Far from the Madding Crowd

"Far from the Madding Crowd" is one of a handful of elegantly produced, intelligent wide screen masterpieces which have sadly been neglected by those responsible for DVD. Fortunately, by early in 2009, Warner Brothers finally released it on a handsomely remastered standard DVD edition. There is no news of a Blu Ray version. It is richly scenic in an unusually stark, atmospheric way. Its cast is made up of some of the finest actors working at the time it was made. All of them handle their parts in this well-written, literate script, extremely well. Peter Finch, who seldom turned in a weak performance, is a standout in this film.

The great works of literary giants like Thomas Hardy invariably inspire strong opinions about film adaptations. It is no surprise to me that some reviewers were very critical of Far From the Madding Crowd, based on their feelings that it distorted aspects of the original novel. Despite such interpretive choices, or modifications as may be at play in this dramatization, the rewards of its many great strengths, in my opinion, make it a glorious viewing experience.

If you are a home theater buff with the technology needed to view this film on a fairly large screen, you will delight in its evocative wide screen splendor. It draws you into the very unique environment that was always so important in Thomas Hardy's writing. I am thrilled that such thoughtful epics as "Tess" and "Lord Jim" are all, at last, available in DVD release. "Far from the Madding Crowd" and David Lean's "Ryan's Daughter" are among those long awaited widescreen home entertainment selections which constitute the sublime highlights of any film library. They are visual masterpieces that cry out to be seen in such a high-resolution format as the DVD provides.

There's a man or two who've taken quite a shine, they want to be your love, eternally entwine, one's a shepherd who has nowt, the t'other carries lots of clout, but desires from your side fail to align. Then a soldier takes a glance and your enraptured, he's taken all you have to give, and you've been captured, you're in love, and now so happy, you get married, it's rather snappy, that's when the ties begin to weaken, becoming fractured. Soon the man who you have loved leaves you in tears, as he vanishes, dissolves and disappears, leaves a door for a rich neighbour, who wants to offer you his sabre, he's prepared to wait a while, long as six years.

Fabulous performances by some rather splendid actors in a tale that engages and engulfs.

I have watched this film many tens of times and never tire of its beauty. Each viewing has me finding it even more beautiful than on the previous occasion – it may seem slow to first-time viewers but they should make the effort to watch the thing a few more times !!!

This film is without any doubt that which perfectly renders the atmosphere of Thomas Hardy's Wessex ! The careful filming, lighting and attention to the changing moods of the Dorset countryside is absolutely PERFECT, and the music is perfectly suited to the atmosphere ! This Film has just been issued on DVD in the UK but I was very disappointed to find that little or no remastering of the picture had been carried out and that, although the picture quality is reasonable for the time, I had been expecting the full treatment for a work of art such as this to get rid of remaining compression artefacts, spots, grain etc.! Also there are no subtitles for the deaf, and no subtitles or languages for foreign viewers (inadmissible !!) nor special features which you would expect for such a great work of art as this. Other films of Thomas Hardy country, such as Tess and others, pale into insignificance beside this one though it must be said that Tess, although taking place in Dorset was actually filmed in Normandy ( Cherbourg Peninsula) which would explain why the atmosphere wasn't the same.

Each scene of this film has remained indelible in my mind, the sheep being pushed over the cliff by the mad sheepdog, the corn market ( actually filmed in Devizes, Wiltshire ), the water flowing down Gold Hill in Shaftesbury, Dorset where poor young Fanny Robbins painfully seeking to mount during her last few hours on earth, the cock-fight, the beautiful views of the Dorset Coast with Durdle Door and the chalk cliffs, the romantic dalliance of Troy and Bathsheba doubtlessly filmed in one of those prehistoric burial mounds so common in Wiltshire. Truly, 'tis one of the most beautiful areas on earth. When I was at university in Bath, Avon, U.K. during the seventies, I made a point of visiting the Thomas Hardy country, and in particular the sites used in this film, as it was not too far away. I found a sense of timelessness there and the area has to be visited to 'feel' the atmosphere that the film exudes !

Above and beyond the magnificent sets and music, we have the actors' performance, which I seem to appreciate even more on each successive viewing of the film. Each character is very well developed and the performances are masterly even those of the minor characters. There is also a significant number of traditional songs of the day which are sung most convincingly by the actors. There is something quintessentially English about this film not to be found anywhere else, for this reason alone it should not be missed. I can only hope that one it will be remastered for picture and soundtrack and will then be truly appreciated on a home cinema.

This adaptation of the Thomas Hardy novel is a lush Cinemascope production with a rich British cast. The flirtatious Bathsheba (J. Christie) is spoiled for choice between the dashing caddish soldier, the simple shepherd and the brooding landowner. But, alas, I wasn't really spellbound watching it. I just couldn't believe that Julie Christie was this headstrong 19th century maiden. She looks far too contemporary for me; as she is just the perfect 60s icon in costume (same as in Doctor Zhivago).

The actual visual aspect of the film made me wonder. The director was obviously trying very hard to give to this feature a feeling of the Dorset countryside. But, somehow, his efforts to include subjective camera, overhead shots, etc, didn't work for me. It didn't blend with the story. I felt that Bathsheba didn't evolve through the film. Julie Christie played the same way from start to finish, in spite of the ordeal she had to go through.

Alan Bates was perfect as the farmer turned shepherd, as was Peter Finch as the landowner. It's striking that some silent sequences that should have been devastating just left me completely cold. It lacked atmosphere. On the plus side, there is a nice score by British composer Richard Rodney Bennett.

In this sprawling adaptation of the Hardy novel, a beautiful woman in 19th century English countryside must select a suitor among three men. It has become fashionable to bash this film but it is quite an impressive production. Although she may not be exactly what Hardy had in mind, Christie is radiant as the heroine. The men pursuing her are well played by Finch as a rich landowner, Stamp as a cad, and especially Bates as a poor sheep farmer. Schlesinger's direction is leisurely and meticulous but he sustains interest despite the nearly three-hour length. The cinematography by Roeg is breathtaking and Bennett's score adds a haunting quality to the film.