Devil's Angels

After the 1966 biker movie "The Wild Angels" became a box office smash, American-International Pictures over the next few years made and released a number of other biker movies, "Devil's Angels" being one of the first. While the movie definitely was profitable, the profit was much less so than what "The Wild Angels" grossed. Watching the movie, it's pretty easy to see why drive-in audiences weren't as enthusiastic. There is pretty much no plot or character development in the first half of the movie - it's just one vignette after another. The second half of the movie has a little story and fleshes out its characters slightly, but not too much more. Also disappointing is that the movie is nowhere as sleazy and explicit as some other biker movies of the time (it got a PG rating); it's quite tame even by 1967 standards. The best I can say for the movie is that there is some good widescreen photography and composition.

Roger Corman's Devil's Angels which was made at the height of the movie-biker craze in 1967 has three qualities which make this "B" film a devilish good time.

Starring the late-great John Cassavetes as motorcycle gang leader Cody. Cassavates was one of the best actors of the 1960s, yet never really became popular with the mainstream movie goer. He brings a complexity to his character. Torn between "doing-your-own-thing" or "selling-out". As his sidekick is the beautiful and lovely Beverly Adams. Ms. Adams is best known for playing Dean Martin's sexy secretary in the Matt Helm series, Lovely Kravezit. Looking earthy, but sexy, she excels in one of his best on-screen roles.

A fine supporting cast is lead by Mimsy Farmer and veteran character actor/writer Leo Gordon. Out-dated today, but for the times it must rate as one of the top 5 biker films of the decade.

Interesting side note, the movie poster for Devil's Angels is one of the best there is.

A quickly made follow-up to AIP'S ''The Wild Angels'', ''Devil's Angels''nevertheless provides solid entertainment, as well as some good acting from a game cast. John Cassavetes stars as the craggy head of a motorcycle gang who decides to lead his fun-loving bunch to a mythical place he calls ''Hole In The Wall''.This Nirvana is supposedly a hide-out he has heard of, where they won't be bothered by the outside world of ''Squares'' and can happily debauch to their heart's content. This group, however, is nowhere near as savage as ''The Wild Angels'', and their idea of fun is taking apart a little country store, stiffing the owner, and setting fire to the camper of a couple unlucky enough to accidentally knock over one of their ''Hogs''. But the story turns ugly when they stop in a small town and are accused of rape by the local yokels. Cassavetes brings a certain likability (and even a sense of honor) to his part, Leo Gordon is his usual proficient self as the local Sheriff, and, as a nice, but reckless girl who chooses to party with the gang, Mimsy Farmer (in the second of three films she made for AIP) is lovely and persuasive. The gang members are mostly convincing as well, though Beverly Adams, sporting a Vidal Sassoon haircut (courtesy of her future husband)and an enormous pair of false eyelashes, simply looks ridiculous as Cassavetes main squeeze. The widescreen photography is great, as is Mike Curb's music score, with many numbers performed by ''Angels'' alumni,Davie Allan And The Arrows. ''Devil's Angels'' has just been officially released on DVD by ''MGM'S Limited Edition'' label, and it's uncut, in widescreen, and looks fine. Previously available only as a full-screen VHS tape, double billed with a forgettable TV-movie, ''Return Of The Rebels'', this DVD is a welcome addition to any ''Biker Film''collection.

Although following a line of biker movies, stretching back to "The Wild One," "Devil's Angels" feels remarkably contemporary in its tone: anarchists on wheels ride into a town, smashing windows, stealing whatever they want, burning a car, disrespecting legal authority, boasting of their contempt for the bourgeoisie, and vandalizing everything. Their leader, John Cassavetes, is surprisingly reasonable and the beauty of Mimsy Farmer is hereby preserved forever.

An exiled band of Hell's Angels strike a bargain with the Sheriff of a local town, let them stay and the town is safe. But a local girl strays into their lair and sparks off a full scale Angel war.

Nothing like a good old Arkoff-Nicholson-Corman production featuring bikers who are sick of "the Man" and want to fight, camp under the stars, and get crazy. Not a bad thing, but not really much in the way of originality here, either. I mean, after all, this was cashing in on their previous film, "Wild Angels", which was cashing in on the Hell's Angels' notoriety (and apparently the AIP guys ran into legal trouble for trying to put the Angels name in the movies... but who knows?) Now, besides the three guys mentioned above, we must mention the director: Daniel Haller. Probably not as well known as those guys, but he was the set designer for the AIP Poe films, so he was one of the family.

I guess the film grossed $4 million, which is not bad for a low-budget flick with no big names -- with all due respect to John Cassavetes (who horror fans know from "Rosemary's Baby") and Mimsy Farmer (who worked with Italian horror masters Argento, Fulci and Deodato).