The Way West

Three hunky guys for the price of one - yes, please! I couldn't wait to watch The Way West, starring Kirk Douglas, Robert Mitchum, and Richard Widmark. Can they get any cuter? Bob has adorable shaggy hair and a carefree attitude as he leads the wagon train through difficult territory, Dick has his signature blond locks and crooked smile, and Kirk is orderly, wealthy, and knows what he wants.

Every wagon train movie is going to have its hurdles, like snakebites, Indians, water shortages, or sabotage. I won't tell you what happens in this movie, but it is very exciting with lots of twists and turns along the way. There are some moments that make you want to cringe as certain characters make mistakes, but your involvement is the sign that it's a good movie. Not everyone's going to get a happy ending, but it's realistic for that time period. When people decided to pack their covered wagon and head west, they didn't know what they'd find or if they would even make it there at all. As the saying goes, you find out what you're made of when the chips are down. When your wagon floods in the river and you lose all your supplies, when your spouse dies and you're frightened of making the journey alone, when Indians surround the train and aim their arrows, what will you do? To find out what these characters do, rent this entertaining adventure flick. There's more than enough eye candy to keep the girls happy, and guys will love the rough and tough surroundings. Plus, it's Sally Field's first movie, playing against type as a loose woman.

This motion picture is based on the Pulitzer-winning novel by A. B. Guthrie. It starts in Independence, Missouri, 1843, senator William(Kirk Douglas) asks volunteers to unite themselves towards Oregon. Among them find the Evans family, formed by Lije(Richard Widmark) his wife Rebecca(Lola Albright) and their son Brownnie; the justly married Johnnie and Amanda Mack and various traders from Independence. Kirk Douglas join forces with Robert Mitchum, as a taciturn explorer, he's a supreme hero in a performance that epitomises the spirit of the early West at least as Hollywood saw it.

The American West has a turbulent and mighty history , some of which is told in story and folk songs . Here is a panoramic view of the American West, concerning on the dangers, hazards, travels and tribulations of pioneers set against the background of breathtaking landscapes and risked deeds, including Indians attack and one deeply cliff. Particularly impressive for its notable cast list and expansive Western setting. Any Western that play stars such as Kirk Douglas, Robert Mitchum, Richard Widmark and Sally Field -film debut- is at least worth a glimpse. Furthermore a magnificent secondary casting, as Jack Elam, Stubby Kaye, John Agar, John Mitchum, among others. Sadly this epic Western doesn't hold up that well on TV set because was released on the great screen and much of the grandeur of the original version is lost. But Shootém-up and spectacular scenarios fans won't want to miss a chance to see many of the genre's greats in one movie. This is an epic movie , photographed in gorgeous Technicolor by William Clothier- John Ford's usual cameraman-, adding lustre on the groundbreaking sweep, along with an emotive musical score by Branislaw Kaper. The film is splendidly filmed on locations in America's National forests and professionally directed by Andrew W McLagen.

This film begins with a prominent former U. S. Senator by the name of "William J. Tadlock" (Kirk Douglas) trying to persuade a trapper and scout named "Dick Summers" (Robert Mitchum) to help lead a caravan full of settlers in Missouri through hostile Indian country on the way to Oregon. Although Dick Summers is initially reluctant due to his continued grieving over the death of his wife two years earlier, he eventually gets worn down and accepts the job. And although he figures he will have to deal with different personalities in this particular wagon train, what he doesn't realize is just how difficult it will be to accomplish to work with a man as mean and tyrannical as William J. Tadlock making all of the decisions. Now rather than reveal any more I will just say that this film started off as one of those fairly standard Westerns but turned out to be quite entertaining due in large part to the presence of some of top-notch actors along with a couple of surprising developments along the way. One specific situation included a promiscuous young woman named "Mercy McBee" (Sally Field) and her interaction with a newlywed man named "Johnnie Mack" (Michael Whitney) and his frigid bride "Amanda Mack" (Katherine Justice) which then creates all kinds of drama along the way. Be that as it may, I have always enjoyed old-fashioned Westerns and I thought that this was one of the better ones during this particular period of time.

This western is very unusual in that it features three top leading men--Kirk Douglas, Robert Mitchum and Richard Widmark. Now you'd think with all this high-octane masculinity and acting that this would be a terrific film, well, you'd be wrong. While it isn't a bad film, it does suffer from a thoroughly adequate script--one that never seems to deliver the goods.

Douglas plays an ex-senator bent on starting the first white colony in Oregon in 1848. The problem is that he's not exactly 'Mr. Personality'--and his abrasive and autocratic ways rub everyone in the wagon train wrong. Can he get them all to his promised land or will the folks ditch him and make for California? Tune in and see.

For the most part, this is a pretty ordinary drama about settling the West. As for Douglas, he overacts more than usual (and what's with that whipping scene?!?!). Widmark's character is inconsistent and underwritten. The only lead who comes off well is Mitchum--as a weary Kit Carson-type. Aside from being pretty ordinary and predictable, the film did have a few pluses. There was nice cinematography and as a history teacher, I appreciated how they showed lots of mules, oxen and cows pulling the wagons--whereas most films only show horses (a mistake). But this isn't enough to raise it above mediocrity.

This film is fairly anachronistic for 1967. It's attitudes are much more set in 1957 or earlier, although considering our cynical world, some of those attitudes, especially the ones about young and old love are quite charming.

The film is astounding for its three stars and the cinematography is stunning. This film has that old Hollywood top film stock quality, which shows in the brilliant compositions and frequently amazing scenery. So despite the tragedy, you get the impact and drama of the untouched nature that the first settlers must have felt.

There's also a good deal of tragedy along the way, which makes the film have veritas more akin to the late 60s or 70s. The treatment of Native Americans is actually quite reasonable, even beautiful, in parts, minus a terrible throwback scene of drunken Natives requesting alcohol for a toll, but don't let that one offense put you off the picture entirely. Fact is, it's probably not even possible to get a favorable film made now of Western settlers in the American West, which is a shame, because it is an incredible story, despite its now well-documented genocidal effects on the indigenous nations of what was to become the USA.

I'm not surprised I haven't heard of the film, because one could take this as a whitewash, but I was surprised by some modern scenes it includes. I'm a bit disappointed it's not better known, because it's pretty solid, if also at times uneven and unrealistic. I wouldn't brand it as severely cliched as some others have though. It's a hybrid of a sanitized Western with something considerably deeper and rougher. Widmark, Mitchum, and Douglas all play to their types, but Douglas actually ventures into less heroic territory than is his usual assignment. Mitchum phones it in a bit, but remains charismatic as always, and his role makes a fair amount of sense.

The impact of all three of these great actors can't be overstated, not to mention an excellent supporting cast, including some who are quite effective at reminding one of a time when people actually spoke and regaled each other with stories, and didn't barely move and mutter after too much internet and video games. There's a lot in this movie to remind you of times we are so far removed from, that you're really left what happened to the reward and simplicity of human existence before modern technology.

You're also left with some sense of the true tragedy and loss that many of these early settlers endured, though the struggles here are more interpersonal, and not so much against the elements, which is a bit of an oversight, though you are given a sense of the dramatic terrain that had to be conquered. There really aren't many Westerns that focus on the settlers, without gunslingers, so this movie is uniquely worth seeing in that regard.