The War Wagon

John Wayne and Kirk Douglas appeared together in three films between 1965 and 1967. First off was "In Harm's Way" in 1965, then the ensemble picture that was "Cast a Giant Shadow" in 1966. Then came this film, their first Western, and sadly their last outing together. Sadly because The War Wagon shows a real genuine chemistry between two men who were very different socially; but on screen they clearly had regard for what each one gave to a movie. Directed by Burt Kennedy and coming out of Wayne's own Batjac Productions, The War Wagon centres around two old friends (some what grudgingly it seems) who plan to rob the vehicle of the title. An armoured stage coach, resplendent with Gatling Gun, manned front middle and centre with crack shot gunmen, and full of gold, lots of gold! Adding fuel to the fire is that the Wagon is run by a man called Frank Pierce (Bruce Cabot), who stole Taw Jackson's (Wayne) ranch as he "cough-cough" served time in jail. Further upping the intrigue is that Pierce wants to hire known gunman Lomax (Douglas) to kill Jackson, oblivious that the two men are plotting to rob him.

If that all sounds like a caper movie then you would be right, because it is, and a splendid one at that. A caper movie in a Western setting, lusciously photographed by Duke Wayne's favourite cinematographer, William H. Clothier at Durango in Mexico, and rattling along at a fair old clip. Support comes in the form of Howard Keel (a humorous turn as Indian Levi Walking Bear), Robert Walker Jr, Keenan Wynn, Valora Noland and look out for Bruce Dern in a short but effective role. We got quips aplenty as the two machismo fuelled stars play off each over with glee, we got one almighty punch up that had me personally laughing out loud and for those that like good stunt work, well we are well served there also. It's also a film to note because it sees Wayne playing a baddie, an ex convict leading an odd bunch of robbers, driven by revenge and greed. A role that by the looks of it, Wayne loved immensely. So saddle up folks, and as soon as you hear the quirky strains of Ed Ames' warbling "Ballad of The War Wagon," you should know you are in for a smashing little treat. 7/10

Take the idea of gold shipment transported by an impenetrable vehicle, armored, armed and escorted by a team of armed guards. Your goal, rob it.

Sounds like another bank job/caper flick starring Nick Cage or taking place in Vegas? Sure! But, make it an old time western, then cast John Wayne, Kirk Douglas, Bruce Cabot, Bruce Dern, Keenan Wynn and Howard Keel as a Jewish Indian and you have the makings of a classic.

The War Wagon, complete with catchy title tune, is another notch in the Duke's gun for being dead on target for what his fans crave: A solid, stoic hero, framed, robbed of all his possessions and jailed by an evil banker (Cabot), he is released and vows revenge by stealing his regular gold dust shipment. The problem is that the gold is transported in the title vehicle, an armored stagecoach with gattling gun mounted on top; an unstoppable juggernaut escorted by two teams of riflemen and riders. Throw in Kirk Douglas as an old friend who's been hired to kill him, a drunken, shaky nitro expert, played by the ever pre-pubescent looking Robert Walker Jr., a half Jewish/Half-Indian compadre (Howard Keel), a bitter, miserly thief (Keenan Wynn), his young, enslaved wife (a luminescent Joanna Barnes, also a "Spartacus" alumni)), toss in typical Western scum like Bruce Dern, and you have a high adventure caper flick that will keep you entertained for the length of the picture.

The on-screen magic of Wayne and Douglas is never in better form than here, with all the usual hijinks the stars can pack into this epitome of the Saturday Matinee Action movie before they became techo-terrors of dueling visual effects.

The chemistry between John Wayne and Kirk Douglas really came through. Howard Keel was very good as an Indian trying to move with the times. Great photography of the scenery around Durango, Mexico. Should be considered a John Wayne classic.

I believe you would have to say that this is the first time John Wayne was not on the side of law and order in a movie since Three Godfathers. Between then and The War Wagon, a past that is less than savory has been hinted at, but only in The War Wagon has it been explicitly said he's an outlaw.

An outlaw with revenge on his mind. He's going rob Bruce Cabot, the slimy villain who's taken over his ranch and discovered enough gold on it to make him a rich man.

This is a caper film, maybe the only one Duke ever made. Though it might not come to mind, this film is definitely in the tradition of Topkapi and How to Steal a Million. Granted the comedy isn't exactly highbrow like the other two films, still the War Wagon is an honorable addition to that genre.

Helping Wayne along in his enterprise are Kirk Douglas a gunfighter/ safe-cracker, Howard Keel a cynical Indian, Robert Walker, Jr. a young alcoholic explosives expert and Keenan Wynn an old codger who works for Bruce Cabot and is essentially their inside man.

Kirk Douglas in his memoirs The Ragman's Son held the Duke in enormous respect even though their political views differed radically. The three films they did together show the good camaraderie they developed.

The title of the film refers to an armored vehicle with a Gatling gun that Bruce Cabot uses to ship gold. I won't say what the plan is on how the War Wagon is dealt with, but anyone who has watched the George Marshall/Glenn Ford film, Imitation General, will have some idea.

A good entertaining John Wayne western which is as good as it gets.

Framed ex-con/rancher Taw Jackson (John Wayne) is out for revenge. He plans to steal the title vehicle and $500,000 in gold, which belongs to Frank Pierce (Bruce Cabot), the man who framed him and stole his land. To help him carry out his plan, Jackson recruits gunfighter Lomax (Kirk Douglas); Levi Walking Bear (Keel); explosives expert Billy Hyatt (Robert Walker Jr.); and inside man Wes Catlin (Keenan Wynn). Nothing goes exactly as planned, and there are enough twists and turns along the way to keep the film from being a bore.

Keel walks off with the acting honors with his parody of the Indian sidekick of the hero. Wynn yells like he's being paid by the decibel. Walker Jr. is sincere and occasionally funny. Douglas and Wayne's scenes together play like duels to see who can steal the scene.

This film boasts one of Dimitri Tiomkin's last scores. William Clothier (photographer of 1960's "The Alamo" and 1964's "Cheyenne Autumn") did the very good cinematography. This is not one of either Wayne's or Douglas' best, but it is good enough to warrant a watch. Made by Universal, this is one of the few pre 1970 (heck, pre 2000 for that matter) films of any genre that AMC (Always More Commercials) still plays.