Hawaii Five-O

Although the plots and stories trailed off a little in quality near the end of the series, 'Hawaii Five O' in its prime was a remarkable example of how to do a television show right. It had a lot a factors going for it : Spectacular opening and closing credit sequences, a grabber of a theme song, exotic locations, a charismatic lead actor who had great hair and knew how to work it, and a racially diverse and intriguing supporting cast.

The series creator took a chance and had Jack Lord play McGarrett as a hard-nosed, hard-driving tough guy instead of a "Teddy bear" type, but this worked because McGarrett was so obviously committed to his job and to "Law And Order" that his brilliance and energy won the audience over, and in fact made them like him even more than if he had been played as a "Basil Rathbone Sherlock Holmes" character.

But the thing that sets Five O apart in my mind, is that whoever was in charge of story and script quality really knew their stuff and were allowed to do their job. H50 episodes had remarkably tight and internally consistent plots and screenplays. The screenplays always played fair with the audience, and almost always featured extremely clever plot devices, gimmicks or MacGuffins that made you admire the deviousness and ingenuity of the characters who were trying to do bad things under Five-O's watchful eye. And McGarett and his staff would scramble against a deadline to understand the gimmick and solve the mystery or the heist or the caper before the 'bad guys' could get away with whatever they were planning. And each episode was directed and edited with crispness and energy that kept everything moving and wasted no screen time.

Many times things were so interesting that the hour long show seemed to be over almost as soon as it started. You can't give a police detective show a much higher compliment than that. To manage to pull this off for so many years was a remarkable achievement.

Three cheers for "Hawaii Five O" and the people behind it. It holds up as one of the high water achievements of television drama.

Outside of Jack Webb I don't think you could make a better case for a cop being totally professional than with Jack Lord as Steve McGarrett. Even with Webb you got hints of a private life usually in the squad car as he and Ben Alexander or later Harry Morgan rode around between locations on an episode. In fact usually TV series last because of various personal dimensions gradually introduced into a series for the characters.

But in Hawaii 5-0, never. Lord was appointed by the Governor of Hawaii to head a special state police force to really go after the high level crooks. His jurisdiction was pretty well anywhere he wanted it. I never saw any complaints from Honolulu PD or any other local police entity about it in the 12 years Hawaii Five-0 ran.

Lord had a picked team with James MacArthur, Kam Fong and several other local players from Hawaii as other police assigned to him. Richard Denning made some appearances every so often as the governor. In fact MacArthur as Danny Williams was the guy that McGarrett ordered almost every week to 'book 'em Danno' in the show's most celebrated catchphrase.

Hawaii Five-0 had three great things going for it. The first was Hawaii itself. I for one can't get enough of the scenery. It's the most beautiful place on the planet and that's on several different levels. I don't the show would have lasted twelve seasons if it was done in East St. Louis.

Secondly the writing was extraordinarily good matched by the editing. I don't recall a frame of extraneous film in any given episode. Like McGarrett and his team, every show got right down to business and moved.

Lastly it was Jack Lord who created a character that solely and totally focused on his job. Normally those are not warm and fuzzy people, but the absolutely incorruptible Steve McGarrett was a guy that any citizen would want to know is serving and protecting. Even if he didn't seem to have a personal life.

To live and work in Hawaii, it doesn't get better.

Th e1970's was often called the age of tv cop shows. You had shows like, Police Story, Cannon, Columbo, Toma, Baretta, The Streets Of San Francisco and Joe Forrester. However, Hawaii Five O was the grandaddy of them all. This show ran longer then any other police show in tv history, from 1968 to 1980, we all watched Steve McGarret unmask the villian and solve the mystery (oh and also to bark "Book 'em Danno" at the end of every episode. I am going to tell you something about Jack Lord that is not generally well known, I learned this from one of Paul Harvey's "The Rest Of The Stories". Although his role as the hard hitting cop would suggest he was anything but sensitive, Jack Lord was really a very different man in real life. He was an artist and a very sucessful one as well and it wasn't because he was a tv star. Five of his paintings are in the famous Metropolitan Musuem of Art in New York City. People have paid fortunes for them! As a student Lord won numerous awards for his art and people have paid fortunes for even his simplist watercolors. Lord often quoted Sean O'Casey and said "Let us find a way to spin joy into every moment of tomorrow's day". As Steve McGarret Lord was almost like a modern day knight. All the tv cop shows since in a way owe their sucess to him. He set a standard that will never be equalled.

I have been watching this show since I was 8 years old. I remember watching its final episode in 1980(when I was 14 years old). And its still on in syndication some 20 years later after it went off the air. For the astounding 13 seasons that it ran on CBS-TV(from 1968-1980),and again as a very short lived series called "McGarrett"(when Jack Lord's character leaves 5-O to become a private investigator),its no wonder why in point the shows still leaves viewers on the edge of their seats,and at the end its McGarrett telling his partner after he catches the bad guy or super villain to "book'em,Danno...murder one". This show set the standards today for all cop shows that were to follow it,and it still holds up. Kudos to the legendary Jack Lord(who died two years ago on his resort in Hawaii),and series creator Leonard Freeman who were the first to put Asian-Americans and other minorities in non-stereotypical roles(which followed the same format that producer Sheldon Leonard used when he put Bill Cosby as the first African-American in a starring role in "I Spy" four years earlier in 65). One of classic TV cop shows of the late 1960's and throughout the remainder of the 1970's,and it shows. Catch the reruns.

Can't believe I am the first one to put in some comments on this show! Great show! Loved the cast, the action, the scenery, one of my biggest childhood TV memories is watching the big wave curl over the name of the show. (McGarrett always looked like Elvis, by the way, didn't he? They were pals, if you didn't know..) I felt bad when Jack Lord died a couple years ago, he was much older than I would have guessed...77 was it?

Anyways, one of the better, more durable shows of the era, kind of think of Kojak or Cannon whenever this comes to mind; I hope to see it in reruns again sometime.