Le pacha

First, it is not the policier who you expect. against the same lines, Jean Gabin in a well known role and the last scenes. it is different for a simple reason - because the sentimental side is well developed, because the presence ( and music) of Serge Gainsbourg and for Dany Carrel performance. and for the flavor of a story political incorrect but solide and coherent and seductive. a film about the justice, friendship and choices. useful for old memories. and for the trip in the frame of a period, with its sensitivities, taste and options. a world. like an refuge.

The movie is an unanticipated gem! I was expecting something of a hybrid between A. Delon's "Un Flic" and "Le Samouraï", but this one is fast paced and stylish. I enjoyed the inserts with "hippies" dancing and The Serge cameo, both lending some documentary feel to the movie. It is also one for a fan of coolest mid-century period, with characters carved out of the 40ies b&w gangster movies. Gabin's character is funny, policemen are efficient and gangsters dull-n-dumb: feels good. Music is an added bonus, especially if you pay attention to the words of the song that Serge sings: nice refrain to the plot. In short, great contemporary mix, very entertaining and a bit touching.

This was another Jean Gabin vehicle which often turned up on Italian TV; having decided to check it out, I'm glad I did because it's a pretty good policier!

Despite his advancing age, the star is wholly believable as the dogged Police Commissioner (the "Pacha" of the title) - out to avenge his childhood, albeit shady, friend - who's also something of an amiable curmudgeon. The film features an elaborate daylight robbery sequence - after which one member of the gang eliminates all his associates in order to keep the loot for himself (one of them is pushed inside his car onto thin ice which naturally breaks and engulfs him)! - and is fast-paced, and short, enough to never overstay its welcome. Besides, it's given a tremendous boost by a modern percussion-heavy score by celebrated performer/songwriter Serge Gainsbourg (who even appears as himself during a recording session of the tune heard over the opening credits!).

There's also a hilarious scene in which the old-fashioned Gabin visits a hippie club - in search of a girl (Dany Carrel of MILL OF THE STONE WOMEN [1960]) who, apart from being a fling of Gabin's deceased colleague, is a link to the robbery mentioned above since she's the sister of one of the culprits (now also dead). Therefore, she and Gabin conspire to trap the man responsible for both deeds and the film ends with an indiscriminate shoot-out - punctuated by an ominous organ drone - in an abandoned warehouse (which curiously anticipates the climax of THE FRENCH CONNECTION [1971]!).

To put it mildy ,the screenplay is trite,as old as the hills : a cop wants to do away with a mobster who reigns over the underworld and is responsible for so many deaths it's impossible to count them all.

The interest lies elsewhere ,and there is considerable appeal for fans of the French sixties::first of all Lautner's lines are a delight,one of them (about putting the stupid b.........into orbit ) has become a classic of sorts ; the cast is splendid : Gabin is true to form , André Pousse is given for once a chance to shine as the straight-face ruthless criminal who want to have his cake and eat it;Dany Carrel is simply gorgeous as the naive girl used as a lure......Not only Serge Gainsbourg wrote the soundtrack (essentially based on drums)but the viewer attends a little bit of one of his recording sessions: the best rock/pop songwriter France has ever known smokes when he's singing! Two of his songs are included : the first one ("requiem pour un c......")provides a fitting epitaph for Gabin's friend ;as it it were not enough , it's followed by the de rigueur homage by the well-meaning people who praise a man of honor, a resistant fighter , a great patriot,etc. Gabin ,although part of the establishment , mumbles words that show another side of the departed:then begins a flashback .

There's a darker side to "le pacha" ; both the superintendent ("Le Pacha" ) and his friend were about to retire and for the former it's a journey through the past,("It's a seedy part of the town" says a cop; "thank you, Gabin replies ,I was born and raised around here")

and the plot may seem familiar from a dozen other crime/thriller movies you have seen, but the character is played by an aging Jean Gabin, who does one of his best performances I can recall. The film depicts well Paris night-life, and the dangerous links between clubs, girls, racketeers, and the Police, in a realistic approach to mid-1960's life.