mess. Lynch juxtaposes the most innocent of subjects (the alphabet), which usually marks the beginning of our schooling, with disconcerting images of blood and vomit. Disturbing? Yes. Lynch apparently formed the idea after hearing of a girl who was found reciting the alphabet during a nightmare.
On a more profound level, the film examines a fear that perhaps appears for most later in life: the dread of knowledge. There's quite a bit of truth to the oft-repeated line "ignorance is bliss." Gradually, we realize that the more we learn, the less we understand, and therefore, the less control we have over our situations. It's a problem that has vexed people since the conception of "science." We ask questions out of curiosity, find there are no accessible answers, create a religious penumbra that satisfies a great deal with a few simple passages, and then science comes along and we are confronted once again with the inconsistencies of our faith. Thus, we fear that which turns the rock-solid black and whites of our existence to a confused mass of gray.
Also, The Alphabet hints at what linguists and intellectuals and songwriters have known for centuries; words are wholly inadequate to describe even the simplest of human perceptions. And once one has etched that list of letters into one's mind, in a sense, there is no turning back. Life becomes shapes patterned on paper, and conceptions of reality will no longer be formed purely and internally; they are immediately attached to an imperfect language and remained tethered to that which will never truly suffice.
This avant garde piece miraculously comes off without being cliché or dismissible (as is so common with artsy avant garde film). Peggy Lynch (I'm assuming is his daughter) goes through a sequence of harrowing events that had some connection with the alphabet. I particularly liked the bed-wetting and the dirt. The person I watched this with said the dirt looked very "inviting." I strangely agreed. Only Lynch could make dirt inviting. Very interesting work. 8/10
Lynch's first film is a bizarre, revolting and terrifying account of a bedridden young girl apparently being tortured by the alphabet. The letters appear as weird, threatening shapes which (as in his follow-up The Grandmother) seem to take on plant form. The girl herself eventually vomits blood.
The film's meaning isn't clear, and is really of less important than the visuals, which are themselves like moving paintings. The innocence of the child's 'ABC' rhyming song is warped to give a frighteningly naive background to the horrific events.
Lynch's trademark is the expression of fear, and this short foregrounds that motif in the most disturbing way imaginable. Fans of this director should try and catch his debut, as it casts its shadow over much of his later work.
The film's meaning isn't clear, and is really of less important than the visuals, which are themselves like moving paintings. The innocence of the child's 'ABC' rhyming song is warped to give a frighteningly naive background to the horrific events.
Lynch's trademark is the expression of fear, and this short foregrounds that motif in the most disturbing way imaginable. Fans of this director should try and catch his debut, as it casts its shadow over much of his later work.
Based on an actual event, Lynch's niece had a nightmare where she recited the alphabet in her sleep, this film is basically the same thing, with a young woman reciting the alphabet in her sleep while we see nightmarish imagery.
Its an interesting piece with truly frightening images. Unfortunately the animation isn't all that spectacular, consisting of animated drawings. Its a good piece that mostly works and shows the seeds of the later Eraserhead.
If you come across one of the short film videos of Lynch's early work this film, and one or two others, makes it worth renting.
Its an interesting piece with truly frightening images. Unfortunately the animation isn't all that spectacular, consisting of animated drawings. Its a good piece that mostly works and shows the seeds of the later Eraserhead.
If you come across one of the short film videos of Lynch's early work this film, and one or two others, makes it worth renting.
VERY weird short by David Lynch. It's in black and white and shows a girl who looks like she's going completely mad while the letters of the alphabet go flying around her. She also sings that alphabet song.
I should have expected something weird from Lynch but this is even stranger than I thought it could be. In 4 short minutes he gives you a morbid and disturbing little story about the alphabet and terror. It doesn't make a bit of sense but the imagery is so strange and the sound so odd that you're pulled right in. Basically a short little horror film. You can see where "Eraserhead" came from. Worth seeing but only for those who don't scare easily. An 8.
I should have expected something weird from Lynch but this is even stranger than I thought it could be. In 4 short minutes he gives you a morbid and disturbing little story about the alphabet and terror. It doesn't make a bit of sense but the imagery is so strange and the sound so odd that you're pulled right in. Basically a short little horror film. You can see where "Eraserhead" came from. Worth seeing but only for those who don't scare easily. An 8.
क्या आपको पता है
- कनेक्शनEdited into The Short Films of David Lynch (2002)
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