She Freak

A "waitress" named Jade dreams of a better life. Her chance at living her dream arrives in the form of a carnival. Indeed, Jade soon becomes a carnival "waitress".

One day, Jade wanders into the freak show tent, and, filled with hatred and revulsion, she sets out to treat them with disdain. As Jade's star rises, she winds up in charge of the entire carnival, unaware that the freaks she so despises have had enough of her tyranny.

Sort of a ham-handed "remake" of FREAKS from Director Tod Browning, SHE FREAK lacks every quality that made Browning's film a classic. It's cheapness is no excuse for the overall dullness of the production.

On the upside, if you love carnivals, this movie does use a near-documentary approach to show carnival operations in all their glory...

(1967) She Freak DRAMA/ HORROR

Doesn't consist much of a plot, but much of the film consists of major carnival set ups with cool old slow Jazz score either from the "Modern Jazz Quartet" or "Dave Brubeck"- take your pick, even when no actual real music artist or group's been credited except some 'nobody' in charge of providing the music, I guess because the budget was so low, they couldn't afford to pay any royalties to anyone else except their own! Anyways, don't let the title of this film fool you for according to some areas, it's labelled as a 'horror film' but in my opinion, it's quite the opposite! Well made as a 30 minute stint, for the real story actually occurs near the beginning of this picture after showcasing much of the carnival, turning to the 'freak show' tent area showcasing peoples faces of total shock and horror( and a crappy job they did as well) after seeing something without showing the audience what it is. Motivating viewers to be curious why that is, showcasing the rest of the film why and how this particular person became a 'she freak' hence the title. And what's interesting is that it attempts to look like a bad dream, but with the low budget look and the the bad acting and unendless barrage of carnival settings, it may just as well be, as a real snoozefest just to listen to the cool jazz score! People who're aware of director Quentin Tarantino should be able to know, these small low budget exploitation films are more suited to entertain people such as him, but to any other movie goers, it's quite forgettable.

The fact that this movie is a rip-off of Tod Browning's "Freaks" should not be construed as a reason to see it. The photography and acting are bottom drawer, the direction is listless and unimaginative, and writing is rarely sly (or at least it's hard to get any good dialogue out of these actors' mouths). There isn't even all that much exploitation footage here.

What is kind of interesting is the picture of carnival life in the 60s (a period of decline for that art form) it provides. Roustabouts, geeks, carneys, all are presented with some sort of versimilitude.

With a stronger lead actress and a more competent cast/director, this film could at least have been a memorable shock-fest. Instead, it's ultimately forgettable.

I guess I can't complain too much, because for all intents and purposes, I got this movie for free. It came with a 'freaks' boxed set through Something Weird video, along with, among other movies, the classic 80's cheesefest BASKET CASE. At the time, purchasing BASKET CASE in this boxed set actually cost less than it did alone, so hey, a good deal is a good deal. And since I bought it, I gave SHE FREAK a day in court and watched it. Unfortunately, it isn't nearly as interesting as BASKET CASE. It's really only slightly more interesting than watching paint dry.

SHE FREAK is, near as I can tell, the 1960's remake of the classic freak film FREAKS, directed by Tod Browning. Unlike Browning's movie, however, SHE FREAK contains almost no freaks at all. The biggest problem with this movie is that a grand majority of it contains stock footage of carnivals being set up and taken down, shots of random people on rides, and other such mundane images of fair grounds and carnies.

What little story there is revolves around Jade Cochran (the late Claire Brennan), an average-to-homely woman who begins the movie as a coffee shop waitress with high aspirations. After getting fired from her job for not being appreciative enough (if you know what I mean), she finds work at the local carnival, becoming good friends with one of the strippers. She eventually meets and seduces Steve St. John (Bill McKinney) and marries him, although it's made very plain that she's a bit on the easy side, as prior to the marriage she has a little bedroom bam-bam with Blackie Fleming (Lee Raymond), a man egotistical enough to decorate the walls of trailer with his own name in spray paint.

Steve St. John, Jade's new husband, is in charge of the freak show, something that deeply disturbs Jade. See, Jade is a bit on the shallow side, thinking more about the material advantages of marrying a man with money and less about the human side of his work trying to make a life for people who might not otherwise have one. Since Steve isn't the most attentive of husbands, Jade's little fling with Blackie continues despite the marriage. Then, one night, the only freak in the movie--a little person named, appropriately, "Shorty"--sees Jade getting it on with Blackie, and while he says nothing, he makes his dislike of Jade as clear as this script is capable of making it.

Things escalate (so to speak) from here, with Jade becoming increasingly open about her dislike of the unseen freaks. Unfortunately, as an actor, Claire Brennan was as talented as she was attractive, and when she expresses her disgust she does so with a smile that she holds back with painful difficulty. Soon, Steve St. John catches Blackie after one of Jade's indiscretions, the two of them have a fight, and Blackie stabs Steve to death in a very brief and tame fight scene. Jade then inherits the freak show, and runs it with a cold heart, in contrast to Steve, who considered the freaks close friends of his.

Anyway, eventually the freaks catch up to her and deform her in ways that are only possible in the movies, and she ends up becoming the bizarre and twisted creature shown in the SHE FREAK trailers and posters, and the movie ends. That's it. And believe me, this review is far more interesting than the actual movie itself, which should tell you something.

A waitress who has dreams of a better life decides she'd have more fun working for a traveling carnival. Weird choice for a better life, but whatever. Once there, it isn't long before she's courting the rich owner of the carnival freak show. After marrying him, she carries on an affair with the ferris wheel operator behind his back. Everything ends badly for all involved.

This is a pretty poor attempt at a remake of Freaks. Instead of actual character development, the film feels content to give us countless scenes via musical montage. The entire courtship between the lead and the freak show guy is a wordless series of scenes set to music. We also have several lengthy scenes of the carnival being set up and then even more of it being taken down. This is sort of neat to see, but it takes up way too much time. The pointless scenes don't stop there, as we also get a cheesy fight midway through. One guy gets a screwdriver through the hand, which would seem pretty serious, but there are no repercussions.

Leading lady, Claire Brennen (who unfortunately passed away ten years after this film), was actually quite good in the movie. The ending is decent too as the freaks have their revenge and we see what's become of her. I was really surprised to read that Claire had a romantic relationship with the actor who played the sideshow midget that her character is so disgusted by in the film. Good for them.

The film itself is absolutely nothing to write home about. For a better freak-oriented movie, check out Jack Cardiff's The Freakmaker.