Jôi-uchi: Hairyô tsuma shimatsu

Brilliant direction, excellent writing and superb acting make for one of the most intelligent and entertaining films to come out of Japan! Mifune is magnificent as the samurai who is forced to choose between family and duty. Scathing in its portrayal of feudal Japanese society this film works as both exciting historical drama and heart breaking melodrama. Mifune's stand against social injustice is presented in a totally believable yet poignantly touching manner. His scenes with his baby granddaughter are absolutely beautiful! The end of the film is both ferociously brutal and incredibly tender. What a combination! "Rebellion" leaves you emotionally drained yet asking for more!

SAMURAI REBELLION is not one of the best known Japanese films, although it deserves to be. It is very in theme to the masterful HARAKIRI from the same director, and with this film he matches that film's raw emotional power. It's a must for Toshiro Mifune fans.... he delivers one of his finest performances as a jaded elder samurai. He once again gets to share screen time with Tatsuya Nakadai, who has a small but memorable supporting role. The always reliable Toru Takemitsu delivers a fine score made up mostly of Japanese instruments, and Kobayashi's direction is flawless.... this film is filled with memorable set pieces, and it's just the sword fight scenes, although those are pretty incredible too. This is one of about six Kobayashi films available in the west (HARAKIRI, KWAIDAN, and the HUMAN CONDITION trilogy make up the rest)... that's a shame because, based on the quality of these works, he clearly stands among the greats of Japanese cinema.

"During the powerful Tokugano Regime in Edo (presently Tokyo), there were 264 lords or "daimyo". These feudal lords ruled their clan and the people under them".

In 1725, the henpecked samurai Isaburo Sasahara (Toshirô Mifune) and his friend Tatewaki Asano (Tatsuya Nakadai) are the best swordsmen of their clan. Isaburo regrets his arranged marriage with the dominator Suga (Michiko Otsuka) and expects to give a good marriage to his son Yogoro (Go Kato). However, their Lord Masakata Matsudaira (Tatsuo Matsumura) orders Yogoro to marry his mistress Ichi (Yôko Tsukasa), who has a bad fame in the clan since she slapped the lord's face and torn his clothes apart. The Sasahara family objects but Yogoro accepts to marry Ichi for the good of his family. Instead of a pampered woman, Ichi proves to be a good wife and discloses the reason of her reaction to Yogoro, when she surprised him with a mistress after bearing their son. Ichi delivers the baby girl Tomi and is loved by Yogoro. When the lord's son dies, he orders Ichi to return to the castle to legitimate their son and successor of his clan. Yogoro does not accept the order under the protest of his family, and his brother Bunzo (Tatsuyoshi Ehara) lures and kidnaps Ichi, bringing her back to the castle. Isaburo and Yogoro decide to request the return of Ichi and have to face the wraith of their lord and clan.

"Samurai Rebellion" is another Japanese masterpiece, with a beautiful and engaging romance in the period of Tokugano Regime in Edo and comparable to Romeo and Juliette. Further, this is also a cruel story of attitude against tyrannical governments and I loved the line "We All Have Our Own Way of Living". I am fascinated by the rich Japanese history, despite my knowledge be limited to the movies I see, and I found "Samurai Rebellion" wonderful also in this regard. The direction and acting are awesome, and the stunning Toshirô Mifune has another fantastic performance. The black and white cinematography associated to the magnificent camera work, settings and scenarios gives an intense reconstitution of Japan lifestyle in the Eighteenth Century. My vote is ten.

Title (Brazil): Not Available

Note: On 18 April 2024, I saw this film again.

Musaki Kobayashi may be one of the lesser known names in Japanese film making, but this is no minor movie (I haven't seen his better known movies, Hari-Kiri or Kwaidan yet). For those seeing it without knowing a little about it, it will be a very surprising samurai flick - no action until the end, no real sub-plots - a script that is more like a domestic drama in its entire focus on a small group of people - a noble (if relatively low born) Samurai, his son and his daughter in law, formerly the mistress of the Clan Lord. The family are pushed to destruction as the pride of the three refuse to allow them to accept the unreasonable demands of their Lord and his scheming right hand men.

While the movie doesn't have quite the flawless pacing, flowing editing and perfect black and white photography of some of the very best movies of the period, this is more than made up by the fantastic acting and gripping story. As always, Toshiro Mifune is magnetic in the lead, but all the parts are well filled. Kobayashi keeps a firm focus on the key story and admirably avoided the temptation to add the sort of sentimental sub plot that so many of this type of movie uses. The final scenes are magnificent.

Kobayashi was something of a rebel himself - he refused promotion when a soldier in the war, and continually fought his studios so he could make movies on his favored theme - the injustice of the feudal system of Japan and the corruption of modern japan. The Japanese studio system has frequently been criticized for the way it tried to turn great film makers into hacks - but when so many great movies how can we complain? The sad thing is that this movie seems to have been one of the last of the great samurai films - after this the genre degenerated to simplistic chop-em-ups, with only a brief recent revival in movies like Twilight Samurai (which I suspect may have been influenced by this movie).

If there is one thing to be said about this film, it is excellent in every detail - story, direction, cinematography, music, action, I could go on and on. There are few film makers who can turn a simple tale of feudal injustice into such a moving drama.

As the movie progresses, Toshiro Mifune's character slowly transforms into an epic hero - for his sense of honour and his love for his Son for which he is ready to defy his own honour-bound Samurai's oath, to rebel against the very world he lives in. The heroism and integrity of his sacrifice are presented in exquisite detail with poignant dialogue (even in subtitles). This in itself is an amazing achievement when the compared to the trend nowadays is to try to impress the viewer with visual trickery or mind-numbing fight sequences with excessive violence.

I truly appreciate Masaki Kobayashi for the respect he shows to his viewer's intelligence, for intelligently presenting the true heroism of a human standing up against impossible odds.As an exercise, you may compare this movie with the over-budgeted disaster of a Hollywood movie called "The Last Samurai" to know what I am talking about. With an excellent story and great characters with potential for true heroism, "The Last Samurai" is one of the dumbest movies ever made.

This is also no dumb "You killed my master so I will kill you" Hong Kong movie or a "Lone Wolf" movie with it's absurd and senseless blood-spilling. All of you Action movie fans, this is also not a beat-each-other-to-pulp or chop-you-up-like-a-fish movie.

The fight sequences are excellently executed and are almost the best that I have seen so far (The fight sequences in Harakiri must be THE BEST ever).The character of Tatsuya Nakadai is interesting as well in that it is not really clear what his true intentions are - he seems torn between his selfish desire to better Mifune's character in a duel bound up with his loyalty to his clan against his honour as a friend. Warning: So watch it if you enjoy an excellently told social drama and you will see what makes a masterly piece of art.