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Valley of the Dolls

  • 1967
  • PG-13
  • 2 घं 3 मि
IMDb रेटिंग
6.0/10
10 हज़ार
आपकी रेटिंग
Patty Duke, Susan Hayward, Sharon Tate, and Barbara Parkins in Valley of the Dolls (1967)
Trailer two
trailer प्ले करें3:22
4 वीडियो
99+ फ़ोटो
ड्रामाम्यूज़िकरोमांस

अपनी भाषा में प्लॉट जोड़ेंFilm version of Jacqueline Susann's best-selling novel chronicling the rise and fall of three young women in show business.Film version of Jacqueline Susann's best-selling novel chronicling the rise and fall of three young women in show business.Film version of Jacqueline Susann's best-selling novel chronicling the rise and fall of three young women in show business.

  • निर्देशक
    • Mark Robson
  • लेखक
    • Jacqueline Susann
    • Helen Deutsch
    • Dorothy Kingsley
  • स्टार
    • Barbara Parkins
    • Patty Duke
    • Paul Burke
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.0/10
    10 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Mark Robson
    • लेखक
      • Jacqueline Susann
      • Helen Deutsch
      • Dorothy Kingsley
    • स्टार
      • Barbara Parkins
      • Patty Duke
      • Paul Burke
    • 190यूज़र समीक्षाएं
    • 74आलोचक समीक्षाएं
    • 49मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • 1 ऑस्कर के लिए नामांकित
      • 6 कुल नामांकन

    वीडियो4

    Valley of the Dolls
    Trailer 3:22
    Valley of the Dolls
    Valley of the Dolls
    Trailer 1:31
    Valley of the Dolls
    Valley of the Dolls
    Trailer 1:31
    Valley of the Dolls
    Valley of the Dolls
    Clip 0:27
    Valley of the Dolls
    Valley of the Dolls
    Clip 0:11
    Valley of the Dolls

    फ़ोटो184

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
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    + 178
    पोस्टर देखें

    टॉप कलाकार99+

    बदलाव करें
    Barbara Parkins
    Barbara Parkins
    • Anne Welles
    Patty Duke
    Patty Duke
    • Neely O'Hara
    Paul Burke
    Paul Burke
    • Lyon Burke
    Sharon Tate
    Sharon Tate
    • Jennifer North
    Tony Scotti
    Tony Scotti
    • Tony Polar
    Martin Milner
    Martin Milner
    • Mel Anderson
    Charles Drake
    Charles Drake
    • Kevin Gillmore
    Alexander Davion
    Alexander Davion
    • Ted Casablanca
    • (as Alex Davion)
    Lee Grant
    Lee Grant
    • Miriam Polar
    Naomi Stevens
    Naomi Stevens
    • Miss Steinberg
    Robert H. Harris
    Robert H. Harris
    • Henry Bellamy
    Jacqueline Susann
    Jacqueline Susann
    • First Reporter
    Robert Viharo
    Robert Viharo
    • Director
    Joey Bishop
    Joey Bishop
    • MC at Telethon
    George Jessel
    George Jessel
    • MC Grammy Awards
    Susan Hayward
    Susan Hayward
    • Helen Lawson
    Dionne Warwick
    Dionne Warwick
    • Theme Song Singer
    • (वॉइस)
    Sherry Alberoni
    Sherry Alberoni
    • Neely O'Hara
    • (वॉइस)
    • (बिना क्रेडिट के)
    • निर्देशक
      • Mark Robson
    • लेखक
      • Jacqueline Susann
      • Helen Deutsch
      • Dorothy Kingsley
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं190

    6.010.3K
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    फ़ीचर्ड समीक्षाएं

    Boyo-2

    The best of its kind

    This movie is the greatest example of 'camp' that Hollywood ever produced. It is hysterical, stupid and lame, but you cannot take your eyes off the screen for a second. The casting is questionable (Patty Duke cannot sing, Parkins cannot do drama and I cannot badmouth Tate, but...), but the greatest legacy is Susan Hayward as Helen Lawson, the biggest bitch in the world. No one spits out a swear word or an insult like Hayward!
    7drguitar20783

    This movie is worth seeing for one beautiful reason

    This movie truly is badly done and campy. However, there is one good reason to watch it: Sharon Tate. She was truly one of the screen's all time beauties (if you disagree at first, name someone prettier =)

    She is not a bad actress either and did her best with the forced, artificial dialog. Overall the movie has virtually no suspense or drama or tension it just chugs along predictably with one badly written scene after another. Then all of sudden Wham! Sharon appears and you stop caring about the worthless "plot" and watch her. She steals all her scenes and makes the other actresses invisible.

    All in all its a bittersweet vehicle for an extraordinarily lovely woman who met a very violent and tragic end.
    7Tulsa90

    Better Than User Comments Suggest

    In spite of the harsh user comments regarding this film, it is an entertaining and thought provoking late 1960's film. The criticism of Patty Duke's performance seems to me to be at least somewhat unfair and exaggerated. In my opinion, she does an admirable job with her character and handles the role of a star who is struggling with the pressures of fame. It is really quite uncomfortable to watch this film in the present day, if one already is keenly aware of the horrible fate that is in store for Sharon Tate, at the hands of Charles Manson's drugged-out groupies. Not a great film, but much better than the users here would have you believe.
    Lechuguilla

    Don't Let This Happen To You

    Viewers who like this film like it mostly because it is such a campy mess. Its main entertainment value lies in the unintended humor that results from cinematic incompetence. The main problem is the screen story.

    For one thing, the character arc of Neely O'Hara (Patty Duke) is totally not credible. She's a singer who can't sing. Yet, she inexplicably goes from rags to riches on her singing ability alone. In the process, her personality morphs from sweet young thing to jaded and embittered has-been who barks and scowls at everything and everyone. Pills or no pills, her transformation does not ring true.

    In addition, the film's poor plotting renders a story that is at times muddled. The plot darts and flits from one girl to the next; it spurts and sputters in a disconnected sort of way, without viable transitions. And some scenes are included evidently just to convey story exposition. A big part of the on screen time for the Jennifer character (Sharon Tate), for example, consists of three separate, and awkward, phone conversations with her mother. Other methods of explaining detail and advancing the plot would have worked better.

    And the film's dialogue is campy, simply because it contains almost no subtext. It's so in-your-face, so lacking in subtlety, that some of it just reeks of junior high school theatrics.

    Aside from the screen story, the overall acting is not very good. Patty Duke, in particular, is just downright awful. She shouts, she screams, she exaggerates her facial expressions in ways that are totally out of sync with the dialogue and the plot.

    And the film's musical numbers are something else, especially when Susan Hayward attempts to lip sync a ghastly song called "I'll Plant My Own Tree", surrounded on stage by brightly colored fake leaves that whirl around her. The sequence is made even more ludicrous because the audience cheers wildly at the awful performance.

    I guess I can't really fault the visuals, since bright colors were so trendy in the 1960s. Still, the visuals do make the film look dated. Those garish costumes and hairdos, that garish makeup, and that garish decor provide just one more reason to sneer at the film.

    The only thing worthwhile here is the appearance of lovely Sharon Tate. And the film's sad theme song is professionally done. Otherwise, apart from its unintended humor, "Valley Of The Dolls" is suitable mainly as a lesson for aspiring filmmakers. In a book on film-making, this film could head the chapter: "Don't Let This Happen To You".
    Vince-5

    "My beautiful little dolls. Just one...and one more."

    The film adaptation of Valley of the Dolls is stupid, empty, overly melodramatic...and a lot of fun!

    Jacqueline Susann's 1966 novel is my all-time favorite, and her gritty, glossy pulp material was severely diluted for the big screen. That is the main problem. Too many punches are pulled, the characters are sweetened up, and a completely ridiculous happy ending (which Jackie hated) is substituted for the book's bleak, satisfying conclusion. Mark Robson's film has none of the spirit of its basis.

    With that out of the way, the movie is very enjoyable for what it is: An unintentional laugh riot. The dialogue is hilarious and eminently quotable--"Boobies, boobies, boobies! Nothin' but boobies! Who needs 'em? I never had any! Didn't hurt me none!" Most of the supposedly "dramatic" and "touching" scenes are a scream. Patty Duke is priceless as the speech-slurring, tantrum-throwing, self-destructive Neely O'Hara. Watch her flailing around during the "It's Impossible" number; notice the embarrassing position of her beads. Barbara Parkins seems to have taken one Seconal too many before shooting, as she appears to be completely anesthetized. Susan Hayward gets to bellow a lot, fight with Duke, and get her wig thrown into a toilet in the most famous scene. The only one who comes off really well is Sharon Tate, a talent who never got the attention she deserved in life. Hers are the only genuinely affecting moments in the film, especially her final scene.

    The candy-colored photography is good, beautifully capturing the glossy red capsules taken at every turn. The hair and fashions are glamorous--and so is the hairspray can! Dionne Warwick sings the beautiful theme, and the rest of the songs are enjoyably silly. I have the soundtrack LP--TWO copies! In conclusion, the ultimate camp classic! I'm off to take another doll now....

    इस तरह के और

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    6.1
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    12 + 1
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    5.5
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    6.1
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    7.0
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    Reprisal!
    6.6
    Reprisal!
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    3.7
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    Valley of the Dolls
    6.7
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    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Director Mark Robson had a very combative relationship with all his actresses, particularly singling out Sharon Tate for his harsh treatment. Patty Duke hated working with him, and years later, after his death, still called him "a mean son of a bitch".
    • गूफ़
      When Neely is tap dancing on the table, shown by her shadow on the wall, the shadow does not reflect a pony tail, but when she jumps down, she has a pony tail.
    • भाव

      Neely O'Hara: Boobies, boobies, boobies. Nothin' but boobies! Who needs 'em? I did great without 'em.

    • कनेक्शन
      Edited into Intimate Portrait: Patty Duke (2001)
    • साउंडट्रैक
      Theme from Valley of the Dolls
      Music by André Previn

      Lyrics by Dory Previn

      Sung by Dionne Warwick

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल17

    • How long is Valley of the Dolls?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 13 दिसंबर 1967 (कनाडा)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषाएं
      • अंग्रेज़ी
      • फ्रेंच
    • इस रूप में भी जाना जाता है
      • El valle de las muñecas
    • फ़िल्माने की जगहें
      • Redding Center, कनेक्टिकट, संयुक्त राज्य अमेरिका(Welles' Home in Lawrenceville)
    • उत्पादन कंपनी
      • Red Lion
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $46,90,000(अनुमानित)
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 2 घं 3 मि(123 min)
    • रंग
      • Color
    • पक्ष अनुपात
      • 2.35 : 1

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