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The Love-Ins

  • 1967
  • Approved
  • 1 घं 31 मि
IMDb रेटिंग
4.4/10
280
आपकी रेटिंग
The Love-Ins (1967)
ड्रामा

अपनी भाषा में प्लॉट जोड़ेंA college professor resigns in protest to the dismissal of student underground newspaper workers and later joins their "hippie movement" and becomes their "Messiah."A college professor resigns in protest to the dismissal of student underground newspaper workers and later joins their "hippie movement" and becomes their "Messiah."A college professor resigns in protest to the dismissal of student underground newspaper workers and later joins their "hippie movement" and becomes their "Messiah."

  • निर्देशक
    • Arthur Dreifuss
  • लेखक
    • Hal Collins
    • Arthur Dreifuss
  • स्टार
    • Richard Todd
    • James MacArthur
    • Susan Oliver
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    4.4/10
    280
    आपकी रेटिंग
    • निर्देशक
      • Arthur Dreifuss
    • लेखक
      • Hal Collins
      • Arthur Dreifuss
    • स्टार
      • Richard Todd
      • James MacArthur
      • Susan Oliver
    • 9यूज़र समीक्षाएं
    • 3आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • फ़ोटो22

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 16
    पोस्टर देखें

    टॉप कलाकार30

    बदलाव करें
    Richard Todd
    Richard Todd
    • Dr. Jonathan Barnett
    James MacArthur
    James MacArthur
    • Larry Osborne
    Susan Oliver
    Susan Oliver
    • Patricia Cross
    Mark Goddard
    Mark Goddard
    • Elliott
    Carol Booth
    • Harriet
    Marc Cavell
    Marc Cavell
    • Mario
    Janee Michelle
    Janee Michelle
    • Lamelle
    • (as Janeé Michelle)
    Ronnie Eckstine
    • Bobby
    Michael Evans
    Michael Evans
    • Rev. Spencer
    Hortense Petra
    • Mrs. Sacaccio
    Jimmy Lloyd
    Jimmy Lloyd
    • Mr. Henning
    • (as James Lloyd)
    Mario Roccuzzo
    Mario Roccuzzo
    • Hippie on LSD
    The Chocolate Watchband
    • The Chocolate Watchband
    The U.F.O.'s
    • The U.F.O.'s
    The New Age
    • The New Age
    Joe Pyne
    • Joe Pyne
    Donnie Brooks
    Donnie Brooks
    • Specialty Act
    Mel Novak
    • Intern Smith
    • निर्देशक
      • Arthur Dreifuss
    • लेखक
      • Hal Collins
      • Arthur Dreifuss
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं9

    4.4280
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    फ़ीचर्ड समीक्षाएं

    gortx

    The UNauthorized Timothy Leary story

    An obvious cash-in on Timothy Leary and his "turn on, drop out" LSD preachings of the 60's. Of course, this being corporate Hollywood, they turn the Timothy Leary character (well played by Richard Todd) into a money hungry CULT leader "who must be stopped!" Amusing for today's self-appointed "hip" audiences by its dated hippie iconography and the fact that the evil head hippie is played the TV series LOST IN SPACE's Goddard!
    3Marco_Trevisiol

    Career nadir for its star

    Richard Todd was a notable acting figure in the British film industry for roughly 15 years. He was Oscar-nominated for his first major role and then had a starring role in an Alfred Hitchcock film. From then on he was a reliable acting presence in array of action and war films giving convincing performances.

    But his acting persona and style had fallen out of favour by the mid-1960s as kitchen-sink dramas and 'Swinging London' type films became popular. The drying up of roles perhaps disorientated him as that's the only way one can explain his appearance in the American film 'The Love-Ins'.

    The film is a cheap and tedious take on the counter-culture sweeping America at the time. What is surprising is for an exploitation picture, apart from an 'Alice In Wonderland' LSD sequence, it's not even entertaining as camp.

    But the film's most dispiriting aspect is Todd's performance. In the central role of playing a supposedly Timothy Leary-like figure that captures the hearts and minds of San Francisco youth, Todd is totally unconvincing and displays none of the charisma or personality such a role required. His inability to even attempt to adjust his usual acting style just underlines how miscast he is.

    In a career with many quality films and performances, this is a sad career low.
    1moonspinner55

    It's a backlot orgy of love, peace, and heterosexuality...

    After university professor Richard Todd "drops out"--in protest of the expulsion of two clean-cut students who print an underground newspaper, The Tomorrow's Times--he takes a jaunt to San Francisco to check out the action: bubble-blowing, hip-shaking, body-groping kids frolicking in the park (but nothing too outrageous: the dancing blonde has flesh-colored undies beneath her dress, and all the couples are strictly boy-girl). Quickie product filmed on the Columbia backlot brings up 'relevant' themes such as religious cults, but has so little to say about its own era that everything ends up cheapened by the exploitation. Poorly-made and naïve (and, ultimately, conservative), "The Love-Ins" nearly runs the risk of being endearing. * from ****
    6davesjourneys

    Dragnet meets Timothy Leary

    If Jack Webb were to write/direct an "expose" of Timothy Leary and the LSD/Hippie movement, what would it look like? The 1967 film 'The Love Ins' doesn't share any of the same credited writers or directors with the 1950s and 60s TV series Dragnet.

    Still, the one dimensional, stereotypical characters: hypocritical, "square" parents clashing with reckless, self-absorbed young adults, intolerant jocks, a greedy promoter and a cult leader with a messiah complex combined with the "it's all fun and games until someone gets hurt" plot line (and subplots), will have you flashing back to the classic TV series.

    That said, this film does have some historic, and even artistic, value as it retells the age old tale of an idealistic movement falling prey to pride and corruption.
    1wes-connors

    Drop In, Turn On, Tune Out

    Hip professor Richard Todd (as Jonathan Barnett) resigns from his university, protesting the expulsion of implausible hippies James MacArthur (as Larry Osborne) and Susan Oliver (as Patricia Cross). Mr. MacArthur and Ms. Oliver publish an "underground" newspaper. Mr. Todd believes defending the publication of their "Tomorrow's Times" is a freedom of speech issue; but, his college administration terms it a "pornographic rag". After advocating LSD use on Joe Pyne's TV show, Todd is evicted from his apartment. Jobless and homeless, Todd moves into MacArthur and Oliver's San Francisco pad. There, he becomes a Timothy Leary-type hero. Mark Goddard (as Elliott) plays a dealer who can take you really far out.

    Counterculture garbage from producer Sam Katzman and director Arthur Dreifuss.

    Bad trip, man.

    Bummer.

    * The Love-Ins (1967) Arthur Dreifuss ~ Richard Todd, James MacArthur, Susan Oliver

    इस तरह के और

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    5.9
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    Kiss Me, Kill Me
    5.9
    Kiss Me, Kill Me

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The term "love-in" was one of many co-optings of Timothy Leary's famous mantra "Tune in, turn on, drop out", which gave rise to the original San Francisco "be-in" gatherings of 1967, a pun on the word "being". Another example is a "sit-in" protest, or John Lennon and Yoko Ono's public "lie-ins" from their hotel beds.
    • भाव

      Dr. Jonathan Barnett: You know, when I heard Larry use the words "a friend", "someone who understands you", I didn't realize he was introducing me. I was expecting to see the Chief of Police. Not that I'm putting down the Establishment, I wouldn't do that for the world. After all, do they tell us what we should believe? No, of course not. I'd even go on record and say they don't care what your beliefs are - providing they don't conflict with theirs.

      Dr. Jonathan Barnett: [he continues] And yet, we of the Western world are supposed to be free people. Free to live as we want; free to love as we want; free to dress as we want. But are we given these freedoms? No, of course not. Society wants us to conform to a pattern which would make us all become vegetable. We must not let this happen. We must not conform. And we will definitely not become vegetable!

      Dr. Jonathan Barnett: [he continues] The Establishment has left us a world full of strife, prejudice and avarice, not unlike the Roman Empire before its decline. Yet all the legions of Tiberius, Caligula and Nero could not still the ringing truths of the underground voice of those great dissenters, the early Christians. Nor could the voices of Moses, Buddha or Muhammad be stilled, so be it. And we shall not be stilled. We shall not be stilled, for we know the answer. We know that, with the world the way it is in today, we must love. We must share. We must not harbor any bitterness nor practice any violence. Thou shalt not kill. Thou shalt love they neighbor.

    • कनेक्शन
      Referenced in Kain's Quest: On Deadly Ground (2016)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 26 जुलाई 1967 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • ラブイン
    • फ़िल्माने की जगहें
      • सैन फ़्रांसिस्को, कैलिफोर्निया, संयुक्त राज्य अमेरिका
    • उत्पादन कंपनी
      • Sam Katzman Productions
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      1 घंटा 31 मिनट
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      • 1.85 : 1

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