अपनी भाषा में प्लॉट जोड़ेंDjango's father is framed by his business partner Clusker and shot by a bounty Killer. Django inherits his fathers part of the business and a score to settle with Clusker.Django's father is framed by his business partner Clusker and shot by a bounty Killer. Django inherits his fathers part of the business and a score to settle with Clusker.Django's father is framed by his business partner Clusker and shot by a bounty Killer. Django inherits his fathers part of the business and a score to settle with Clusker.
Glenn Saxson
- Glenn Garvin
- (as Glen Saxson)
- …
Ida Galli
- Jessica Kluster
- (as Evelyn Stewart)
Guido Lollobrigida
- Ward
- (as Lee Burton)
Ettore Arena
- Saloon Guest
- (बिना क्रेडिट के)
Fortunato Arena
- Cluster Gunman
- (बिना क्रेडिट के)
Bruno Ariè
- Cluster Henchman
- (बिना क्रेडिट के)
John Bartha
- Thomas Garvin
- (बिना क्रेडिट के)
Augusto Brenna
- Bank Customer
- (बिना क्रेडिट के)
Amerigo Castrighella
- Saloon dance costumer
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
After the Franco Nero film "Django" appeared, a lot of unscrupulous movie folks began releasing movie after movie with the name Django in the title--but they had little to do with this original film. "He Who Shoots First" (also known as "Django Shoots First") is one of these faux Django films. Now I am not sure if the film was meant to be a knockoff or if, perhaps, the folks doing the dubbing just decided on their own to make it a Django film. But, at least the leading man, Dutchman Glenn Saxson looks a bit like Nero.
The film starts with Django going to see his father and finding him dead--having just been shot down by a bounty hunter. Not wanting to pass up a good opportunity, Django shoots the bounty hunter and brings his dad's corpse to town to claim the reward!! Only later does he learn that perhaps his father was NOT a criminal but was up on trumped up charges by folks intend on stealing his half interest in a local gambling hall. So, for most of the rest of the film, Django needs to fight the local scum who are trying to kill him and then claim what is rightfully his.
Aside from the film having the audacity of having Django claim the bounty on his own dad(!!), I also really liked the ending as well as the music. The soundtrack was a good bit better than the average Italian western. But, apart from these things, the film had little to offer other than folks getting punched and shot. Not especially remarkable but a decent time-passer.
FYI--At one point, one of the folks says "A man can't testify against his wife" but in American law this isn't exactly true. A man cannot be FORCED to testify against his wife. But, if he wants to help the prosecution by testifying against her he is surely welcome to do so.
The film starts with Django going to see his father and finding him dead--having just been shot down by a bounty hunter. Not wanting to pass up a good opportunity, Django shoots the bounty hunter and brings his dad's corpse to town to claim the reward!! Only later does he learn that perhaps his father was NOT a criminal but was up on trumped up charges by folks intend on stealing his half interest in a local gambling hall. So, for most of the rest of the film, Django needs to fight the local scum who are trying to kill him and then claim what is rightfully his.
Aside from the film having the audacity of having Django claim the bounty on his own dad(!!), I also really liked the ending as well as the music. The soundtrack was a good bit better than the average Italian western. But, apart from these things, the film had little to offer other than folks getting punched and shot. Not especially remarkable but a decent time-passer.
FYI--At one point, one of the folks says "A man can't testify against his wife" but in American law this isn't exactly true. A man cannot be FORCED to testify against his wife. But, if he wants to help the prosecution by testifying against her he is surely welcome to do so.
This has nothing to do with the Franco Nero "Django" movie, though I'm pretty sure you already know that. Though this "Django" movie is not up to the Nero movie, it is a competent little spaghetti western. Certainly, it's not perfect. A number of characters are stereotypes found in other spaghetti westerns, like the goofy bearded tubby fellow who helps the protagonist. The hero is kind of smug and arrogant at times. There is a minimum of plot, which is really evident when things are wrapped up for the most part long before the very end. On the other hand, the movie does have a nice musical score, sports some good scenes of action as well as moments of suspense, and doesn't have any boring sequences. There is also a twist at the end that I didn't see coming. The movie doesn't break new ground, but it's adequate for spaghetti western fans.
Easygoing saddle tramp Glenn Saxson finds his father cooling off on the back of a bounty hunter's horse. Killing the bounty hunter, he takes his father's body into town to claim the reward, where he's informed by ambitious local Fernando Sancho, that his dad was actually quite wealthy and set up by his greedy business partner. The two then team up with a mystery man, carrying a switchblade stiletto cane, to take on the murderous big-shot.
Django Shoots First is another colorful, fast-paced spaghetti western. There isn't much new here, but it's a pleasantly entertaining way to spend an hour and a half, with an adequate amount of action, plot-twists, and gun-wielding heavies.
There's also a good score by Ennio Morricone's frequent collaborator Bruno Nicolai and a neat early cameo in the film's final scene, by Italian genre favorite George Eastman, who's minus his distinctive facial hair.
Django Shoots First is another colorful, fast-paced spaghetti western. There isn't much new here, but it's a pleasantly entertaining way to spend an hour and a half, with an adequate amount of action, plot-twists, and gun-wielding heavies.
There's also a good score by Ennio Morricone's frequent collaborator Bruno Nicolai and a neat early cameo in the film's final scene, by Italian genre favorite George Eastman, who's minus his distinctive facial hair.
This spaghetti western has a great story-line that grabs you from the get-go, and keeps you interested til the end.
The performances from the actors are about average for the genre. The most recognizable euro-western actor in the film, Fernando Sancho, is OK in this movie, but not as good as he usually is. Of course, one always has to keep in mind that the portrayal is not his alone, since the voice in English is done by someone else.
The movie has a very good spaghetti-style music score, nice camera work, some riveting scenes, and a great revenge plot with some unique elements and a couple of twists. The end was a real kick. I was going to give it a 7 out of 10, but then the ending made me want to push it up a notch.
If you are a fan of spaghetti westerns, and not just the well-known ones, you will most likely really enjoy this one.
The performances from the actors are about average for the genre. The most recognizable euro-western actor in the film, Fernando Sancho, is OK in this movie, but not as good as he usually is. Of course, one always has to keep in mind that the portrayal is not his alone, since the voice in English is done by someone else.
The movie has a very good spaghetti-style music score, nice camera work, some riveting scenes, and a great revenge plot with some unique elements and a couple of twists. The end was a real kick. I was going to give it a 7 out of 10, but then the ending made me want to push it up a notch.
If you are a fan of spaghetti westerns, and not just the well-known ones, you will most likely really enjoy this one.
This film begins with a bounty hunter by the name of "Ringo" (Jose Manuel Martin) riding along in a deserted part of the country with the body of a dead man strapped to another horse trailing behind. He then comes across another man who has settled down to lunch over a camp fire eating a plate of beans. Being quite hungry he eagerly accepts the stranger's hospitality and helps himself to some food while his host takes a look at the dead body on the other horse. As the two men are talking it is soon revealed that the stranger is a man named "Glenn 'Django' Garvin" (Glenn Saxson) and he just happens to be the son of the dead man on the horse. Naturally, a gun fight ensues with Django easily killing the bounty hunter and-rather than burying his father right there-he decides to take the body to the nearest town and claim the $5000 reward for himself at the local sheriff's office. However, once he and the sheriff go to the bank for the money he is met with a hostile reaction from the bank owner "Ken Kustler" (Nando Gazzolo) and a rather icy reception from his attractive wife "Jessica Kustler" (Evelyn Stewart). Although he is puzzled by this he is soon informed by a well-meaning stranger the exact reason why and from that point on Django rejects everyone's advice to leave town in order to resolve issues he wasn't aware of before. Now rather than reveal any more I will just say that this was a pretty good Spaghetti western which had plenty of action and a little bit of intrigue to keep things interesting. Along with that it also had two rather attractive actresses in Erika Blanc (as "Lucy") and the afore-mentioned Evelyn Stewart to brighten the scenery as well-with the latter being especially treacherous. In any case, while this was clearly not a great western by any means, it was certainly good enough for the time spent and I have rated it accordingly. Slightly above average.
क्या आपको पता है
- ट्रिवियाThis fake sequel of Django (1966) was released in Spain in 1974 with the title "Yo soy Trinidad" (I'm Trinity), after the success of Lo chiamavano Trinità... (1970), changing the name of the main character in the dubbing, calling him Trinidad (Trinity) instead of Django.
- कनेक्शनFollowed by Il figlio di Django (1967)
टॉप पसंद
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- How long is Django Shoots First?Alexa द्वारा संचालित
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