IMDb रेटिंग
7.0/10
35 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA noted professor and his dim-witted apprentice fall prey to their inquiring vampires, while on the trail of the ominous damsel in distress.A noted professor and his dim-witted apprentice fall prey to their inquiring vampires, while on the trail of the ominous damsel in distress.A noted professor and his dim-witted apprentice fall prey to their inquiring vampires, while on the trail of the ominous damsel in distress.
- पुरस्कार
- कुल 1 नामांकन
Vladek Sheybal
- Herbert
- (वॉइस)
Roy Evans
- Vampire at Ball
- (बिना क्रेडिट के)
Dido Plumb
- Old Man Smoking Pipe at the Inn
- (बिना क्रेडिट के)
Winifred Sabine
- Deaf Vampire at Ball
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Dance of the Vampires isn't a very typical offering from Roman Polanski. This is his first colour feature film and up until this point his films were decidedly left-field and arty. This one is a considerably more commercial offering. It's effectively a parody of the British Hammer horror films that had been very popular up to this point. So its cultural references were fairly mainstream in the 60's. Set in the 19th century, it's about a professor and his assistant who travel to Eastern Europe seeking vampires. Before long they find themselves at the castle of the mysterious Count von Krolock.
The problem I have with this film is fairly straightforward – I don't find it very funny. The humour is very broad and present throughout. It ranges from the clever (a Jewish vampire who is unafraid of a crucifix) to the low-brow (lots of slapstick). It's occasionally amusing but rarely properly funny. So this is a bit of a problem in a film that is first and foremost a comedy. On the plus side it does look pretty, with nice snowbound landscapes and a Gothic castle to look at. The vampire's ball is also very good. But, for me, the single best aspect of Dance of the Vampires is easily Sharon Tate. She is achingly beautiful and provides a very welcome sensuality to proceedings. Her horrible murder two years later at the hands of the Manson Family clearly robbed the film world of someone quite considerable.
The problem I have with this film is fairly straightforward – I don't find it very funny. The humour is very broad and present throughout. It ranges from the clever (a Jewish vampire who is unafraid of a crucifix) to the low-brow (lots of slapstick). It's occasionally amusing but rarely properly funny. So this is a bit of a problem in a film that is first and foremost a comedy. On the plus side it does look pretty, with nice snowbound landscapes and a Gothic castle to look at. The vampire's ball is also very good. But, for me, the single best aspect of Dance of the Vampires is easily Sharon Tate. She is achingly beautiful and provides a very welcome sensuality to proceedings. Her horrible murder two years later at the hands of the Manson Family clearly robbed the film world of someone quite considerable.
When I think about R.Polanski the first thing coming to my mind is - "the master of fear and horror", and I knew it that "Fearless vampire Killers" is rare example of comedy by this great director. Yeah, I was worried before seeing this movie, not as much about "geting it", but more so about simple thing - could this movie be entertaining for "21st Century Boy".
First thing that striked me was beautiful music by Komeda. I was in total awe. The music was scary, but at the same time so light and funny - just like for a good fair story. And then the beautiful winter scenery that was so fake - almost cartooning. Few minutes into the movie, and I could say "that's what I call movie poetry".
The story is so simple. The old bat researcher, professor Abronsius and his assistant, Alfred, go to a remote Transylvanian village looking for vampires. They stay in house where no one speaks about vampires, but the garlic is hanging everywhere. Simplistic story is so right for this movie, because acting, scenery, music, cinematography are all in top shape here. For composition I think this is one of the best movie done by Polanski, next to "Tenant" for sure.
And this movie is also a rare occasion to see Polanski in comedic role. He and Brach make unforgettable duo. I was totally entertain when in came to comedy in this movie, but the thing that surprise me the most was the action factor. There is one scene that is great example of that - when Polanski character is looking through keyhole and is so scared of what he see that his face is screaming "terror". It's sure funny, but in a way mad-scary too. And when I think about this movie - this scene sums it up for me.
Its very funny, but little outdated movie. For me one a few really cinematic fairy tales, that keeps magic all the way to the end. Its up there with Repulsion, Tenant, and Tess when in comes to greatest work of this director.
And just think about brilliant ending, so funny, so mad. It's a shame Polanski hasn't made another comedy. Don't get me started with Pirates - the most unfunny movie in history. But "Fearless Vampire Killers " is movie magic - pure and simple.
First thing that striked me was beautiful music by Komeda. I was in total awe. The music was scary, but at the same time so light and funny - just like for a good fair story. And then the beautiful winter scenery that was so fake - almost cartooning. Few minutes into the movie, and I could say "that's what I call movie poetry".
The story is so simple. The old bat researcher, professor Abronsius and his assistant, Alfred, go to a remote Transylvanian village looking for vampires. They stay in house where no one speaks about vampires, but the garlic is hanging everywhere. Simplistic story is so right for this movie, because acting, scenery, music, cinematography are all in top shape here. For composition I think this is one of the best movie done by Polanski, next to "Tenant" for sure.
And this movie is also a rare occasion to see Polanski in comedic role. He and Brach make unforgettable duo. I was totally entertain when in came to comedy in this movie, but the thing that surprise me the most was the action factor. There is one scene that is great example of that - when Polanski character is looking through keyhole and is so scared of what he see that his face is screaming "terror". It's sure funny, but in a way mad-scary too. And when I think about this movie - this scene sums it up for me.
Its very funny, but little outdated movie. For me one a few really cinematic fairy tales, that keeps magic all the way to the end. Its up there with Repulsion, Tenant, and Tess when in comes to greatest work of this director.
And just think about brilliant ending, so funny, so mad. It's a shame Polanski hasn't made another comedy. Don't get me started with Pirates - the most unfunny movie in history. But "Fearless Vampire Killers " is movie magic - pure and simple.
A horror comedy, a parody film about vampire films, with all the clichés of the genre and the scathing humour to boot.
Great art, fresh but claustrophobic, joyful but scary, ending well but maybe not really.
A testament to an era when filmmakers knew how to have fun - and Sharon Tate is a beautiful girl to chew on.
A good moment of cinematographic humour to share in the dark ... but maybe not so dark.
Great art, fresh but claustrophobic, joyful but scary, ending well but maybe not really.
A testament to an era when filmmakers knew how to have fun - and Sharon Tate is a beautiful girl to chew on.
A good moment of cinematographic humour to share in the dark ... but maybe not so dark.
The title "fearless vampire killers" it's not so good as "Dance of the Vampires",outside U.S. this is the original title
I always will remember this film as "Dance of the Vampires" ALSO,CONGRATULATIONS to Mr Polanski for the Palme D' Or, he deserves it(without him just cinema "boring")
I enjoyed poetic scenes such as like moment in Sarah's bath comparing the textures of first soap bubbles, then falling snowflakes, and finally crimson blood. when Alfred(Polanski) carries his master across the castle battlements remind me of Polanski early short films. Krystov Komeda's music has been acclaimed as "the most innovative and haunting score ever devised for a horror movie" by the heavyweight Aurum Film Encyclopedia. Krystof Komeda's wondrous music, with its weird choral effects and little melodies Komeda's score communicates the Kafka-like isolation of the setting and the characters
Polanski chose some of the finest English cinema craft artists to work on the film: cameraman Douglas Slocombe, production designer Wilfrid Shingleton Polanski engaged noted choreographer Tutte Lemkow, who played the actual Fiddler in FIDDLER ON THE ROOF, for the film's climactic Danse Macabre minuet.
Sharon Tate as Sarah was delightful(we should remember her in a good way,as a decent actress and person,her scene with Polanski is really cool ,especially "the bite scene") Jack MacGowran as Professor Abronsius is just great Polanski's films often deal in contrasts of master and servant, the empowered and the powerless. The supposedly benign Abronsius bullies Alfred for his own purposes, just as the vampires consider all of humankind a resource to be harvested.
The character called Shagal got the best lines in the movie,when A woman thrusts a crucifix in his face, only for Shagal - a Jewish rather than a Christian vampire - to go "Oy-yoy! You got the wrong vampire" and bite her anyway Count Von Krolock (Ferdy Mayne, who plays the Count)he looks really as a Nosferatu or a man that needs Transfusion!.
Also funny is Herbert, the openly gay vampire who is interested in Alfred rather than Sara, the sexual deviations implicit in early Hammer films like The Brides of Dracula (1960) and Kiss of the Vampire (1964) are brought out. Hammer would increasingly exploit this in their lesbian
I always will remember this film as "Dance of the Vampires" ALSO,CONGRATULATIONS to Mr Polanski for the Palme D' Or, he deserves it(without him just cinema "boring")
I enjoyed poetic scenes such as like moment in Sarah's bath comparing the textures of first soap bubbles, then falling snowflakes, and finally crimson blood. when Alfred(Polanski) carries his master across the castle battlements remind me of Polanski early short films. Krystov Komeda's music has been acclaimed as "the most innovative and haunting score ever devised for a horror movie" by the heavyweight Aurum Film Encyclopedia. Krystof Komeda's wondrous music, with its weird choral effects and little melodies Komeda's score communicates the Kafka-like isolation of the setting and the characters
Polanski chose some of the finest English cinema craft artists to work on the film: cameraman Douglas Slocombe, production designer Wilfrid Shingleton Polanski engaged noted choreographer Tutte Lemkow, who played the actual Fiddler in FIDDLER ON THE ROOF, for the film's climactic Danse Macabre minuet.
Sharon Tate as Sarah was delightful(we should remember her in a good way,as a decent actress and person,her scene with Polanski is really cool ,especially "the bite scene") Jack MacGowran as Professor Abronsius is just great Polanski's films often deal in contrasts of master and servant, the empowered and the powerless. The supposedly benign Abronsius bullies Alfred for his own purposes, just as the vampires consider all of humankind a resource to be harvested.
The character called Shagal got the best lines in the movie,when A woman thrusts a crucifix in his face, only for Shagal - a Jewish rather than a Christian vampire - to go "Oy-yoy! You got the wrong vampire" and bite her anyway Count Von Krolock (Ferdy Mayne, who plays the Count)he looks really as a Nosferatu or a man that needs Transfusion!.
Also funny is Herbert, the openly gay vampire who is interested in Alfred rather than Sara, the sexual deviations implicit in early Hammer films like The Brides of Dracula (1960) and Kiss of the Vampire (1964) are brought out. Hammer would increasingly exploit this in their lesbian
Brilliant movie - beautifully shot and with Polanski's eye for detail. Very funny/quirky and atmospheric. I loaned it to a work colleague who thought Polanski only made horror films like 'Rosemary's Baby', she was amazed when confronted with this one. She thought it was great. Everyone is always very impressed with the ballroom scene with all the mirrors and the vampires dancing. The colours are fabulous and the outside scenes remind one of s Christmas card. If it's ever on t.v. it's always on around midnight or after, so I had to buy the DVD. Definitely one to watch late at night when you're alone!! It took me years to find it on DVD. I think the one I eventually bought was an import.
क्या आपको पता है
- ट्रिवियाOriginally Roman Polanski wanted to shoot his film on location in and around a castle in Switzerland which he saw during a vacation, but as this was impossible, other locations in the Alps were found, along with studio shoots in England. While on location, Polanski employed dozens of local artisans to make the large numbers of coffins needed in the film. Unfortunately tourists were rather unnerved by the sight of these, and hotels had to erect signs to assure their guests that the area hadn't been struck by plague.
- गूफ़When the maid at the inn is scrubbing the floor, she is wearing boots; when the camera angle changes, she's suddenly barefoot.
- भाव
Shagal, the Inn-Keeper: [Magda tries to fend off Shagal, a Jewish Vampire, with a cross] Oy yoy! Have you got the wrong vampire!
- क्रेज़ी क्रेडिटIn the opening credits the MGM-lion transforms into a vampire.
- इसके अलावा अन्य वर्जनFor the original UK cinema release heavy cuts were made by the BBFC to the scene of Von Krolock attacking Sarah in her bath in order for the film to receive an 'A' certificate. Later video and DVD releases restored the cuts and were upgraded to '15'.
- कनेक्शनEdited into The Kid Stays in the Picture (2002)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- The Fearless Vampire Killers
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $20,00,000(अनुमानित)
- चलने की अवधि
- 1 घं 48 मि(108 min)
- पक्ष अनुपात
- 2.35 : 1
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