Hour of the Gun

The story of the showdown between the brothers Earp and the Clanton gang is certainly as much a part of American mythology as the Puritans on the first Thanksgiving or Lincoln at Gettysburg. Hollywood certainly loves to tell the tale over and over again. In fact this is director John Sturges's second telling.

The Gunfight at the OK Corral done in 1956 by this director had as the climax the famous gunfight. Here in Hour of the Gun, Sturges starts his story with the gunfight and the results afterward.

Ike Clanton played by Robert Ryan in his usual grim fashion is not about to let Wyatt Earp triumph after killing some of his gang and his kin. He sets in motion a series of events that bring tragedy on the Earp family and a sinister turn in the character of Wyatt Earp.

The usual lackadaisical and quizzical James Garner is also pretty grim in this picture. He's throwing away the law he's sworn to uphold and the set of moral rules he lives by. And it's tearing away his character which is something Doc Holiday is deeply concerned with.

James Garner ranks right up there with all the fine actors like Henry Fonda, Burt Lancaster, Randolph Scott, Kevin Costner and Kurt Russell who have played Earp. James Garner never turned a bad performance in on the screen and he even got to play Wyatt Earp again in Sunset for Blake Edwards.

And Jason Robards, Jr. goes every step of the way with Garner as Doc Holiday. Holiday is the usual cynical alcoholic who's a jaded idealist and recognizes Earp as the real deal hero. His concern for Earp's character disintegration registers well in his performance.

Watch for a young Jon Voight, pre-Midnight Cowboy, as Curly Bill Brocius, a Clanton gang member.

This is a real western classic. And except for Hugh O'Brian's television series, the most accurate portrayal of the OK Corral events.

After the shoot out at the OK Corral, Ike Clanton brides officials to start legal proceedings against Wyatt Earp and Doc Holliday for the murder of his brother. The judge weighs up the evidence and spots some contradictions in key parts of the prosecution case and thus acquits Earp and Holliday and rules the shoot out was part of them fulfilling their duties as lawmen. Unsatisfied with this ruling, Clanton gets a couple of his men to kill Wyatt's brothers setting the law man on a quest to bring Clanton in – but is he seeking justice or revenge? I had never heard of this film until recently but I decided to give it a try when I read it was a sequel to OK Corral. In essence it is a rather old-fashioned western but it has a nice mean air to it that I found complimented the material. The plot is simple though and it never gets to grips with the darker side of the legends of Wyatt and Doc; perhaps because it was Sturges that directed but I would lie to see the film as it would have been made when The Wild Bunch turned the western genre on its head. Because here the focus is the story where really it needed to be on Wyatt the man as he loses touch with the lawman and starts to resemble much more of a driven revenge figure. It is a shame that the film doesn't go deeper into this but as it is it is still an enjoyable western that does what it does well enough for genre fans.

The cast are good despite not having anyone carried over from the first film. Garner does make for a mean Wyatt and even if the material doesn't go deep, Garner's eyes show that he understands what he is doing. Robards is enjoyable as Holliday and has one of the film's best dialogue scenes when he confronts the man he once looked up to. Ryan isn't as key as I had hoped and the narrative keeps him to the side for the majority of the film. The support cast are mainly good enough for the genre but it is Garner and Robards who dominate the whole thing.

Overall this is a solid and enjoyable period western. The dark revenge and hatred within Wyatt is hinted at but it is only really Garner who seems to want to really bring it out of his character as the film only toys with it while staying in firmly old-fashioned territory. Could have been a lot more interesting then but still manages to be an enjoyable western for fans of the genre as it was before changing in the late sixties.

It's Oct 26, 1881 Tombstone, Territory of Arizona. Wyatt Earp (James Garner)'s group fight Ike Clanton (Robert Ryan)'s group at the O.K. Corral. Ike survives and Wyatt is brought up on charges with the help of the corrupt local sheriff. Wyatt is cleared. His brother Virgil runs for sheriff and is severely injured in an ambush. His other brother Morgan is elected and promptly killed. He sends his family to California. He gets appointed as a new federal marshal for Arizona. With the help of friend Doc Holliday (Jason Robards) and his supporters, he takes on Clanton and his gang.

It's interesting to start the movie where most Tombstone movies end. Supposedly, this is based more on the real events. John Sturges directs this with his steady hands. Most of it rests on James Garner's solid performance. His character is restrained by the law and circumstances. He suppresses what must be overwhelming anger. I would prefer a bit more action to intensify the traditional western and more anger to show Wyatt's emotions. Nevertheless, it's compelling to see this part of the story done well.

This is the quasi-sequel to Sturges' "Gunfight at the O.K. Corral" and it improves on that film in every way. The Panavision widescreen gives it a more epic scope than "O.K.", and in the ten years between the two films Sturges has also much improved his mise-en-scene. Whereas "O.K." was often unassuming at best and plain dull at worst in its framing (additionally hindered by some obvious studio shots presenting the outdoors), Sturges gets the most out of his shots here. The sequence in which Virgil Earp is gunned down in a dark street is one example. Thankfully enough the dreadful "singing cowboy" songs of "O.K." are nowhere to be heard, instead we have one of Jerry Goldsmith's best scores...and that says something. Acting is also a touch better than in the predecessor. While the Lancaster-Douglas team of "O.K." was indeed that - o.k. - it was bogged down by the repetitious dialogue they were given. Garner and Robards, both somewhat underestimated actors, give fine performances here. And while Robert Ryan as the villainous Ike Clanton is not given much to work with, he makes a reasonable impact as the scheming cattle baron and thief. Finally, and most importantly, the timing of the film is much better than "O.K." which was simply a chore to go through and a bore when one got there. "Hour of the Gun" alternates politics (both sides of the conflict getting the law on their sides, in itself a truthful and interesting account of law and order in the Wild West) and action scenes with Wyatt and comrades pursuing the attackers of his brothers. The depiction of Earp's vigilantism is relatively realistic though the claim of the film to "tell it as it happened" is of course somewhat over-exaggerated, especially concerning the fate of Ike Clanton.

As far as westerns from the end of the golden age of that genre go, "Hour of the Gun" does not rank among the very best, but is a minor treasure nonetheless, a very worthwhile film that tells the events after the famous showdown at the O.K. Corral, and does a very good job of doing so.

Hour of the Gun is directed by John Sturges and adapted to screenplay by Edward Anhalt from Douglas D. Martin's novel Tombstone's Epitaph. It stars James Garner, Jason Robards and Robert Ryan. Music is by Jerry Goldsmith and cinematography is by Lucien Ballard. Story begins with the shootout at the O.K. Corral and tells of the aftermath involving the major players.

Although John Sturges' Gunfight at the O.K. Corall ten years previously proved to be popular, the director was never happy with the finished project, due in no small part to the fact that Hal B. Wallis controlled the script. Here Sturges takes control and crafts what in essence is a sequel to the 57 movie. Leaning more towards a character study with a dark edge, Hour of the Gun is refreshing in giving the Wyatt Earp/Doc Holliday characters a different story than the one we normally see on the screen; one that actually attempts historical accuracy where possible.

Viewing it now it's easy to see why the film was received coldly back on release. The Western movie was just about creaking along as a viable cinematic genre as it was, but with Sturges and Anhalt portraying one of America's folklore heroes in moral decline, it's unsurprising that it found itself out of sync with the times. However, time has been very kind to it, where over decades the re-evaluation of many a psychological Western has seen it viewed as one of the more bolder and cynical tinted oaters from the 60s.

With a fine script from Anhalt to work from, who also features as a player in the film as Holliday's whiskey smuggling carer, the cast work well. Ryan files in for villain duties as Ike Clanton and Garner as Earp and Robards as Holliday make for a suitably sombre pairing. There's also some quality in the support ranks where Albert Salmi, John Voight, Jorge Russeck and Karl Swenson leave good impressions. With Goldsmith tonally aware for the scoring and master photographer Ballard utilising the Panavision on offer for the Durango locations, it's an all round well put together production.

Some fat could have done with being trimmed off it to get it 10 minutes shorter; for the story starts to feel over long entering the last quarter. But Hour of the Gun is not only a better than your average 60s Western, it's also one of the better Wyatt Earp movies available to those interested in the subject. 7.5/10