The Plank

This film is actually quite good. Eric Sykes and Tommy Cooper are brilliant. But I would say this film is not one I would buy but one that is good to watch on TV.

A myriad of stars usually mean a film is rubbish but this film proves wrong. The stars all have funny little cameo roles that keep you going "ooh I know him" and having to go here to look for them!

This is a hilarious piece of nonsense from a cast of very talented actors/comedians. Eric Sykes is one of the greatest comedy actors/writers that Britain has produced and this film should not be slated because it seems dated by todays standards (it was made over 40 years ago). The plot is simple, the story is simple, but the simplicity of it is its charm. It is a film purely designed to entertain and to make one laugh, it has no message or underlying agenda, other than to bring a smile to people of all ages and nationality. The cast are all masters of their craft, the pick of the 60's comedians, and all 'proper' comedians, they did not have to resort to shock tactics and foul language to get the audiences attention, unlike todays comics. It seems to have stood the test of time, for few people have never heard of it and it has often been referred to a a 'British Classic' .... and deservedly so.

I just happened to tape "The Plank" when it was last shown on British terrestrial television (BBC2 5/12/95) and I've held onto this treasure ever since! My family and I love it to bits.We are however die-hard British 50s/60s/and 70/s-silent film fans, e.g. Futtock's End/A Home of Your Own/Rhubarb Rhubarb etc.etc. One of the main appeals of it is that you don't have to listen to it-it's very easy to watch if you've got young kids doing their own thing in the room with you.(they'll look up every now and then and laugh at certain bits). There is now available a DVD of "The Plank" Uncut which comes out at 51 Min's allegedly; this must go some way to outlining it's obvious popularity. I definitely do not prefer the 70's T.V. remake of this as it is so obviously a dumbed down/going through the motions version.The original is the dog's ........! There is however an interesting angle about the re-make and that is several of the original locations have been re-visited so I habitually acknowledge them all each time I view the re-make(Is that sad or good?) Just had to write an uplifting review as the first review doesn't do this justice and is a tad unfair to me.

This short is very reminiscent of the antics of many of the early silent film stars. Eric Sykes remade this piece in 1979, this time with Arthur Lowe (of Dad's Army and Mr. Men fame)in the role of the larger worker. Whichever version you choose to see, both Lowe and Cooper are very funny to watch, so you really can't go wrong no matter which you view.

Things like the car doors that must be closed at the same time to prevent the other popping open, and narrowly avoiding hitting people when they swing the plank around are straight from the realm of Buster Keaton, Harold Lloyd or even Laurel and Hardy. So if you like classic physical comedy and sight gags, in the vein of the classics, then find a version of The Plank and enjoy with a friend.

Had found this one of the most hilarious things I had ever seen when originally viewed in the late-1960s/early-1970s and I had wondered for years why it was not shown more regularly on British TV. Finally got to see it again when it was tucked away at 11.00 pm - midnight on pre-Christmas viewing schedule. Having now re-watched it, I now know why it enjoys so few showings as it just does not cut it any more. Tommy Cooper is still hilarious (as he always was) just through his physical presence and personality and Jim Dale's appearances and the effects of these are also amusing. Otherwise, though, there is very little going for it. Most of the gags are so predictable you can see them coming miles away and the added tinned laughter others have commented on is just ghastly. The main problem, I found, though was that the TIMING was just atrocious to modern eyes. Sykes was very obviously trying to recreate ( could one say milk?) the heritage of classic stars such as Chaplin, Lloyd and, above all, Laurel & Hardy but does not come within five miles of their talent, especially the latter pair. I think any modern audience (of any age) will find more hilarity and deep belly laughs in virtually any Laurel &Hardy short than in this offering, which now really does belong in the museum of British comedy on film and is only really suitable for viewings by scholars of the genre and others like me (hence the rating) looking back on a much more innocent age and stage of their lives.