Man in a Suitcase

McGill mostly drove a Hillman Imp (green and red), but was so cool that he could do that and not appear bland. I think it's a huge credit to the producers that they chose an Imp for McGill. A flashier car would have detracted from his character a great deal.

My very first car was a 1966 Hillman Imp and I felt really cool in it too.

The other thing I liked about Lew Grade's 1960s TV series is that the main characters - except The Saint - usually drove British cars, which for me made them more real.

According to an interview I saw recently with Johnny Goodman (production manager on The Baron) no British manufacturer would donate a car for Simon Templar - not even Jaguar. Hence that VOLVO P1800, which started moving out of showrooms real fast shortly after its film debut.

Obviously British car manufacturers in the 1960s weren't as clued up about how this kind of product placement could do wonders for their sales figures.

I have recently seen all the episodes of Man in a Suitcase again and I must say that they look as hip today as when I first saw them in 1967 as a boy of ten on black and white TV. In fact - they look even fresher in colour.

There's no doubt that Man in a Suitcase was/is a true classic.

Richard Bradford in the 60s was the Steve McQueen of TV, laced with a healthy dose of Marlon Brando. It's a real pity we only got to see him in one series of this excellent series before he disappeared into limbo land for nearly 20yrs, re-emerging to appear in films like 'The Untouchables' and the under-rated 'Mean Season'. Bradford's performance as McGill carries this series from start to finish and is the reason it is the least dated of the ITC stable. McGill is a real person ... vulnerable, prone to mistakes but never giving less than 100 per cent for the right cause. No super heroic 'Champion' - like exploits for him. The stories vary in quality but Bradford is the core to all of them and his on screen persona carries them off with credibility intact. It is good to see that an excellent 8 disc DVD set (inc extras) is available worldwide with a UK edition coming in August 2005. Dip deep into your pockets (the distribution companies know the value of this series and have raised the price considerably) and enjoy the best PI series ever made.

The most realistic and gritty of all the 1960's ITC thriller series and one of the best. If The Saint did it with suavity, The Champions with super-powers, Jason King and his Department S colleagues with camp panache and Randall and Hopkirk with supernatural powers, McGill, a CIA outcast trying to make a living as a private eye in mid-60's England, just did it. With no fuss or flashiness, Richard Bradford's anti-hero and his "have gun will travel" policy took him into adventures more believable and down to earth than those of his stable-mates.

In this pilot episode for example, McGill gets waylaid by a deposed white African leader who wants him to reveal how back in his CIA days he assisted with that country's revolution with the ultimate aim of deposing the present government and re-establishing white government over the locals. Given that the British government of the time was having well-publicised disputes with former colonies in the African continent, there's a strong whiff of topicality about the narrative, only bolstered further by the use of forced interrogation techniques redolent of "The Manchurian Candidate" and "The Ipcress Files" to name but two. It's pretty obvious to say also that both these themes are still very much in the news today.

The silver-haired Bradford is excellent as the laconic, friendless, endlessly cynical McGill. This episode was crisply directed by celebrated Ealing director Charles Crichton (later to direct "A Fish Called Wanda"). Yes, you will see various guest stars from the supporting cast of most of the afore-mentioned shows not to mention sets, cars and now and again variations on the same story too. Indeed McGill's anti-Establishment stance is not too far away from the daddy of all 60's TV rebels, Patrick McGoohan's "The Prisoner".

"Man In A Suitcase" (which incidentally boasts another great Ron Grainer theme) may not have aimed quite as high as McGoohan's tormented odyssey but this was solid entertainment and very good quality stuff of its kind, one of the best adventure series of the 60's I'd say.

Only one actor is listed as a regular cast member and that is Richard Bradford who starred as the man and his suitcase, McGill. That, and his wits, were all that were left to him after the CIA kicked him out to fend for himself. McGill had a rougher ride in this series than any other spy or investigator before or since and, to his credit, Richard Bradford made sure it showed. The effort he put into his characterisation, the generally high level of the supporting cast, writers and crew which backed him up, was well worth it as, over thirty years, later this series is still as fresh as the day it first aired. I am glad I found it, and I can't stop watching it.

Richard Bradford is mesmerising to watch as McGill and throughout the series he is consistently good, never giving less than his best so a lot of the credit for the success of this series must surely go to him. He has made many appearances in films and on t.v. in character roles since which shows his scope as an actor, but I believe his talents deserved better. The star of Man In A Suitcase is surely the one that got away.

Man in a suitcase follows the exploits of an American in London and Europe after her get kicked out of the CIA. I first came across this show on a day time TV run years ago and watched it expecting something cheesy. I was very pleasantly proved wrong and having been trying to buy or tape as many episodes as I could get my hand on ever since.

Although produced by Lew Grade's ITC company, it shares little in common with stablemates such as "Champions", "DangerMan" or even "The Prisoner". What made it different was the quality of the plots, the acting (especially Richard Bradford's)and the way it managed to combine elements of glamour and gritty realism...oh, and the title music (although all ITC shows had good title music and sequences).

An excellent series.