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Daikyojû Gappa

  • 1967
  • PG
  • 1 घं 30 मि
IMDb रेटिंग
4.4/10
1.8 हज़ार
आपकी रेटिंग
Daikyojû Gappa (1967)
Home Video Trailer from Tokyo Shock
trailer प्ले करें3:15
1 वीडियो
99+ फ़ोटो
Sci-Fiएक्शनएडवेंचरकैजुकॉमेडीड्रामाथ्रिलरपरिवारफ़ैंटेसीहॉरर

अपनी भाषा में प्लॉट जोड़ेंMagazine reporters Hiroyuki Kurosaki and his colleagues brought back to Japan a monster child who had just hatched from an egg issued on the isolated island of Obelisk in the South Sea.Magazine reporters Hiroyuki Kurosaki and his colleagues brought back to Japan a monster child who had just hatched from an egg issued on the isolated island of Obelisk in the South Sea.Magazine reporters Hiroyuki Kurosaki and his colleagues brought back to Japan a monster child who had just hatched from an egg issued on the isolated island of Obelisk in the South Sea.

  • निर्देशक
    • Hiroshi Noguchi
  • लेखक
    • Iwao Yamazaki
    • Ryûzô Nakanishi
    • William Ross
  • स्टार
    • Tamio Kawachi
    • Yôko Yamamoto
    • Yûji Odaka
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    4.4/10
    1.8 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Hiroshi Noguchi
    • लेखक
      • Iwao Yamazaki
      • Ryûzô Nakanishi
      • William Ross
    • स्टार
      • Tamio Kawachi
      • Yôko Yamamoto
      • Yûji Odaka
    • 59यूज़र समीक्षाएं
    • 37आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • वीडियो1

    Gappa the Triphibian Monsters
    Trailer 3:15
    Gappa the Triphibian Monsters

    फ़ोटो108

    पोस्टर देखें
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    + 100
    पोस्टर देखें

    टॉप कलाकार35

    बदलाव करें
    Tamio Kawachi
    Tamio Kawachi
    • Hiroshi Kurosaki
    Yôko Yamamoto
    • Itoko Koyanagi
    Yûji Odaka
    • Prof. Daize Tonooka
    • (as Yuji Kodaka)
    Kôji Wada
    Kôji Wada
    • Mashida
    Tatsuya Fuji
    Tatsuya Fuji
    • George Inoue
    Keisuke Inoue
    • President Funazu
    Zenji Yamada
    • Captain of the Kamome-maru
    Bumon Koto
    • Chieftain
    Kôtarô Sugie
    • Reporter #1
    Saburô Hiromatsu
    • Hosoda
    Binnosuke Nagao
    • Cmdr. Riku
    Masaru Kamiyama
    • Professor
    Kokan Katsura
    • Saburo Hayashi
    Shirô Oshimi
    • Oyama
    Yôko Ôyagi
    • Aihara
    • (as Yoko Oyagi)
    Sanpei Mine
    • Islander 1
    Takashi Koshiba
    • Reporter 2
    Kensuke Tamai
    • Islander 2
    • निर्देशक
      • Hiroshi Noguchi
    • लेखक
      • Iwao Yamazaki
      • Ryûzô Nakanishi
      • William Ross
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं59

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    फ़ीचर्ड समीक्षाएं

    Camera-Obscura

    Monster from a Prehistoric Planet (Haruyasu Noguchi -Japan 1967)

    A group of intrepid explorers is sent on an expedition to find exotic animals (and people) for a new theme park to be built by a magazine tycoon who also happens to publishes Playmate Magazine. Soon, the group lands on an island in the South Pacific, where they discover an isolated tribe of natives who worship a mysterious God named Gappa. When the land is ruptured by an earthquake, the explorers come upon a cavern containing a reptilian egg. They take it back to a Japanese research center, where the creature hatches and is studied by a group of not too bright scientists. Unfortunately, the parental Gappas show up to claim their newborn lizard, trashing most of Tokyo in the process.

    I had a great time watching this piece of nonsense. Just about everything in this film is a complete riot. After a somewhat slow first half, the action is almost non-stop and there's plenty of stupendous dialog to keep you entertained. The production values consist mostly of hilariously cheap-looking scale models, the story and the acting are ridiculous and most of the characters are empty-headed idiots, especially for a group of scientists. The monster, Gappa, is a kind of bird-lizard, basically a ridiculous looking over-sized chicken. When it flies, it sounds like an airplane, but that's probably the result of a slip-up in the sound effects, because the creature gets attacked by fighter planes a couple of times.

    Made by the Nikkatsu Studios to make a late cash-in on the success of Godzilla- and many other monster movies and - what I understand - it was also meant as a kind of satire on the monster movie craze. Well, that aspect of the film was a bit lost on me, or probably got lost in time or translation, but then, I'm hardly an expert on Japanese old-school kaiju-flicks.

    Camera Obscura --- 6/10
    5ebiros2

    Nikkatsu Studio's attempt at a "Kaijyu" movie

    Nikkatsu Studio was one of the six largest movie studio in Japan at the time this movie was made, but due to the proliferation of TV sets, Japanese movie industry was in a steady economic decline. Kaijyu or giant monster movies were about the only franchise that were still making good money, and Nikkatsu made an attempt to jump in to this genre with this movie.

    A Japanese expedition to the south pacific island unwittingly stumble onto a newly hatched baby triphibian reptile which the natives call "Gappa", and brings it back to Japan. A greedy publishing magnate, and an amusement park promoter notices a good thing when he sees one and decides to display the baby at his park. This didn't sit well with the parents of the baby reptile, and they show up in Japan to claim their kid. Rest is stereotypical giant monster mayhem.

    This movie as far as I know is the only movie that features a complete family of giant monsters or "Kaijyu" ever to be shown together. It's also a first Triphibian monster that can walk, breathe underwater, and fly. The story is bit derivative where I can see little pieces off of Gorgo, Mothra, Godzilla, King Kong etc. and not very original, but the special effects in this movie is surprisingly good for a studio's first attempt. Gappa is not just an mindless monster, but actually seems to have intelligence behind their actions. This lowers the tension of the monster's character as an engine of destruction, and the movie carries on with bit of a bore, but the overall production is good, and ranks as an average giant monster movie. You get to see a very young Yoko Yamamoto playing the star in this movie. She's still acting after nearly 50 years since this movie was made, and amazingly, still beautiful in her roles.
    5MovieWiz66

    Special Effects

    Just wanted to comment on some of the other statements made by people on this board. First,yes the special effects do not look like todays..but I for one like the pre-CGI effects. The special effects people had to be much more inventive and creative in the pre CGI days. This movie doesn't have the great effects of some of the old monster movies such as the Ray Harryhausen(which are better than any CGI in my opinion)features and the Godzilla films,but it still makes pretty good use of miniature sets. Great movie for young kids or us older people who still remember what it was like watching these films as a child. I love watching these movies for nostalgic purposes as well. Sure it can be cheesy to some..but if you watch these films in the context that they were meant to be viewed..they can be very entertaining and enjoyable.
    7wierzbowskisteedman

    Satire, you say?

    Move over Dr Strangelove; "Monster from a Prehistoric Planet" is the new satire in town. Okay, maybe my sarcasm is unjustified, Japanese satire is either too high brow for me or gets completely lost in translation. And its perfectly easy to loose anything in the atrocious dubbing kaiju films get plastered with.

    If I'm kind I have to call it a parody of King Kong; as the film deals with an expedition force, who are trying to find exotic animals for a new theme park, stumbling across a mysterious island where the indigenous tribe (who look strangely similar to Japanese with coal on their faces) worship a god called Gappa. The expedition take a baby Gappa back to Japan, with the parents in hot pursuit. Cue the miniatures.

    With the hideously handled love side story and the hilariously sentimental finale, I can only assume that this film was intended as tongue in cheek fare, and the satire label certainly confirms this. This aside however, the film is terrific by the standards of the time, with incredible amounts of destruction and very little time to breathe in between. Whether I'm missing the supposed hard-hitting social satire I don't really care; "Monster from a Prehistoric Planet" is a wonderfully extravagant example of monster films done properly, with a plot that doesn't dither amount and action that moves back to Japan pretty swiftly and doesn't let up from then on. The clichés are all over the place but this is hardly an issue, intentional or otherwise. Certainly, a kaiju film trying its hand at satire would be expected to be about as subtle as a ton of bricks, and with this in mind the film could have turned out a hell of a lot worse.

    (To the elite, "Monster from a Prehistoric Planet" has a special appeal. The Gappas are the very same monsters that menaced Kryten and Rimmer on wax world in series 4 of Red Dwarf; and as Kryten observed, you've probably seen more convincing dinosaurs in a packet of "wheatie flakes")
    7haildevilman

    Gappa Gappa Hey!

    Long thought to be missing but.......here it is. (Apologies to the Ramones.)

    This was a late comer to the U.S. video ranks because its script was hard to change to make it more 'American.' Japanese satire would be lost on anyone without a significant knowledge of the country. Most would see this as just another dude in a rubber suit burning Tokyo again.

    The monster itself was a bit different. Like Godzilla and Rodan hybridized. The usual happens. Military comes...fails...but this guy knows the secret.

    I have a Japanese video copy. It's the original version. But the DVD release was necessary. And the racist tag line never existed.

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The main and end title music heard in the overseas releases of this film (for example, Monster from a Prehistoric Planet in the U.S.) were from an earlier film also scored by Seitaro Omori, the Nikkatsu teen drama/comedy film Youth Song (1959).
    • गूफ़
      At 54:00 when airplanes attack the Gappas, for a brief moment during a view from an airplane target one can see where the fake sky backdrop ends and the movie studio beyond it.
    • भाव

      President Funazu: Like it? I call it Playmate Land.

    • इसके अलावा अन्य वर्जन
      In all English-dubbed versions of the film, the rock and roll theme song titled "Great Giant Beast Gappa" (heard in both the opening credits and the ending of the original Japanese version of it) is replaced by standard orchestral music. Also, the Japanese version features a song titled "Keep Trying, Baby Gappa!" (heard in the scene at the end of the film where the male and female Gappas are reunited with their baby). In all English-dubbed versions, the song's vocals are cut and thus, it becomes an instrumental song.
    • कनेक्शन
      Edited into Red Dwarf: Meltdown (1991)
    • साउंडट्रैक
      Daikyojû Gappa
      ("Great Giant Beast Gappa")

      Opening and Ending Theme (Japanese version only)

      Music by Masao Yoneyama

      Arrangement by Iwao Shigematsu

      Lyrics by Hikari Ichijô

      Performed by Katsuhiko Miki

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल14

    • How long is Gappa the Triphibian Monster?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 22 अप्रैल 1967 (जापान)
    • कंट्री ऑफ़ ओरिजिन
      • जापान
    • भाषा
      • जापानी
    • इस रूप में भी जाना जाता है
      • Gappa the Triphibian Monster
    • उत्पादन कंपनियां
      • Manson Corporation
      • Nikkatsu
    • IMDbPro पर और कंपनी क्रेडिट देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 1 घं 30 मि(90 min)
    • ध्वनि मिश्रण
      • Mono
    • पक्ष अनुपात
      • 2.35 : 1

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