Ljubavni slucaj ili tragedija sluzbenice P.T.T.

To me, the story is lousy and boring, and dialogues, monologues and narrators are catastrophic. The only thing worth seeing in this movie is Eva Ras. She was really pretty girl in her youth, and this is the first Yugoslavian film with explicit nakedness. The scene in which the black cat is lying on Isabel's naked body is known not only within domestic but also the world cinematography.

3/10

Early on in his wildly experimental career, Dusan Makavejev was proving himself to be one of world cinema's most unique talents. With his brilliant, genre bending masterpiece "Love Affair", he crafts a simplistic, beautiful, and devastating portrait of one of film history's most tragic romances. Of course, Makavejev's vision is not limited by the boundaries of conventional storytelling and tone. Spliced in between the romantic tragicomedy are interviews with a sexologist and a criminologist, as well as various bits of stock footage depicting Yugoslavian politics.

This often weird and humorous version of a brutally sad tale is among my new favorite films thanks to its entertainment value, stunningly unique vision, wild sense of humor, and strong emotional impact. Makavejev pulls no punches, he allows the tragedy to burst in a chaotic explosion of tears, refusing to hold back. By the end, i was so struck with melancholy that I could hardly believe what I had just witnessed. This is a film that combines so many themes and genres, and yet manages to portray a semi-tradition story that anyone can follow. Sprinkling bits and pieces of the charmingly surreal and avant garde all over this saddening love story, Makavejev forms one of the finest, most unfortunately underrated and obscure cinematic romances of all time.

That European cinema did things differently in the 1960s is not in doubt, as even directors from little-renowned cinematic cultures such as Yugoslavia delighted in new-found freedom. On one hand, "Switchboard Operator" is a simple tale of love, betrayal and tragedy in Belgrade, and as such captures some touching details about trapped lives in a totalitarian society. However, director Dusan Makavejev, clearly under the influence of Godard, adopts an offhand approach to his narrative, and introduces extraneous material at tangents to the main story. Most of this stuff is fascinating, particularly when he uses archive footage of Yugoslav history. Less successful are the interjections of two tedious academics, a sexologist and a criminologist, whose stern pronouncements jar against the film's capricious tone. Nonetheless, this is invigorating film-making which reaches into some strange regions. Despite an economical running time of 69 minutes, the film even finds time for a brief history of how the grey rat infested Europe!

This is not only a great little movie, but also a great time-capsule of late-'60s Yugoslavia (a nation since destroyed by way of violent imperialist intervention).

A young Hungarian woman and an older, Serbian man enter into a relationship under the internationalist, multi-ethnic, mid-twentieth century culture of communist Yugoslavia. This work contains scenes of beautiful, deeply moving, intimacy and sexuality.

The contradictions of this culture are made plain within the movie by reference to scenes from a Russian revolutionary film by Dziga Vertoz: Committed communist masses dismantle an old Cathedral- their cause is clearly popular and democratic, yet it is intolerant of an institution that has itself embodied intolerance for millennia. "Revolutionary", "scientific" humanity remains constellated within a dialectic of resentment.

Ultimately, human frailty destroys both the Hungarian and the Serbian. Misunderstanding and jealousy cause the lovers to turn on, and destroy, each other within the the terms set forth by this "revolutionary" society. Progress creates the illusion of enlightenment. But ultimately it is human nature that decides our fate.

This outlook ultimately qualifies writer-director Dusan Makavejev as a philosophical reactionary, albeit an exceptionally creative one.

The combination of almost documentary approach with non-linear storytelling makes Love Affair arguably Makavejev's finest work.

The documentary approach, including a lot of archive footage, echoes Innocence Unprotected (Nevinost bez zaštite) as we follow common people during what turned out to be socialism's heyday in former Yugoslavia.

Non-linear storytelling has later been driven to the excess in WR: Mysteries of Organism (WR: Misterije organizma) rendering Love Affair much more accessible.

This must have been an extraordinary movie at the time, along with rather brave Eva Ras in one of the lead roles.